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Fish Pond Fish - Darlingside
Features, Interviews, Music, Reviews, Track-by-TrackOctober 9, 2020<July 30, 2023

Feature: Darlingside’s Dazzling Album ‘Fish Pond Fish’ Is a Connective Triumph

by Mitch Mosk
Stables © 2020
Music, Reviews, Track-by-TrackOctober 9, 2020<October 9, 2020

Track-by-Track: London Duo Stables Enrich & Energize in 3rd Album ‘Silhouettes’

by Mitch Mosk
Neev © 2020
Music, PremieresOctober 9, 2020<October 9, 2020

Premiere: Neev Ties Up Debut EP ‘Forgiving Light’ with Magnetic Track, “Excuse Me”

by Coco Rich
Anya Marina
Music, Music Videos, PremieresOctober 9, 2020<October 9, 2020

Premiere: Anya Marina’s Moving “16 Letters” Spotlights 21st Century Communication Breakdown

by Mitch Mosk
Music, Reviews, This Just InOctober 9, 2020<August 16, 2021

This Just In: rei brown Gets Genuine About Truth in Latest Single “Honest”

by Erica Danielle Garcia
Glass Animals © Ollie Trenchard
Columns, Music, Today's SongOctober 9, 2020<October 9, 2020

Today’s Song: Glass Animals’ “Domestic Bliss” Is a Glimpse of Domestic Abuse Through a Child’s Eyes

by Dimitra Gurduiala
Must Be a Dream - Tempesst
Features, Music, Reviews, Track-by-TrackOctober 8, 2020<November 15, 2020

Colourful, Dense, & Unpredictable: Tempesst’s Wondrous Debut Album ‘Must Be a Dream’

by Mitch Mosk
in earnest © 2020
Debut, Music, Reviews, Track-by-TrackOctober 8, 2020<October 8, 2020

Track-by-Track: The Intimate Upheaval of in earnest’s Self-Titled Debut EP

by Mitch Mosk
Charli Adams © Jasmine Archie
Music, Reviews, This Just InOctober 8, 2020<November 15, 2020

Artist to Watch: Charli Adams Soars in Pulsing & Poignant New Single “Didn’t Make It”

by Mitch Mosk
Ruby Ryan
Music, Music Videos, PremieresOctober 8, 2020<October 8, 2020

Premiere: NJ Singer/Songwriter Ruby Ryan Details Romantic Games with “Phosphenes”

by James Crowley
Field Medic - Floral Prince 7.7
Music, Our Take, ReviewsOctober 8, 2020<December 15, 2020

Album Review: Field Medic Grows Up on ‘Floral Prince’

by Ethan Shanfeld
Non Binary Place - Godford
Interviews, MusicOctober 8, 2020<October 8, 2020

Interview with Godford: An Elusive Rave Artist Takes Us on a Tour of ‘Non-Binary Place’ in Debut Album

by Josh Weiner
The Foxymorons © 2020 3
Music, Music Videos, PremieresOctober 8, 2020<November 15, 2020

Premiere: Fort Worth’s The Foxymorons Unveil Their Tender & Intimate “Uma Thurman”

by Mitch Mosk
LA Priest © Isaac Eastgate
Columns, Music, Today's SongOctober 8, 2020<May 10, 2023

Today’s Song: LA Priest Looks for Answers From Within on “What Moves”

by Adam Davidson
Breaking The Record 2020
Breaking the Record, Columns, MusicOctober 8, 2020<October 6, 2020

Breaking the Record with Roan Yellowthorn, Part 35: Photographs

by Guest Writer
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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