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Sampha © Jamie James Medina
Columns, Music, Today's SongDecember 1, 2020<March 13, 2021

Today’s Song: A Storm’s Vehemence & The Endless Ocean of Sampha’s “Treasure”

by Dalia
Liminal Space - Devin Sinha
Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

“Wistful, Hopeful, Transition”: Seattle’s Devin Sinha Dives into Cinematic 4th LP ‘Liminal Space’

by Mitch Mosk
Sunday - Charlie Kaplan
Debut, Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

Track-by-Track: Charlie Kaplan Meets Grief with Light in Debut Album ‘Sunday’

by Mitch Mosk
Interviews, MusicNovember 30, 2020<December 1, 2020

Interview: Tessa Kaye Is a Powerful Voice for Those Scared to Speak up About Mental Illness

by Chloe Robinson
Gaspar Narby © 2020
Columns, Music, Today's SongNovember 30, 2020<November 30, 2020

Today’s Song: Gaspar Narby Explores the Fragmentary Nature of Memory in Articulate Track “Fragments” ft. Taura

by Hermione Kellow
Atwood Magazine Roundup November 27
Features, Music, Weekly RoundupNovember 27, 2020<December 15, 2020

Atwood Magazine’s Weekly Roundup: November 27, 2020

by Atwood Magazine Staff
Beans on Toast © Aaron Parsons
Features, Interviews, MusicNovember 27, 2020<November 27, 2020

Interview with Beans on Toast: Children’s Songs, Artificial Intelligence, & the End of the World

by Diego Morales
Emanuel "Black Woman" © Matt Barnes
Columns, Music, Today's SongNovember 27, 2020<November 27, 2020

Today’s Song: Emanuel’s Beautiful “Black Woman” Is a Moving Love Letter of Strength & Celebration

by Mitch Mosk
Billie Eilish © 2020
Columns, Music, Today's SongNovember 26, 2020<November 25, 2020

Today’s Song: Billie Eilish’s Flippant New Single “Therefore I Am”

by Mariel Fechik
Cam © Dennis Leupold
Editorials, Features, MusicNovember 25, 2020<November 24, 2020

On Her Side: How Cam’s “Diane” Changes Dolly Parton’s “Jolene,” and Fosters Feminist Solidarity

by Erica Danielle Garcia
real life - banzai florist
Columns, Music, Today's SongNovember 25, 2020<November 24, 2020

Today’s Song: banzai florist’s “Real Life” Takes Us Out of This World

by Kelly Liu
Kathleen © 2020
Features, Music, Reviews, Track-by-TrackNovember 24, 2020<December 1, 2020

Track-by-Track: Kathleen’s Intimate, Serene, & Cinematic ‘Kathleen II’ EP

by Mitch Mosk
Spillage Village © Alex Grizz Loucas
Features, Interviews, MusicNovember 24, 2020<November 24, 2020

Spillage Village & Quarantined Collaboration: A Conversation with Benji.

by Ryan Feyre
Laure Briard © Andre Peniche
Features, Interviews, MusicNovember 24, 2020<November 24, 2020

Interview: The Brazilian Warmth and Playful Escapism of Laure Briard’s “Eu Voo”

by Frankie Rose
Alexander Wren © Landon Edwards
Columns, Music, Today's SongNovember 24, 2020<November 24, 2020

Today’s Song: Alexander Wren’s Spellbinding “The Earth Is Flat” Is a Requiem for Love

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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