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Pillow Queens © Faolán Carey
Features, Interviews, Music, ReviewsSeptember 24, 2020<September 23, 2020

Feature: Pillow Queens Challenge Themselves & Their City on ‘In Waiting’

by Oliver Crook
Delaney Jane © 2020
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Toronto’s Delaney Jane Lets ‘Em Down Easy in Aching “On Paper”

by Mitch Mosk
Rearrange Us - Mt. Joy
Features, Interviews, MusicSeptember 24, 2020<October 6, 2020

Interview: Mt. Joy Soar in Triumphant & Stirring Second Album ‘Rearrange Us’

by Mitch Mosk
Flora Hibberd ©
Music, PremieresSeptember 24, 2020<September 24, 2020

EP Premiere: Flora Hibberd’s ‘Archipelago’ Intertwines Love with Ghostly Romanticised Landscapes

by Frankie Rose
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 24, 2020<September 23, 2020

Breaking the Record with Roan Yellowthorn, Part 33: How It Feels

by Guest Writer
Columns, Music, Today's SongSeptember 24, 2020<September 23, 2020

Today’s Song: TENDER Leave Their Hearts on the Line in “Own Up”

by Maggie McHale
Movement EP - CIEL
Debut, Music, ReviewsSeptember 24, 2020<September 23, 2020

Review: Brighton’s CIEL Consider Interpersonal Connections on Debut EP ‘Movement’

by Robin Fulton
Twin Heavy - Willie J Healey
Music, ReviewsSeptember 23, 2020<September 23, 2020

Review: Willie J Healey’s ‘Twin Heavy’ Is an Invitation to an Emotional Rollercoaster

by Nina Schaarschmidt
Features, Interviews, MusicSeptember 23, 2020<March 2, 2025

Where We All Go to Dance: Community, Connection, & Music with Saxophonist Jess Gillam

by Emily Frances Algar
Side Street - Joe Kollar 8
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 23, 2020<December 15, 2020

Feature: Joe Kollar’s Stirring Space Folk Soars on Debut Album ‘Side Street’

by Mitch Mosk
Music, Music Videos, PremieresSeptember 23, 2020<September 23, 2020

Premiere: Jamie-Lee Dimes Finds Inner Peace in Saying “Goodbye”

by Adrian Vargas
Interviews, MusicSeptember 23, 2020<September 22, 2020

Interview: SC.Undercover Spins Excellent Dark Pop Out of His Troubled Past

by Josh Weiner
Bastille © Sarah Louise Bennett
Music, Reviews, This Just InSeptember 23, 2020<September 23, 2020

Stop Pretending Everything’s Fine: Bastille’s “survivin'” Is a Vulnerable & Uplifting Pop Reinvention

by Nina Schaarschmidt
indigoworld
Debut, Music, PremieresSeptember 23, 2020<September 22, 2020

EP Premiere: indigoworld Burst into Existence with Compelling Debut EP ‘FOLD’

by Mitch Mosk
Left at London © West Smith
Columns, Music, Today's SongSeptember 23, 2020<September 23, 2020

Today’s Song: Left at London’s “Safety First” Is More Vulnerable Than We Deserve

by Jesse Herb
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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