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The Wonder Years
Features, Music, ReviewsJune 14, 2021<June 14, 2021

I’ve Given You All: A Decade of The Wonder Years’ ‘Suburbia I’ve Given You All and Now I’m Nothing’

by James Crowley
Onsen © Julian Buchan
Essays, MusicJune 14, 2021<June 14, 2021

Did You Know That Being Gay Is a Superpower? An Essay by Onsen

by Guest Writer
Solar Power - Lorde
Music, Reviews, This Just InJune 14, 2021<June 14, 2021

This Just In: Unabashedly Blissful, Lorde Returns with Sun-Kissed “Solar Power”

by Kelly Liu
Tai Verdes © Angelo Kritikos
Columns, Music, Today's SongJune 14, 2021<June 14, 2021

Today’s Song: Tai Verdes Soars on Carefree Summer Singalong “A-O-K” Off Debut Album ‘TV’

by Christine Costello
John Splithoff © Lauren Jones
Debut, Interviews, MusicJune 11, 2021<June 11, 2021

Interview: John Splithoff Is ‘All In’ for His Next Career Phase As an LP-Maker

by Josh Weiner
E L E Y © Eddy Chen
Columns, Music, Today's SongJune 11, 2021<June 11, 2021

Today’s Song: LA’s E L E Y Lights a Burning “Fire” with Passionate, Radiant Debut Single

by Mitch Mosk
Butterfly Ali © Roi Allen Henson
Debut, Features, Music, Reviews, Track-by-TrackJune 11, 2021<June 11, 2021

“Honest, Expressive, & Funky”: Butterfly Ali Soars in ‘Preacher’s Kid,’ His Energizing Debut EP

by Mitch Mosk
Music, ReviewsJune 11, 2021<June 11, 2021

Review: A Worldly & Rich Sonic Experience on Evan Cheadle’s ‘Fault Line Serenade’

by Adrian Vargas
K.Flay © Hannah Edelman
Features, Interviews, MusicJune 11, 2021<June 11, 2021

Interview: K.Flay Is Ready to Let Her ‘Inside Voices’ Speak Through Her Latest EP

by Dimitra Gurduiala
Atwood Magazine's Weekly Roundup, Pride Month 2021
Columns, Features, Music, Weekly RoundupJune 11, 2021<October 5, 2021

Atwood Magazine’s Weekly Roundup: Pride Month 2021!

by Atwood Magazine Staff
Holiday Ghosts © Holiday Ghosts 7
Music, Our Take, ReviewsJune 11, 2021<June 11, 2021

Our Take: Holiday Ghosts Capture Our Times with a Little Help From the Past on ‘North Street Air’

by Oliver Crook
Coconut Cream © Hudson Reed
Columns, Music, Today's SongJune 10, 2021<June 10, 2021

Today’s Song: Sydney’s Coconut Cream Dazzle & Charm in Their Dynamic Single “Your Drug on Computers”

by Mitch Mosk
Wy © Lamia Karic
Features, Music, Reviews, Track-by-TrackJune 10, 2021<June 10, 2021

“Raw & Vulnerable, Yet Confident”: Wy’s Irresistibly Intimate & Stirring Third Album ‘Marriage’

by Mitch Mosk
Seint Monet © Daniel Chaney & Kathryn Chaney
Music, PremieresJune 10, 2021<July 13, 2021

Seint Monet’s Irresistible “In Line & In Love” Is a Sweet, Sun-Soaked Seduction

by Mitch Mosk
Shakey Graves © Magen Buse
Features, Interviews, MusicJune 10, 2021<July 2, 2021

The Questing Beast: Ten Years of Shakey Graves & ‘Roll the Bones’

by Mariel Fechik
Posts pagination
1 … 320 321 322 323 324 … 740

Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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