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Alexander Biggs © Courtesy of Artist
Debut, Features, Interviews, MusicFebruary 8, 2021<February 8, 2021

‘Hit or Miss,’ Always Swinging: A Conversation with Alexander Biggs

by Lowndes Commander
Planet Giza © Igal Perets
Columns, Music, Today's SongFebruary 8, 2021<February 11, 2021

Today’s Song: Planet Giza Get Things Going with “When the Moving Stops”

by Josh Weiner
Ray BLK's Inspirations
Black History Month, Music, PlaylistsFebruary 8, 2021<February 9, 2021

Ray BLK’s BHM Playlist: Black Women Who Inspire Me

by Guest Writer
im sad lol - lil old man
Columns, Music, Today's SongFebruary 7, 2021<February 5, 2021

Today’s Song: lil old man Feels Reflective & Introspective on “i’m sad lol”

by Nick Matthopoulos
Mother's Cake © Manu Chó
Columns, Music, Today's SongFebruary 6, 2021<February 5, 2021

Mother’s Cake’s “The Operator” Is a Furious Lashing Out Through Pounding Psychedelic Rock

by Danny Vagnoni
'Under My Influence' Bonus Tracks - The Aces
Music, Reviews, This Just InFebruary 5, 2021<February 5, 2021

This Just In: The Aces Keep Shining with Buoyant New Songs “Sleepy Eyes” & “Aren’t You”

by Mitch Mosk
emawk © 2021
Columns, Music, Today's SongFebruary 5, 2021<February 5, 2021

Today’s Song: emawk Takes the “HIGHROAD” in Spellbinding New Single

by Mitch Mosk
Puma Blue © Netti Hurley
Interviews, MusicFebruary 5, 2021<February 5, 2021

Interview: Puma Blue and the Poignant Poetry of Debut Album ‘In Praise of Shadows’

by Dimitra Gurduiala
Jeremy Zucker & Chelsea Cutler © Stefan Kohli
Music, ReviewsFebruary 5, 2021<February 5, 2021

Review: Jeremy Zucker & Chelsea Cutler Team Up Again in Latest EP ‘brent ii’

by Alicia Bugallo
7.7
Music, Our Take, ReviewsFebruary 5, 2021<February 5, 2021

Our Take: Peace Chord’s Self-Titled Ethereal Debut Is One to Be Lauded

by Adrian Vargas
Atwood Magazine Weekly Roundup: Black History Month 2021
Columns, Music, Weekly RoundupFebruary 5, 2021<February 7, 2021

Atwood Magazine’s Weekly Roundup: Black History Month 2021

by Atwood Magazine Staff
Jessy © 2021
Music, Music Videos, PremieresFebruary 5, 2021<February 3, 2021

Video Premiere: Burying the Past with Jessy’s “Lie”

by Kelly McCafferty Dorogy
Jordan Mackampa © 2021
Black History MonthFebruary 5, 2021<February 10, 2021

“Black Music, Black Artistry, Black Expression” by Jordan Mackampa

by Guest Writer
The Staves © Sequoia Ziff 10
Features, Interviews, MusicFebruary 5, 2021<April 8, 2021

Feature: The Staves’ ‘Good Woman’ Is an Intimate & Breathtaking Masterpiece

by Mitch Mosk
Ruti © 2021
Columns, Music, Today's SongFebruary 4, 2021<February 5, 2021

Today’s Song: Ruti’s Radiant “My Sunrise” Is a Bright & Buoyant Vibe

by Mitch Mosk
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Brand New

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

:: discover something new ::

Recent Posts

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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