• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Atwood Magazine's Weekly Roundup | May 14. 2021
Columns, Features, Music, Weekly RoundupMay 14, 2021<May 14, 2021

Atwood Magazine’s Weekly Roundup: May 14, 2021

by Atwood Magazine Staff
Elephante © Alex Lopes
Music, ReviewsMay 14, 2021<May 11, 2023

Review: Swimming Upstream with Elephante’s Hypnotizing “High Water”

by Mitch Mosk
girlhouse © Alex Justice
Artist to Watch, Debut, Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Sad Ginger Music”: girlhouse Goes Track-by-Track Through Her Visceral Debut EP

by Mitch Mosk
8.3
Music, Our Take, ReviewsMay 14, 2021<May 14, 2021

Our Take: A Sonic and Personal Evolution on Current Joy’s ‘Voyager’

by Adrian Vargas
Tommy Ashby © Fraser Taylor
Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Hopeful, Atmospheric, Escapism”: Inside Tommy Ashby’s Stirring & Serene ‘Lay Low’ EP (ft. Lydia Clowes)

by Mitch Mosk
William Fitzsimmons © Erin Brown
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: William Fitzsimmons Dwells in Love’s Throes on “Dancing on the Sun” off New LP ‘Ready the Astronaut”

by Mitch Mosk
Charlotte OC © Jamie Noise
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: Charlotte OC Reckons with Loss in Hauntingly Beautiful Song, “Inevitable”

by Mitch Mosk
Barenaked Ladies (L-R): Kevin Hearn (keyboards), Ed Robertson (vocals/guitar), Tyler Stewart (drums), Jim Creeggan (bass) © Matt Barnes
Interviews, MusicMay 13, 2021<May 13, 2021

Interview: Barenaked Ladies Look for Common Ground in Arena-Ready Anthem “Flip”

by Mitch Mosk
TOBi © Stanislaw
Music, ReviewsMay 13, 2021<May 13, 2021

Review: TOBi & Flo Milli Heat Up in Dynamic, Impassioned “Family Matters” Reboot

by Mitch Mosk
Lycoriscoris © 2021
Interviews, MusicMay 13, 2021<May 13, 2021

Interview with Lycoriscoris: A Master EDM-Maker from Japan Delivers a Spellbinding Record with ‘Chiyu’

by Josh Weiner
Peter Stone © Lakyn Heming
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Singer/Songwriter Peter Stone Reflects on Home, Place, Loss, & Self in “Pacific”

by Mitch Mosk
Music, ReviewsMay 13, 2021<May 13, 2021

Review: Contour’s ‘Love Suite’ EP Exists in a Realm of Its Own

by Sophie Prettyman-Beauchamp
Wanderwild © Emma Rolader Martin
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Athens, GA’s Wanderwild Ignite in Dazzlingly Dynamic “Stranger”

by Mitch Mosk
Columns, Music, Today's SongMay 13, 2021<May 13, 2021

Today’s Song: Hanne Mjøen’s “Hell with You” Is a Heavenly, Synth Dreamland

by Joe Beer
Olivia O. © Avsha Weinberg
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Olivia O. Returns with New Single “All I Want,” an Achingly Vulnerable & Bittersweet Surrender

by Mitch Mosk
Posts pagination
1 … 318 319 320 321 322 … 729

Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services