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Durand Jones & The Indications "Love Will Work It Out" © Weird Life
Music, ReviewsJune 16, 2021<June 16, 2021

Durand Jones & The Indications Inject Passion, Faith & Soul into Smoldering Song “Love Will Work It Out”

by Mitch Mosk
Mumble Tide © 2021
Music, ReviewsJune 16, 2021<June 16, 2021

“A Big Noisy Casserole”: Bristol’s Mumble Tide Are Unleashed in “Sucker”

by Mitch Mosk
Charles on TV © Anable Simotas
Interviews, MusicJune 16, 2021<June 16, 2021

Interview: Charles on TV Floats Wild Metaphors on New Single “Golden Alligator”

by Ethan James
Lucy Kruger © Laura Carbone
Music, Music Videos, PremieresJune 16, 2021<June 16, 2021

Premiere: In “Warm II,” Lucy Kruger & The Lost Boys Finds Magic in the Madness of Love

by Mitch Mosk
Kate Vargas
Essays, MusicJune 16, 2021<June 16, 2021

“Self-Help Is an Oxymoron”: An Essay by Kate Vargas

by Guest Writer
Ellie Dixon © Kosha Karnad
Columns, Music, Reviews, Today's SongJune 16, 2021<October 7, 2022

Review: Ellie Dixon’s “Green Grass” Is a Playful, Irresistibly Sweet Take on Existential Crisis

by Mitch Mosk
Andy Cortes
Debut, Music, ReviewsJune 15, 2021<June 15, 2021

Surrey Singer/Songwriter Andy Cortes Radiates Love in Debut Single “Vaporised”

by Mitch Mosk
Interviews, MusicJune 15, 2021<June 15, 2021

Interview: Mat Zo Reflects on a Near-Decade of Transatlantic Electronica Production

by Josh Weiner
Scott Helman © 2021
Music, ReviewsJune 15, 2021<June 15, 2021

Review: Scott Helman’s Anthemic “Old Friends” Explodes with Passion & Reckless Abandon

by Mitch Mosk
AUGUST 08 © 2021
Features, Interviews, MusicJune 15, 2021<June 15, 2021

“I’m forever open”: AUGUST 08 Dives into the Stunning Depths of His Intimate & Vulnerable ‘EMOTIONAL CUH’

by Mitch Mosk
Wilby © Bennett Littlejohn
Artist to Watch, Debut, Music, PremieresJune 15, 2021<June 15, 2021

Artist to Watch: Wilby’s Debut EP ‘Translucent Beauty’ Embraces Vulnerability & Catchy, Intimate Indie Pop

by Mitch Mosk
Columns, Music, Today's SongJune 15, 2021<June 15, 2021

Today’s Song: How Jessie Paege Encourages Healing with “History Will Not Repeat”

by Dimitra Gurduiala
Alfa Mist © Johny Pitts
Music, ReviewsJune 15, 2021<August 16, 2024

Review: Alfa Mist Finds Feet & Faces Fears of Failure on Fourth LP ‘Bring Backs’

by Adam Davidson
Grace Weber © Kelianne
Debut, Features, Music, Reviews, Track-by-TrackJune 15, 2021<June 15, 2021

“Hopeful, Magical, Space”: Grace Weber Goes Track-by-Track Through Debut Album ‘A Beautiful Space’

by Mitch Mosk
Jen Rim © Robbie Jeffers
Debut, Music, PremieresJune 14, 2021<June 14, 2021

Premiere: Jen Rim Rises on Intimate & Unfiltered Debut Single “Hanging On”

by Mitch Mosk
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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