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DE'WAYNE © Joe Mischo
Columns, Music, Today's SongFebruary 12, 2021<February 12, 2021

Today’s Song: DE’WAYNE Explodes with Passionate, Feverish Genre-Bending Upheaval “I Know Something”

by Mitch Mosk
Tayo Sound © 2021
Black History Month, Music, Track-by-TrackFebruary 12, 2021<February 22, 2021

Track-by-Track: Tayo Sound Dives into his Dreamy & Woozy Debut EP ‘Runaway’

by Mitch Mosk
Fantastic Negrito © Willem Wouterse
Black History Month, MusicFebruary 12, 2021<February 12, 2021

“Storefront Records”: An Essay by Xavier Dphrepaulezz (Fantastic Negrito)

by Guest Writer
Rebecca Black © Jade DeRose
Features, Interviews, MusicFebruary 12, 2021<February 12, 2021

Interview: Rebecca Black on a Decade of “Fridays” and Her New Single “Girlfriend”

by James Crowley
Present Company © Kennedy Kasperek
Music, PremieresFebruary 11, 2021<February 11, 2021

Premiere: MN’s Present Company Inject Energy & Anxiety into Dynamic New Single “It’s Not Looking Good”

by Mitch Mosk
YNW BSlime © Josh Aronson
Columns, Music, Today's SongFebruary 11, 2021<February 11, 2021

Today’s Song: YNW BSlime Is on the Way to Greatness with Sweet Single “OTW”

by Mitch Mosk
BeyondSonny © Alexsa Tolentino
Black History Month, Features, Interviews, MusicFebruary 11, 2021<February 11, 2021

Interview: Brooklyn Rapper BeyondSonny Discusses Stunning Single “Black Friends,” Black History Month, & More

by Mitch Mosk
Artist to Watch, Interviews, MusicFebruary 11, 2021<February 11, 2021

Interview: Micky James’ New Show “Live At The Met – The Philadelphia Special” Bursts with Raw Passion & Amped-Up Energy

by Chloe Robinson
Judith Hill © Jeremy Jackson
Black History Month, MusicFebruary 11, 2021<February 11, 2021

“The Sound of Culture”: An Essay by Judith Hill

by Guest Writer
Jacob Banks © Grace Rivera
Music, Reviews, This Just InFebruary 11, 2021<February 11, 2021

This Just In: Jacob Banks’ New Single “Parade” Is a Marching Song

by Bethan Harper
Watch This Liquid Pour Itself - Okay Kaya
MusicFebruary 11, 2021<February 10, 2021

Review: Okay Kaya Redefines Bedroom Pop on ‘Watch This Liquid Pour Itself’

by Sophie Prettyman-Beauchamp
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 11, 2021<February 10, 2021

Breaking the Record with Roan Yellowthorn, Part 50: Little Love

by Guest Writer
Boyish © Nicole Teckchandani
Columns, Music, Today's SongFebruary 10, 2021<March 5, 2021

Today’s Song: Brooklyn’s Boyish Shine with Seductive & Dreamy Single “Superstar”

by Mitch Mosk
Sex, Addiction, & Everyone Else. - Nicotine Dolls
Artist to Watch, Debut, Features, Music, PremieresFebruary 10, 2021<February 10, 2021

Premiere: NYC’s Nicotine Dolls Soar on Stunning Cinematic Debut EP ‘Sex, Addiction, & Everyone Else.’

by Mitch Mosk
Interviews, MusicFebruary 10, 2021<February 10, 2021

Interview: Sofía Valdés Wants Her New EP ‘Ventura’ to Be the Soundtrack to Your Time

by Erica Danielle Garcia
Posts pagination
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Brand New

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

:: discover something new ::

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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