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Michael Baker
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 17, 2021

“Bionic Chemistry Chimney”: Michael Baker Dives into His Stirring & Hopeful 3rd LP ‘How Come You Sleep’

by Mitch Mosk
Blackout Problems
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 19, 2021

“Emotional, Energetic, Expressive”: Germany’s Blackout Problems Dive into Unrelenting 3rd LP ‘DARK’

by Mitch Mosk
8.2
Debut, Music, Our Take, Reviews, Track-by-TrackMarch 17, 2021<March 17, 2021

Track-By-Track: Black Country, New Road Are a Visage of Tension and Unsettled Nerves on ‘For the first time’

by Nick Matthopoulos
TANGERINE © Miro Justad
Artist to Watch, Music, PremieresMarch 17, 2021<March 17, 2021

Premiere: TANGERINE Bask in Cosmic Indie Folk Dreams on “The Coldest Winter”

by Mitch Mosk
The Bones of J.R. Jones © Christian Harder
Interviews, Music, PremieresMarch 17, 2021<March 17, 2021

“Understated, Honest, & Dark”: The Bones of J.R. Jones Lights a Fire in ‘A Celebration’ EP

by Mitch Mosk
Hands Down © Fredrik Stål
Columns, Debut, Today's SongMarch 17, 2021<March 17, 2021

Today’s Song: Hands Down Delivers a Deceptively Sweet Debut with “Too Late”

by Adrian Vargas
Huitième Art - Sinik 8
Music, Our Take, ReviewsMarch 17, 2021<March 16, 2021

Our Take: Sinik Maintains His Streak of Dominance in the French Rap Game with ‘Huitième art’

by Josh Weiner
Celebrating Irish Music: St. Patrick's Day 2021
Features, Music, PlaylistsMarch 17, 2021<April 11, 2021

Celebrating Irish Music: St. Patrick’s Day Artist Showcase, 2021

by Atwood Magazine Staff
Millennium Parade
Music, ReviewsMarch 16, 2021<March 16, 2021

Review: The Fascinating & Magical Atmosphere of Millennium Parade’s Debut Album

by Dimitra Gurduiala
Spring Summer © Roman Coppola
Debut, Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Jennifer Furches’ Solo Project Spring Summer Debuts with Dazzling First Single “Bow Your Head”

by Mitch Mosk
Maritza Merk
Debut, Features, Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Smooth, Relatable, & Confident”: Maritza Merk Dives into Her Transformative Debut Album ‘X’

by Mitch Mosk
8.3
Music, Our Take, ReviewsMarch 16, 2021<March 16, 2021

Our Take: King Gizzard’s Brilliant, Ostentatious Double Album ‘K.G.L.W.’

by Ben Niesen
Unsaid - Psychic Shakes
Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Informal, Conversational, Confessional”: Psychic Shakes Dives into His Mesmerizing ‘Unsaid’ EP

by Mitch Mosk
Internet Raised © 2021
Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Internet Raised’s Intimate “Burning Sheets” Is a Seductive Indie Pop Dalliance

by Mitch Mosk
Babygirl © Kate Dockeray
Columns, Music, Today's SongMarch 16, 2021<March 15, 2021

Young Love & Loss: Ontario’s Babygirl Dazzle on Slick, Sweet Single “You Were in My Dream Last Night”

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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