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Columns, Music, Today's SongApril 21, 2021<April 21, 2021

Today’s Song: Yuki Dreams Again Chases Girls & Delivers the Cross-Genre Goods on Third Single “Cold World”

by Josh Weiner
Saint Raymond
Interviews, MusicApril 20, 2021<April 20, 2021

Interview: ‘We Forgot We Were Dreaming’ Is the Record That Taught Saint Raymond How to Trust Himself

by Bethan Harper
yey © 2021
Columns, Music, Today's SongApril 20, 2021<April 20, 2021

Today’s Song: yey Hypnotizes ‘Til the Break of “Dawn” on Her Expressive Third Single

by Dimitra Gurduiala
CANNXN © Julie Lopez-Acosta
Debut, Music, PremieresApril 20, 2021<April 20, 2021

Premiere: CANNXN Lights a Burning Fire in Debut EP ‘Will I Always Feel This Way?’

by Mitch Mosk
Slow Down - Gilligan Moss
Music, ReviewsApril 20, 2021<April 20, 2021

Brooklyn’s Gilligan Moss Shine with Feel-Good Grooves on Summery “Slow Down” & Self-Titled Debut

by Mitch Mosk
Cheer Captain - Charli Adams
Features, Interviews, MusicApril 19, 2021<October 5, 2021

“I’m a people pleaser, but I don’t want to be her”: Charli Adams Dives into Her Liberating Anthem “Cheer Captain”

by Mitch Mosk
Lucy Dacus © Marin Leong
Columns, Music, Today's SongApril 19, 2021<April 19, 2021

Today’s Song: “Thumbs” Is Lucy Dacus’ Ultimate Statement as a Storyteller

by Nicole Almeida
glimmers © Sophie Harris
Features, Interviews, MusicApril 19, 2021<April 27, 2021

Interview: Glimmers Make Cinematic Magic on Concept EP ‘Worlds Apart’

by Lowndes Commander
Features, Music, Weekly RoundupApril 16, 2021<March 25, 2022

Atwood Magazine’s Weekly Roundup: April 16, 2021

by Atwood Magazine Staff
Music, Reviews, Track-by-TrackApril 16, 2021<April 16, 2021

The Journey’s End: A Track-By-Track Review of Son Lux’s ‘Tomorrows III’

by Adrian Vargas
Interviews, MusicApril 16, 2021<April 16, 2021

Interview: Nisa’s Debut EP ‘Guilt Trip’ Finds Beauty in the Process of Self-Acceptance

by Lowndes Commander
Californian Soil - London Grammar
Features, Music, ReviewsApril 16, 2021<April 16, 2021

Visionary Emotion & Transformation: A Review of London Grammar’s ‘Californian Soil’

by Guest Writer
SYML
Features, Music, Reviews, Track-by-TrackApril 16, 2021<April 26, 2021

Loss Sparks Life: SYML Channels Grief & Trauma on His Stirring ‘DIM’ EP

by Mitch Mosk
Features, Interviews, MusicApril 15, 2021<April 22, 2021

The Unpredictable Creations of Improvisation: A Conversation with Son Lux

by Adrian Vargas
NewDad
Debut, Features, Interviews, MusicApril 15, 2021<April 13, 2021

Interview: Dive Headfirst into Irish Dream Pop Band NewDad’s Debut EP ‘Waves’

by Jesse Herb
Posts pagination
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Brand New

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

:: discover something new ::

Recent Posts

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
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