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Slow Pulp © 2020
Columns, Music, Today's SongDecember 14, 2020<December 14, 2020

Today’s Song: Slow Pulp Celebrate Consistency & Change on Contemplative “Track”

by Lowndes Commander
Faith - Falcon Jane
Interviews, Music, Reviews, Track-by-TrackDecember 11, 2020<December 11, 2020

“Darkness, Power, Light”: Ontario’s Falcon Jane Goes Track-by-Track Through Her ‘Faith’

by Mitch Mosk
Gaidaa © Segraphy
Features, Interviews, MusicDecember 11, 2020<December 22, 2020

Gaidaa Meets Gaidaa, Meets the World: A Conversation with Gaidaa

by Nicole Almeida
Angelo De Augustine © Jess Collins
Columns, Music, Today's SongDecember 11, 2020<December 11, 2020

Today’s Song: The Beauty & Devastation of Angelo De Augustine’s “Blue” ft. Sufjan Stevens

by Mitch Mosk
Columns, Features, Music, Weekly RoundupDecember 11, 2020<December 22, 2020

Atwood Magazine’s Weekly Roundup: December 11, 2020

by Atwood Magazine Staff
Music, This Just InDecember 11, 2020<December 11, 2020

This Just In: Luxtides Copes with Anxiety and Uncertainty in “After”

by Maggie McHale
The Bends - Radiohead x Rosie Carney
Features, Interviews, MusicDecember 10, 2020<February 5, 2021

Interview: Rosie Carney Covers Radiohead’s ‘The Bends’ Album from End to Hauntingly Raw End

by Mitch Mosk
Haywire - Duff Thompson
Debut, Music, Premieres, Reviews, Track-by-TrackDecember 10, 2020<December 10, 2020

Album Premiere: Duff Thompson’s ‘Haywire’ Is an Enchanting American Folk Debut

by Mitch Mosk
The Rayes © 2020
Music, Premieres, Track-by-TrackDecember 10, 2020<December 10, 2020

EP Premiere: The Rayes’ ‘Two Legs’ Is a Kiss of Sonic Sunshine

by Mitch Mosk
Columns, Interviews, MusicDecember 10, 2020<December 9, 2020

A Conversation with Nu Deco Ensemble: An Innovative Orchestra Making Waves in Miami

by Josh Weiner
Breaking The Record 2020
Breaking the Record, Columns, MusicDecember 10, 2020<December 10, 2020

Breaking the Record with Roan Yellowthorn, Part 43: The Ball Is Rolling

by Guest Writer
Rob Marr © 2020
Columns, Music, Today's SongDecember 10, 2020<July 31, 2023

Today’s Song: Rob Marr Pays Tribute to his Father on Raw & Beautiful “Death and Comfort”

by Joe Beer
Babeheaven © Luca Anzalone
Debut, Features, Interviews, MusicDecember 9, 2020<December 14, 2020

“Emotional Heavenly Bliss”: Babeheaven Unveil the Dreamy, Realized Depths of Debut ‘Home for Now’

by Mitch Mosk
Racoon Racoon © 2020
Music, Reviews, Track-by-TrackDecember 9, 2020<December 9, 2020

Track-by-Track: Racoon Racoon Strike Gold in Achingly Beautiful ‘A Birds Story’ EP

by Mitch Mosk
Music, This Just InDecember 9, 2020<December 9, 2020

This Just In: Claud’s “Soft Spot” is a Charming Dive into Life’s ‘What If’ Moments

by Adrian Vargas
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Brand New

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

:: discover something new ::

Recent Posts

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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