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Time's Up - Quarry
Music, ReviewsSeptember 30, 2020<September 29, 2020

Review: The Sultry Seduction of Quarry’s Deep Vibe, “Time’s Up”

by Mitch Mosk
Miss the Feeling - Hollyy
Debut, Music, Reviews, Track-by-TrackSeptember 29, 2020<February 20, 2025

Track-by-Track: Chicago’s Hollyy Stir Up Classic Soul in Heated Debut EP ‘Miss the Feeling’

by Mitch Mosk
Risking Illness - Ian Wayne
Music, Reviews, Track-by-TrackSeptember 29, 2020<September 29, 2020

Confusion, Loss, & Quietude: Ian Wayne Reckons with Grief in Second Album ‘Risking Illness’

by Mitch Mosk
Naaz © 2020
Features, Interviews, MusicSeptember 29, 2020<September 29, 2020

Interview: Naaz Spellbinds with Her Spectacular Single “Mute Love”

by Luke Pettican
Papi Shiitake
Debut, Music, PremieresSeptember 29, 2020<September 29, 2020

Premiere: Papi Shiitake Don a Weary “Smile” in Dreamy Shoegaze Anthem

by Mitch Mosk
Alicia Keys © Milan Zrnic 8.7
Music, Our Take, ReviewsSeptember 29, 2020<December 15, 2020

Our Take: Alicia Keys Keeps Her 20-Year Streak of Greatness Alive & Well on ‘ALICIA’

by Josh Weiner
Columns, Debut, Music, Today's SongSeptember 29, 2020<September 29, 2020

Today’s Song: Gillian Mapp Marks a Sultry Debut with “Orange Bitters”

by Adrian Vargas
Hannah Georgas © Vanessa Heins
Features, Interviews, MusicSeptember 28, 2020<September 28, 2020

Comfort, Space, & Sanctuary: Hannah Georgas Dives into Her Intimate Album, ‘All That Emotion’

by Mitch Mosk
Loren Allred
Debut, Interviews, MusicSeptember 28, 2020<September 29, 2020

Interview: Loren Allred Shines a Positive Light on a Difficult Period

by Chloe Robinson
Music, This Just InSeptember 28, 2020<September 27, 2020

This Just In: Maisie Peters & JP Saxe Join on Catchy and Sweet Single “Maybe Don’t”

by Kelly McCafferty Dorogy
Didirri © Gil Gilmour 9.3
Features, Music, Our Take, Reviews, Track-by-TrackSeptember 28, 2020<December 15, 2020

Track-by-Track: Didirri Blends Heartbreak & Hope in Stunning ‘Sold for Sale’ EP

by Mitch Mosk
Lianne La Havas © Hollie Fernando
Columns, Music, Today's SongSeptember 28, 2020<September 26, 2020

Today’s Song: Lianne La Havas Brings Newfound Soul to Radiohead’s “Weird Fishes”

by Ethan Shanfeld
Navvy © Matt Hurley
Music, Music Videos, PremieresSeptember 28, 2020<September 27, 2020

Premiere: Navvy Revels in Exuberant Delight on “Somebody Else” Video

by Luke Pettican
Atwood Magazine's Weekly Roundup Sept 25 2020
Columns, Music, Weekly RoundupSeptember 25, 2020<October 6, 2020

Atwood Magazine’s Weekly Roundup: September 25, 2020

by Atwood Magazine Staff
Nicolas Michaux © Alessandro Bertoncini
Music, ReviewsSeptember 25, 2020<September 25, 2020

Nicolas Michaux’s ‘Amour Colère’ Is a Summing Up of Life in All Its Varied Ways

by Frankie Rose
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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