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Yasmin Williams © Kim Atkins 8.9
Columns, Music, Our TakeMarch 12, 2021<March 12, 2021

Our Take: Reflection & Luminescence on Yasmin Williams’ Spellbinding ‘Urban Driftwood’

by Dalia
XIXA © Puspa Loh Meyer
Music, ReviewsMarch 12, 2021<March 12, 2021

Review: XIXA Embark on an Unsettling Tour of the Sonoran Desert on Sophomore Record ‘Genesis’

by Josh Weiner
Timothy EP - Tim Chadwick
Features, Music, Reviews, Track-by-TrackMarch 12, 2021<March 12, 2021

“Heartbreaking, Honest, Healing”: Tim Chadwick Goes Track-by-Track Through ‘Timothy’ EP

by Mitch Mosk
Núria Graham © Marc Cusco
Artist to Watch, Music, PremieresMarch 12, 2021<March 12, 2021

Artist-to-Watch: Núria Graham Captivates on Cinematic & Dreamy “At Last”

by Mitch Mosk
Future Teens © Adam Parshall
Features, Interviews, MusicMarch 12, 2021<March 12, 2021

Interview: Future Teens’ Latest EP ‘Deliberately Alive’ Is Full of “Mental Health Bangers”

by Lowndes Commander
Ezinma © Natalia Aguilera
Features, Interviews, MusicMarch 12, 2021<March 12, 2021

Interview: Ezinma Pushes Classical Forward Recalling Its Fiery Origins

by Coco Rich
Evering Road - Tom Grennan
Music, ReviewsMarch 12, 2021<March 12, 2021

Soul-Searching, Soul Sounds, & Refreshing Admissions of Struggle: Tom Grennan’s ‘Evering Road’

by Bethan Harper
Estère © Bayly & Moore
Features, Interviews, Music, Reviews, Track-by-TrackMarch 11, 2021<March 11, 2021

“Mesmerising, Diverse, Animated”: Estère Dives into Her Folkloric & Deeply Human 3rd LP, ‘Archetypes’

by Mitch Mosk
maybe i will see you at the end of the world - Sydney Sprague
Debut, Features, Music, Reviews, Track-by-TrackMarch 11, 2021<July 13, 2022

“Sentimental, Existential, & Vulnerable”: Sydney Sprague Dives into Debut Album ‘maybe i will see you at the end of the world’

by Mitch Mosk
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 11, 2021<September 21, 2023

Atwood Magazine Celebrates Women’s History Month 2021, Pt. II

by Atwood Magazine Staff
Grouplove © James Marcus Haney
Features, Interviews, MusicMarch 11, 2021<April 8, 2021

“The record healed us, and maybe it can heal you”: Grouplove’s ‘Healer’, One Year Later

by Mitch Mosk
Johnny Ashby © Jovanna Reyes
Columns, Music, Today's SongMarch 11, 2021<March 10, 2021

Today’s Song: Johnny Ashby is Just “Getting Started” in His Absorbing New Single

by Joe Beer
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 11, 2021<March 11, 2021

Breaking the Record with Roan Yellowthorn, Part 53: “Vampire” Video

by Guest Writer
WULF
Interviews, Music, PremieresMarch 11, 2021<March 10, 2021

Interview: London Indie Rock Trio WULF Talk “Never Giving Up,” New Music, COVID, & More

by Mitch Mosk
YINYANG
Music, Music Videos, PremieresMarch 11, 2021<November 4, 2023

Premiere: Northern Ireland’s YINYANG Talks Self-Care in Second Single “BLOODHOUND / EARTHBOUND”

by Dimitra Gurduiala
Posts pagination
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Brand New

  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”

:: discover something new ::

Recent Posts

  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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