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The Tibbs © Sven Benjamins
Music, PremieresSeptember 18, 2020<September 18, 2020

Premiere: Amsterdam Blue-Eyed Soul Band The Tibbs Seduce with “Damaged Heart”

by Mitch Mosk
Fenne Lily © Nicole Loucaides
Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Questioning Loneliness & Transition: A Conversation with Fenne Lily

by Frankie Rose
Handsome Ghost © 2020
Features, Interviews, MusicSeptember 18, 2020<March 7, 2023

Handsome Ghost Dive into Stunning Depths on ‘Some Still Morning’, a Beautifully Haunting Reckoning

by Mitch Mosk
Lido © Michael Drummond
Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Interview with Lido: Looping Past Loves Through Conceptual Ideas

by Lexi Lane
Sir Sly 2020 © Kevin Clark
Interviews, MusicSeptember 18, 2020<October 6, 2020

Interview: Sir Sly Return with Hope, Relief, & Positivity in New Single “Material Boy”

by Mitch Mosk
Songhoy Blues © 2020
Columns, Music, Today's SongSeptember 18, 2020<September 17, 2020

Today’s Song: Mali’s Songhoy Blues Capture a Nation’s Struggle for Change in “Barre”

by Oliver Crook
Blood Root © Micah Mathewson
Music, ReviewsSeptember 17, 2020<September 17, 2020

EP Review: Embracing Intimate Upheavals with Blood Root’s Debut ‘Crux’

by Mitch Mosk
Get What's Mine for You - Jack Swing
Music, Music Videos, PremieresSeptember 17, 2020<September 18, 2020

Premiere: Pittsburgh’s Jack Swing Soak Up the Groove on Fresh & Funky “Get What’s Mine for You”

by Mitch Mosk
Kane & James
Music, PremieresSeptember 17, 2020<September 17, 2020

Premiere: Kane & James’ Reflective “Thinking of You” Is the Product of Its Environment

by Nick Matthopoulos
Columns, Music, Today's SongSeptember 17, 2020<September 17, 2020

Today’s Song: Tyson Kelly Lets Fate Run Its Course in New Single “Am I Ever Gonna See You Again”

by Joe Beer
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 17, 2020<September 17, 2020

Breaking the Record with Roan Yellowthorn, Part 32: New Things

by Guest Writer
Campbell Sibthorpe
Features, Music, Reviews, Track-by-TrackSeptember 16, 2020<September 16, 2020

Intimate, Freeing, & Expansive: Campbell Sibthorpe Dives Deep into Himself in ‘YTown’ EP

by Mitch Mosk
Chance Peña © 2020
Music, PremieresSeptember 16, 2020<September 16, 2020

EP Premiere: Singer/Songwriter Chance Peña Embraces Life’s Trials in Stunning ‘The Inevitable’

by Mitch Mosk
EVER © Marcus Rexford
Music, PremieresSeptember 16, 2020<September 16, 2020

Premiere: EVER’s Beautifully Bittersweet “Counting Flowers” Is a Stirring, Poignant Love Letter

by Mitch Mosk
Leah Haworth
Columns, Music, Today's SongSeptember 16, 2020<September 15, 2020

Today’s Song: Leah Haworth’s “The Space He Left” Fills in the Gaps of Heartbreak

by Lexi Lane
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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