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Passenger © Mila Austin
Features, Interviews, MusicJanuary 19, 2021<January 19, 2021

Interview with Passenger: “Future-Gazer, Past-Dweller, Storyteller”

by Kelly Liu
Music, Reviews, Track-by-TrackJanuary 19, 2021<January 19, 2021

More Than Just a Boy Band: A Track-by-Track Review of Why Don’t We’s ‘The Good Times and the Bad Ones’

by Nasya Blackshear
Donovan Days © 2021
Features, Interviews, MusicJanuary 19, 2021<January 19, 2021

Interview: Donovan Phillips Discovers a Refreshing Lane on His New Project, Donovan Days

by Ryan Feyre
Pull A James Baldwin - Ric Wilson
Music, Reviews, This Just InJanuary 15, 2021<January 15, 2021

Artist to Watch Ric Wilson Stuns with “Pull a James Baldwin”: “Two pandemics going on – one with health, one with race”

by Mitch Mosk
Spirit of the Bear © 2021 8.9
Features, Interviews, Music, Our Take, Reviews, Track-by-TrackJanuary 15, 2021<January 15, 2021

Midwestern Glitz: Spirit of the Bear’s Soaring & Stunning Eponymous Third Album

by Mitch Mosk
Buck Meek © Robbie Jeffers
Features, Interviews, MusicJanuary 15, 2021<January 29, 2021

Summery Naturalness and the Comfort of Imagination: A Conversation with Buck Meek

by Frankie Rose
Breaking The Record 2020
Breaking the Record, Columns, MusicJanuary 15, 2021<January 15, 2021

Breaking the Record with Roan Yellowthorn, Part 46: Processing

by Guest Writer
G Flip (left) and mxmtoon (right)
Music, Reviews, This Just InJanuary 15, 2021<January 15, 2021

G Flip & mxmtoon Revel in “Queen,” a Fierce Anthem of Strength, Grace, and Love

by Mitch Mosk
Champagne Butterflies - Wild Youth
Columns, Music, Today's SongJanuary 15, 2021<January 15, 2021

Today’s Song: Get Giddy on Wild Youth’s New Single “Champagne Butterflies”

by Bethan Harper
Emicida © Jeferson Delgado
Features, Interviews, MusicJanuary 14, 2021<October 5, 2021

Rewriting History with Love and AmarElo: A Conversation with Emicida

by Nicole Almeida
Denai Moore © Nadira Amrani 2020 10
Features, Interviews, Music, Our TakeJanuary 14, 2021<February 5, 2021

Interview: Denai Moore on Artistic Authenticity & Unapologetic Album ‘Modern Dread’

by Mitch Mosk
BEL © Mocha Freeman
Music, PremieresJanuary 14, 2021<January 14, 2021

Premiere: BEL’s Indie Folk Anthem “Treading Water” Is a Visceral Surrender & Existential Release

by Mitch Mosk
WILD © Cara Robbins
Debut, Features, Music, Premieres, Reviews, Track-by-TrackJanuary 14, 2021<January 14, 2021

“Magical, Uplifting, Exciting”: Folk Pop Trio WILD Shine Bright on Debut Album ‘Goin’ Back’

by Mitch Mosk
Bea Miller x Amine © Natt Lim @nattografi
Columns, Music, Today's SongJanuary 14, 2021<January 13, 2021

Today’s Song: Bea Miller & Aminé Put a Groovy Spin on an Old Classic with “FEEL SOMETHING DIFFERENT”

by Nasya Blackshear
Animal Years © Kelsey Runge
Music, Reviews, This Just InJanuary 13, 2021<January 14, 2021

NYC’s Animal Years Return with a Fiery Passion in “Talkin’ to You” & “White Flag”

by Mitch Mosk
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Brand New

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

:: discover something new ::

Recent Posts

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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