Features, Interviews, MusicApril 12, 2021<April 9, 2021 Interview: The Lighthouse and the Whaler Are Back with Cheerful, Nostalgic Single “When We Meet” by Dimitra Gurduiala
Columns, Music, Today's SongApril 12, 2021<April 9, 2021 Today’s Song: Satomimagae Combines Dark Folk & Ambient Atmospheres in “Houkou” by Diego Morales
Music, Reviews, Today's SongApril 10, 2021<April 9, 2021 Today’s Song: The Dirty Nil End the Night with “One More and the Bill” by James Crowley
8 Debut, Music, Our Take, ReviewsApril 9, 2021<April 9, 2021 Our Take: Love Is Creation on NYIKO’s Debut Album ‘Honesty’ by Anthony Kozlowski
Interviews, MusicApril 9, 2021<May 7, 2021 “Sociopath”: Olivia O’Brien Goes Behind the Scenes of Her Thrilling New Song & Horror Film by Mitch Mosk
Features, Music, Weekly RoundupApril 9, 2021<April 9, 2021 Atwood Magazine’s Weekly Roundup: April 9, 2021 by Atwood Magazine Staff
Interviews, Music, ReviewsApril 9, 2021<April 9, 2021 The Power of Vulnerability: A Conversation With Marie Naffah by Adrian Vargas
Music, ReviewsApril 9, 2021<April 9, 2021 Review: Spirit of the Beehive Become One with the Ether on ‘ENTERTAINMENT, DEATH’ by Sophie Prettyman-Beauchamp
Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021 “Reflecting. Accepting. Healing.”: Cujo Moon Weaves Worlds of Wonder in ‘Bridges II’ EP by Mitch Mosk
Debut, Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021 “Soul Blues Goodness”: Stealth Soars in His Smoldering Debut Album ‘Bury Me’ by Mitch Mosk
Columns, Music, Today's SongApril 9, 2021<April 9, 2021 Today’s Song: A Contrast of Cheer & Ignorance on Blood Cultures’ “Set It On Fire” by Adrian Vargas
Features, Interviews, MusicApril 9, 2021<April 8, 2021 In His Own Sweet Time: An Interview with The Fratellis’ Jon Fratelli by Kelly Liu
Debut, Music, Premieres, Track-by-TrackApril 8, 2021<April 8, 2021 “Raw, Emotive Yearning”: Sarah Cicero Spills Her Soul in Debut EP ‘Cold Immaculate Opposite’ by Mitch Mosk
Features, Music, Reviews, RoundtableApril 8, 2021<June 29, 2024 Roundtable Discussion: A Review of Lana Del Rey’s ‘Chemtrails over the Country Club’ by Atwood Magazine Staff
Features, Interviews, MusicApril 8, 2021<April 8, 2021 Interview: Buffalo Rapper Billie Essco Is in a League of His Own by Mitch Mosk
For the Love of Music
For the Love of Music
