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evermore - Taylor Swift
Features, Music, Reviews, RoundtableDecember 21, 2020<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘evermore’

by Atwood Magazine Staff
Matt Maltese
Columns, Music, Today's SongDecember 21, 2020<December 21, 2020

Today’s Song: Matt Maltese’s Exquisite Pop Ballad ‘hi’ is Pure Adoration

by Kelly Liu
2020 Songs of the Year Atwood Magazine
Features, Lists, MusicDecember 18, 2020<February 5, 2021

Atwood Magazine’s 2020 Songs of the Year

by Atwood Magazine Staff
Debut, Music, ReviewsDecember 18, 2020<December 18, 2020

Review: B.Miles Navigates Nostalgia on Debut ‘In Order of Appearance’

by Maggie McHale
Metamorphosed - Osees
Interviews, MusicDecember 18, 2020<December 18, 2020

Interview: Osees’ John Dwyer on ‘Metamorphosed’ and Life without Touring in 2020

by Adam Davidson
Flamingosis © Dani Brandwein
Columns, Music, Music Videos, Today's SongDecember 18, 2020<December 18, 2020

Today’s Song: Flamingosis Creates a Space of Sunshine With “Daymaker”

by Adrian Vargas
Mimi Gilbert © 2020 8.6
Debut, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 17, 2020

“Warm Traveled Forgiveness”: Mimi Gilbert Lights a Visceral Folk Fire in Debut ‘Grew Inside the Water’

by Mitch Mosk
Tems © Jerusa Nyakundi
Features, Interviews, MusicDecember 17, 2020<December 18, 2020

Music for Hard Hearts That Are About to Turn into Stone: A Conversation with Tems

by Nicole Almeida
Man on the Moon III: The Chosen - Kid Cudi 7.9
Music, Our Take, ReviewsDecember 17, 2020<December 17, 2020

Our Take: Kid Cudi Crafts a Fitting Final Chapter to His Trilogy with ‘Man on the Moon III: The Chosen’

by Josh Weiner
The Baby - Samia
Debut, Features, Interviews, MusicDecember 17, 2020<December 17, 2020

Interview: Folk Rock Up-And-Comer Samia on Her Stunning & Intimate Debut ‘The Baby’ & ‘The Baby Reimagined’

by Lowndes Commander
De Joie © 2020
Music, PremieresDecember 17, 2020<September 20, 2021

Premiere: The Ethereal Ebb & Flow of De Joie’s Poignant “Oslo (Holly’s Song)”

by Mitch Mosk
Columns, Music, Today's SongDecember 17, 2020<December 17, 2020

Today’s Song: Apollo Flowerchild’s “Bloody Hands” Is a Grief-Stricken, Placating Ode to Past Selves & New Tomorrows

by Jesse Herb
Breaking The Record 2020
Breaking the Record, Columns, MusicDecember 17, 2020<May 18, 2023

Breaking the Record with Roan Yellowthorn, Part 44: Moving Along

by Guest Writer
Orlando - Seafarers 9.4
Features, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 16, 2020

“Hopeful, Liberated, & Futile”: London’s Seafarers on Their Stirring, Standout Debut ‘Orlando’

by Mitch Mosk
Shie Rozow © Shani Barel // 'Shawn Mendez: In Wonder' promotional poster
Essays, MusicDecember 16, 2020<December 16, 2020

Essay: Shie Rozow on Music Editing for Shawn Mendes, Danny Elfman, & More

by Guest Writer
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Brand New

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

:: discover something new ::

Recent Posts

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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