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Steven van Betten
Debut, Music, PremieresSeptember 22, 2020<September 22, 2020

Premiere: Stillness & Surrender in Steven van Betten’s “Flame In Your Eye” ft. Johanna Samuels & Ted Taforo

by Mitch Mosk
Columns, Music, Today's SongSeptember 22, 2020<September 21, 2020

Today’s Song: Ryal Searches for “Closure” in Breezy Electropop Jam

by Anthony Kozlowski
Maggie Miles 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

Track-by-Track: Maggie Miles Perfects Alt-Pop Intimacy on Debut Album ‘Am I Drowning or Am I Just Learning to Swim’

by Mitch Mosk
Host - Cults
Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

“Spooky, Goofy, & Sad”: Cults Dwell in Deep, Dazzling Depths on New Album ‘Host’

by Mitch Mosk
Interviews, MusicSeptember 21, 2020<September 20, 2020

Semisonic Reunite With A Message: You’re Not Alone

by Ben Beamish
Betty Who © Zak Cassar
Features, Interviews, MusicSeptember 21, 2020<November 15, 2020

Interview: Betty Who Once Again Proves That Love Is Love in ‘Unpregnant’ Feature Film Debut

by Anthony Kozlowski
Future Teens © 2020
Columns, Music, Today's SongSeptember 21, 2020<September 21, 2020

Today’s Song: Future Teens Break the Meme with Their “All Star” Cover

by James Crowley
Columns, Features, Music, Weekly RoundupSeptember 18, 2020<September 18, 2020

Atwood Magazine’s Weekly Roundup: September 18, 2020

by Atwood Magazine Staff
McCall © Haley Kreofsky 10
Features, Music, Reviews, Track-by-TrackSeptember 18, 2020<April 15, 2022

Artist to Watch: McCall’s ‘On Self Loathing’ EP Is a Stunning Tapestry of Vulnerable, Electrifying Music

by Mitch Mosk
The Tibbs © Sven Benjamins
Music, PremieresSeptember 18, 2020<September 18, 2020

Premiere: Amsterdam Blue-Eyed Soul Band The Tibbs Seduce with “Damaged Heart”

by Mitch Mosk
Fenne Lily © Nicole Loucaides
Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Questioning Loneliness & Transition: A Conversation with Fenne Lily

by Frankie Rose
Handsome Ghost © 2020
Features, Interviews, MusicSeptember 18, 2020<March 7, 2023

Handsome Ghost Dive into Stunning Depths on ‘Some Still Morning’, a Beautifully Haunting Reckoning

by Mitch Mosk
Lido © Michael Drummond
Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Interview with Lido: Looping Past Loves Through Conceptual Ideas

by Lexi Lane
Sir Sly 2020 © Kevin Clark
Interviews, MusicSeptember 18, 2020<October 6, 2020

Interview: Sir Sly Return with Hope, Relief, & Positivity in New Single “Material Boy”

by Mitch Mosk
Songhoy Blues © 2020
Columns, Music, Today's SongSeptember 18, 2020<September 17, 2020

Today’s Song: Mali’s Songhoy Blues Capture a Nation’s Struggle for Change in “Barre”

by Oliver Crook
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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