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Haus Party Pt. 3 - Todrick Hall
Features, Interviews, MusicMarch 9, 2021<March 10, 2021

Disney Magic, Love Songs, & ‘Haus Party 3’: A Conversation with Todrick Hall

by Mitch Mosk
Pom Pom Squad © Camilea Azar
Columns, Music, Today's SongMarch 8, 2021<March 8, 2021

Today’s Song: Pom Pom Squad’s Explosive & Impassioned “Lux” Reels Through Trauma & Turmoil with Feverish Finesse

by Mitch Mosk
Chloe Rodgers © Silvija Gec
Music, PremieresMarch 8, 2021<March 8, 2021

Premiere: Chloe Rodgers’ Captivating “Coins for Charon” Is a Slow-Burning Upheaval

by Mitch Mosk
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 8, 2021<March 14, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. I

by Atwood Magazine Staff
Allie Crow Buckley © Nastassia Brückin
Debut, Features, Interviews, MusicMarch 8, 2021<March 14, 2021

Magic, Nature, and Adventuring in Italy: A Conversation with Allie Crow Buckley

by Frankie Rose
Wy © Lamia Karic
Music, PremieresMarch 8, 2021<March 1, 2022

Premiere: Wy Reckon with Social Media & Selfies in Unfiltered “That Picture of Me”

by Mitch Mosk
Jeremiah Fraites © Roberto Graziano Moro
Features, Interviews, MusicMarch 5, 2021<March 7, 2021

Interview: The Lumineers’ Jeremiah Fraites Presents His Solo Album ‘Piano Piano,’ Made from the Chicanes of Life

by Ilana Kalish
International Women's Day 2021
Columns, Features, Music, Weekly RoundupMarch 5, 2021<March 10, 2021

Atwood Magazine’s Weekly Roundup: International Women’s Day 2021

by Atwood Magazine Staff
The Covasettes © 2021
Music, Reviews, Today's SongMarch 5, 2021<March 5, 2021

The Covasettes’ “Modern Rapunzel” Is an Ode to the Fading of a Modern Romance 

by Bethan Harper
Debut, Music, This Just InMarch 5, 2021<March 5, 2021

This Just in: Eden Rain’s “Wake Up, You’re Stuck” Is a Soulful Debut Like No Other

by Adrian Vargas
CHARLOTTE - Charlotte Lawrence
Features, Interviews, MusicMarch 5, 2021<April 8, 2021

Interview: Charlotte Lawrence Bares All in Her Intimate & Breathtaking ‘Charlotte’ EP

by Mitch Mosk
Interviews, MusicMarch 5, 2021<March 2, 2025

Interview: IAN SWEET’s Jilian Medford Finds Herself Again on ‘Show Me How You Disappear’

by Sophie Prettyman-Beauchamp
Atwood Editor's Picks 46
Editor's Picks, Features, MusicMarch 4, 2021<March 14, 2021

Editor’s Picks 46: Samm Henshaw, TEE, Hannah Jadagu, Jacob Banks, Kenneth Whalum, & McKinley Dixon

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 4, 2021<March 4, 2021

Breaking the Record with Roan Yellowthorn, Part 52: “Vampire”

by Guest Writer
Old Sea Brigade © Laura E. Partain
Interviews, Music, PremieresMarch 4, 2021<March 4, 2021

Interview: Old Sea Brigade Captures Love’s Tender Weight in “Nothing Clever” Off New Album ‘Motivational Speaking’

by Mitch Mosk
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Brand New

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025

:: discover something new ::

Recent Posts

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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