Music, Reviews, This Just InDecember 14, 2020<December 14, 2020 This Just In: French for Rabbits’ “The Dark Arts” Offers Stirring Reflections on Memory & Meaning by Mitch Mosk
Debut, Interviews, MusicDecember 14, 2020<December 19, 2020 Interview with This Is The Deep: London Indie Rock Collective Dazzles with a Rare Sonic Limitlessness by Chloe Robinson
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020 Track-by-Track: Singer/Songwriter Garrett Owen on His Stirring Sophomore Album ‘Quiet Lives’ by Mitch Mosk
9.1 Features, Music, Our Take, Reviews, Track-by-TrackDecember 14, 2020<December 15, 2020 Tenderness in Chaotic Times: Taiwan’s Sunset Rollercoaster on Buoyant 3rd Album ‘SOFT STORM’ by Mitch Mosk
Features, Interviews, MusicDecember 14, 2020<December 14, 2020 Interview with The Flaming Lips: ‘American Head’, Facing Mortality, & the Healing Power of Music by Jordan Catagnus
Interviews, MusicDecember 14, 2020<December 14, 2020 Interview: Nané Is an Energetic Texas Group with One Album in the Bag & Sights Set on Further Ambitions by Josh Weiner
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020 “Mature, Honest, & Self-Reflexive”: Twist Helix’s ‘Machinery’ Is a Bold, Sweeping Alt-Pop Culture Critique by Mitch Mosk
Columns, Music, Today's SongDecember 14, 2020<December 14, 2020 Today’s Song: Slow Pulp Celebrate Consistency & Change on Contemplative “Track” by Lowndes Commander
Interviews, Music, Reviews, Track-by-TrackDecember 11, 2020<December 11, 2020 “Darkness, Power, Light”: Ontario’s Falcon Jane Goes Track-by-Track Through Her ‘Faith’ by Mitch Mosk
Features, Interviews, MusicDecember 11, 2020<December 22, 2020 Gaidaa Meets Gaidaa, Meets the World: A Conversation with Gaidaa by Nicole Almeida
Columns, Music, Today's SongDecember 11, 2020<December 11, 2020 Today’s Song: The Beauty & Devastation of Angelo De Augustine’s “Blue” ft. Sufjan Stevens by Mitch Mosk
Columns, Features, Music, Weekly RoundupDecember 11, 2020<December 22, 2020 Atwood Magazine’s Weekly Roundup: December 11, 2020 by Atwood Magazine Staff
Music, This Just InDecember 11, 2020<December 11, 2020 This Just In: Luxtides Copes with Anxiety and Uncertainty in “After” by Maggie McHale
Features, Interviews, MusicDecember 10, 2020<February 5, 2021 Interview: Rosie Carney Covers Radiohead’s ‘The Bends’ Album from End to Hauntingly Raw End by Mitch Mosk
Debut, Music, Premieres, Reviews, Track-by-TrackDecember 10, 2020<December 10, 2020 Album Premiere: Duff Thompson’s ‘Haywire’ Is an Enchanting American Folk Debut by Mitch Mosk
For the Love of Music
For the Love of Music
