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DE'WAYNE © Joe Mischo
Columns, Music, Today's SongFebruary 12, 2021<February 12, 2021

Today’s Song: DE’WAYNE Explodes with Passionate, Feverish Genre-Bending Upheaval “I Know Something”

by Mitch Mosk
Tayo Sound © 2021
Black History Month, Music, Track-by-TrackFebruary 12, 2021<February 22, 2021

Track-by-Track: Tayo Sound Dives into his Dreamy & Woozy Debut EP ‘Runaway’

by Mitch Mosk
Fantastic Negrito © Willem Wouterse
Black History Month, MusicFebruary 12, 2021<February 12, 2021

“Storefront Records”: An Essay by Xavier Dphrepaulezz (Fantastic Negrito)

by Guest Writer
Rebecca Black © Jade DeRose
Features, Interviews, MusicFebruary 12, 2021<February 12, 2021

Interview: Rebecca Black on a Decade of “Fridays” and Her New Single “Girlfriend”

by James Crowley
Present Company © Kennedy Kasperek
Music, PremieresFebruary 11, 2021<February 11, 2021

Premiere: MN’s Present Company Inject Energy & Anxiety into Dynamic New Single “It’s Not Looking Good”

by Mitch Mosk
YNW BSlime © Josh Aronson
Columns, Music, Today's SongFebruary 11, 2021<February 11, 2021

Today’s Song: YNW BSlime Is on the Way to Greatness with Sweet Single “OTW”

by Mitch Mosk
BeyondSonny © Alexsa Tolentino
Black History Month, Features, Interviews, MusicFebruary 11, 2021<February 11, 2021

Interview: Brooklyn Rapper BeyondSonny Discusses Stunning Single “Black Friends,” Black History Month, & More

by Mitch Mosk
Artist to Watch, Interviews, MusicFebruary 11, 2021<February 11, 2021

Interview: Micky James’ New Show “Live At The Met – The Philadelphia Special” Bursts with Raw Passion & Amped-Up Energy

by Chloe Robinson
Judith Hill © Jeremy Jackson
Black History Month, MusicFebruary 11, 2021<February 11, 2021

“The Sound of Culture”: An Essay by Judith Hill

by Guest Writer
Jacob Banks © Grace Rivera
Music, Reviews, This Just InFebruary 11, 2021<February 11, 2021

This Just In: Jacob Banks’ New Single “Parade” Is a Marching Song

by Bethan Harper
Watch This Liquid Pour Itself - Okay Kaya
MusicFebruary 11, 2021<February 10, 2021

Review: Okay Kaya Redefines Bedroom Pop on ‘Watch This Liquid Pour Itself’

by Sophie Prettyman-Beauchamp
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 11, 2021<February 10, 2021

Breaking the Record with Roan Yellowthorn, Part 50: Little Love

by Guest Writer
Boyish © Nicole Teckchandani
Columns, Music, Today's SongFebruary 10, 2021<March 5, 2021

Today’s Song: Brooklyn’s Boyish Shine with Seductive & Dreamy Single “Superstar”

by Mitch Mosk
Sex, Addiction, & Everyone Else. - Nicotine Dolls
Artist to Watch, Debut, Features, Music, PremieresFebruary 10, 2021<February 10, 2021

Premiere: NYC’s Nicotine Dolls Soar on Stunning Cinematic Debut EP ‘Sex, Addiction, & Everyone Else.’

by Mitch Mosk
Interviews, MusicFebruary 10, 2021<February 10, 2021

Interview: Sofía Valdés Wants Her New EP ‘Ventura’ to Be the Soundtrack to Your Time

by Erica Danielle Garcia
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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