Columns, Interviews, MusicJanuary 29, 2021<January 29, 2021 Interview: Calica & Daniel Loumpouridis Discuss Catchy Single “Don’t,” New EP ‘Lens,’ TikTok, and Their Road to Success by Chloe Robinson
Features, Interviews, MusicJanuary 29, 2021<January 29, 2021 Interview: Toronto’s Verzache Dwells in the Wavey, Hazey Depths of “All I Need” Off Forthcoming Debut ‘My Head Is a Moshpit’ by Mitch Mosk
Columns, Features, Weekly RoundupJanuary 29, 2021<January 29, 2021 Atwood Magazine’s Weekly Roundup: January 29, 2021 by Atwood Magazine Staff
Features, Interviews, MusicJanuary 29, 2021<February 5, 2021 Developing a Voice & Spreading Joy Amidst an Apocalypse: A Conversation with Baio by Frankie Rose
Artist to Watch, Music, ReviewsJanuary 28, 2021<January 28, 2021 Artist to Watch: Adam Melchor Stuns with Breathtakingly Beautiful Songs “Life on Earth?” & “The Last Song on Earth” by Mitch Mosk
Columns, Music, Today's SongJanuary 28, 2021<January 28, 2021 Today’s Song: Brooklyn’s Phantom Wave Dwell in Ethereal Shoegaze Depths on Overdriven Upheaval “Billows” by Mitch Mosk
Music, PremieresJanuary 28, 2021<January 28, 2021 Premiere: Doohickey Cubicle’s Hazey Song “Sign Here” Is a Cheeky & Intoxicating Celebration of Consumerism by Mitch Mosk
Music, ReviewsJanuary 28, 2021<January 28, 2021 California Duo JOYNER’s 2018 Debut “White Lights” Continues to Burn Bright by Mitch Mosk
Breaking the Record, Columns, MusicJanuary 28, 2021<January 28, 2021 Breaking the Record with Roan Yellowthorn, Part 48: Making Progress by Guest Writer
Music, Music Videos, PremieresJanuary 28, 2021<January 27, 2021 Premiere: Hamburg’s Roller Derby Weave a World of Dream Pop Wonder in Soaring “Can’t See You” by Mitch Mosk
Music, Music Videos, PremieresJanuary 28, 2021<January 27, 2021 Premiere: Sincere Engineer Infuse the Mundanity of Winter with Blood-Hot Drama on “Tourniquet” by Ethan James
Interviews, MusicJanuary 27, 2021<August 19, 2021 Interview: Michigan Synth Duo Twïnn Deliver “Accidental Diplomatic Mosaics from Space” by Lilly Eason
Interviews, MusicJanuary 27, 2021<January 27, 2021 “Three scruffy wronguns making a powerful album”: False Heads’ Luke Griffiths Looks Back on Dynamite Debut a Year Later by Guest Writer
Columns, Editor's Picks, Features, MusicJanuary 27, 2021<January 27, 2021 Editor’s Picks 44: Weezer, Soda Blonde, Arlo Parks, Charli Adams, Avenue Beat, & Kuri by Mitch Mosk
Debut, Features, Music, PremieresJanuary 27, 2021<January 27, 2021 Album Premiere: Reinventing Traditional Folk Tales with Rosier’s Debut ‘Légèrement’ by Frankie Rose
For the Love of Music
For the Love of Music
