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Columns, Music, Reviews, Today's SongMarch 9, 2021<March 9, 2021

Review: Japanese Breakfast Is Back to Take on the World with “Be Sweet”

by Dalia
Lava La Rue © Jack Cullis
Columns, Music, Today's SongMarch 9, 2021<March 9, 2021

Today’s Song: Lava La Rue’s “Magpie” Pays Forward the Musical Lineage of the UK Underground Scene

by Kelly Liu
Haus Party Pt. 3 - Todrick Hall
Features, Interviews, MusicMarch 9, 2021<March 10, 2021

Disney Magic, Love Songs, & ‘Haus Party 3’: A Conversation with Todrick Hall

by Mitch Mosk
Pom Pom Squad © Camilea Azar
Columns, Music, Today's SongMarch 8, 2021<March 8, 2021

Today’s Song: Pom Pom Squad’s Explosive & Impassioned “Lux” Reels Through Trauma & Turmoil with Feverish Finesse

by Mitch Mosk
Chloe Rodgers © Silvija Gec
Music, PremieresMarch 8, 2021<March 8, 2021

Premiere: Chloe Rodgers’ Captivating “Coins for Charon” Is a Slow-Burning Upheaval

by Mitch Mosk
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 8, 2021<March 14, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. I

by Atwood Magazine Staff
Allie Crow Buckley © Nastassia Brückin
Debut, Features, Interviews, MusicMarch 8, 2021<March 14, 2021

Magic, Nature, and Adventuring in Italy: A Conversation with Allie Crow Buckley

by Frankie Rose
Wy © Lamia Karic
Music, PremieresMarch 8, 2021<March 1, 2022

Premiere: Wy Reckon with Social Media & Selfies in Unfiltered “That Picture of Me”

by Mitch Mosk
Jeremiah Fraites © Roberto Graziano Moro
Features, Interviews, MusicMarch 5, 2021<March 7, 2021

Interview: The Lumineers’ Jeremiah Fraites Presents His Solo Album ‘Piano Piano,’ Made from the Chicanes of Life

by Ilana Kalish
International Women's Day 2021
Columns, Features, Music, Weekly RoundupMarch 5, 2021<March 10, 2021

Atwood Magazine’s Weekly Roundup: International Women’s Day 2021

by Atwood Magazine Staff
The Covasettes © 2021
Music, Reviews, Today's SongMarch 5, 2021<March 5, 2021

The Covasettes’ “Modern Rapunzel” Is an Ode to the Fading of a Modern Romance 

by Bethan Harper
Debut, Music, This Just InMarch 5, 2021<March 5, 2021

This Just in: Eden Rain’s “Wake Up, You’re Stuck” Is a Soulful Debut Like No Other

by Adrian Vargas
CHARLOTTE - Charlotte Lawrence
Features, Interviews, MusicMarch 5, 2021<April 8, 2021

Interview: Charlotte Lawrence Bares All in Her Intimate & Breathtaking ‘Charlotte’ EP

by Mitch Mosk
Interviews, MusicMarch 5, 2021<March 2, 2025

Interview: IAN SWEET’s Jilian Medford Finds Herself Again on ‘Show Me How You Disappear’

by Sophie Prettyman-Beauchamp
Atwood Editor's Picks 46
Editor's Picks, Features, MusicMarch 4, 2021<March 14, 2021

Editor’s Picks 46: Samm Henshaw, TEE, Hannah Jadagu, Jacob Banks, Kenneth Whalum, & McKinley Dixon

by Mitch Mosk
Posts pagination
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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