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Columns, Music, Today's SongJuly 31, 2020<December 14, 2023

Today’s Song: Intimate Ruminations on Half Wolf’s “Birthday Sex”

by Adrian Vargas
Atwood Magazine's Weekly Roundup July 31 2020
Columns, Features, Music, Weekly RoundupJuly 31, 2020<August 23, 2020

Atwood Magazine’s Weekly Roundup: July 31, 2020

by Atwood Magazine Staff
Features, Interviews, MusicJuly 31, 2020<July 31, 2020

In Retrospect & Moving Forward: A Conversation with Mali-Koa

by Erica Danielle Garcia
Shai Brides
Music, PremieresJuly 31, 2020<July 30, 2020

Premiere: Shai Brides Are Making Synth-Pop Waves on New Single “Honeydew”

by Bethan Harper
Raven Artson © Rick Erfmann
Features, Interviews, MusicJuly 30, 2020<July 30, 2020

Interview: Raven Artson Sends His Solo Career Soaring Off in L.A. with EP ‘notice me’

by Josh Weiner
Ric Wilson © Michael Salisbury
Features, Interviews, MusicJuly 30, 2020<September 29, 2020

“Better, Not Bigger”: Chicago’s Ric Wilson on Rap, Funk, Activism, & Staying True to Himself

by Mitch Mosk
Bastille © Matt Cronin
Music, Reviews, This Just InJuly 30, 2020<August 23, 2020

This Just In: Bastille Shock Us Out of Our Phone Screen Daze with “WHAT YOU GONNA DO???”

by Anthony Kozlowski
Opus Orange
Interviews, Music, Music VideosJuly 30, 2020<July 29, 2020

Interview: Opus Orange Discuss Isolation, Intimacy, “The Lucky Ones” & Creating in Quarantine

by Guest Writer
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 30, 2020<July 30, 2020

Breaking the Record with Roan Yellowthorn, Part 25: Rediscovered

by Guest Writer
Jon Reynolds & The Aches © Bryon White
Music, PremieresJuly 30, 2020<July 30, 2020

Premiere: New Scars Glow in Jon Reynolds & The Aches’ Catchy Song “Love Blind”

by Mitch Mosk
Columns, Music, Today's SongJuly 30, 2020<July 30, 2020

Today’s Song: The Front Bottoms Deliver a Timely Anthem with “montgomery forever”

by Lowndes Commander
Sufjan Stevens © 2020
Music, ReviewsJuly 29, 2020<July 29, 2020

Review: The Dissolution of Blind Faith, Then an Awakening in Sufjan Stevens’ “America” & “My Rajneesh”

by Nicole Almeida
Shimmer © Peach Luffe
Features, Music, Reviews, Track-by-TrackJuly 29, 2020<July 29, 2020

Feature: Toronto’s Peach Luffe Weaves Dreamy Wonders in ‘Shimmer’ EP

by Mitch Mosk
Here for Now - Louis The Child
Debut, Music, ReviewsJuly 29, 2020<July 29, 2020

Just to Be Around: Louis the Child’s Debut Album ‘Here For Now’ Stuns

by Audrey Steeves
Max Helgemo © Alyssa Stark
Music, PremieresJuly 29, 2020<July 29, 2020

Artist to Watch: Max Helgemo’s Dazzling “Uncovered” Is an Indie Folk Daydream

by Mitch Mosk
Posts pagination
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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