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Twïnn
Interviews, MusicJanuary 27, 2021<August 19, 2021

Interview: Michigan Synth Duo Twïnn Deliver “Accidental Diplomatic Mosaics from Space”

by Lilly Eason
False Heads
Interviews, MusicJanuary 27, 2021<January 27, 2021

“Three scruffy wronguns making a powerful album”: False Heads’ Luke Griffiths Looks Back on Dynamite Debut a Year Later

by Guest Writer
Atwood Magazine's Editor's Picks 44
Columns, Editor's Picks, Features, MusicJanuary 27, 2021<January 27, 2021

Editor’s Picks 44: Weezer, Soda Blonde, Arlo Parks, Charli Adams, Avenue Beat, & Kuri

by Mitch Mosk
Rosier © Marc-Andre Thibault
Debut, Features, Music, PremieresJanuary 27, 2021<January 27, 2021

Album Premiere: Reinventing Traditional Folk Tales with Rosier’s Debut ‘Légèrement’

by Frankie Rose
Sabiyha © Shingi Rice
Music, PremieresJanuary 27, 2021<February 1, 2021

Premiere: Croydon’s Sabiyha Honors Guyanese Heritage, Family, & Childhood in New Single “Lullaby”

by Mitch Mosk
Charli Adams © Luke Rogers
Columns, Music, Today's SongJanuary 27, 2021<November 30, 2022

Today’s Song: Nightly Join Charli Adams in Reimagining Modern Love on “Maybe Could Have Loved”

by Jason Brillon
Lisa/Liza © Alexa Clavette
Music, Reviews, Track-by-TrackJanuary 26, 2021<May 1, 2023

“Fielded, Holding, Placement”: Lisa/Liza Evokes Stillness with Raw Folk Album ‘Shelter of a Song’

by Mitch Mosk
Sydney Sprague © 2021
MusicJanuary 26, 2021<January 26, 2021

Today’s Song: Sydney Sprague Explodes into 2021 with “object permanence,” Reckoning with Disconnect & Separation

by Mitch Mosk
Jade Bird © Charlotte Patmore
Features, Interviews, MusicJanuary 26, 2021<January 26, 2021

Interview: Artist-to-Watch Jade Bird on New Songs “Headstart” & “Houdini” and Her Upcoming Sophomore Album

by Alicia Bugallo
Wax Owls © Bernadette Marciniak
Music, PremieresJanuary 26, 2021<January 26, 2021

Premiere: LA’s Wax Owls Embrace Mental Wellness with Soaring Single “Stay Awhile”

by Mitch Mosk
uuskhy x SIFI
Music, PremieresJanuary 26, 2021<January 26, 2021

Premiere: uuskhy x SIFI Conspire Across Mediums with “Course Correct”

by Nick Matthopoulos
Trap Rabbit © 2021 8
Music, ReviewsJanuary 26, 2021<January 26, 2021

Our Take: Trap Rabbit Offer Cautious Optimism for the Year Ahead with ‘Annelida’ EP

by Adam Davidson
Animal Years © Kelsey Runge
Music, Reviews, This Just InJanuary 25, 2021<February 25, 2021

This Just In: Animal Years Light a Fire with Folk Rock Anthem “What I’m Fighting For”

by Mitch Mosk
Cigarettes - Douglas
Music, PremieresJanuary 25, 2021<January 25, 2021

Premiere: LA’s Douglas Finds Freedom in the Dark, Dreamy Shoegaze Depths of Debut “Cigarettes”

by Mitch Mosk
8.3
Music, Our Take, ReviewsJanuary 25, 2021<January 25, 2021

Our Take: A Sonically Rich & Sincere Retrospection with Typhoon’s ‘Sympathetic Magic’

by Adrian Vargas
Posts pagination
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Brand New

  • “Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden
  • “There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer”
  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’

:: discover something new ::

Recent Posts

  • “Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden June 7, 2026
  • “There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer” June 7, 2026
  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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