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The Weird Years © Shervin Lainez
Music, PremieresAugust 3, 2020<August 3, 2020

Premiere: The Weird Years’ “Lifevest” Is a Haunting & Timely Confrontation with Failing Authority

by Mitch Mosk
Debut, Features, Interviews, MusicAugust 3, 2020<August 3, 2020

Feature: The Palpitations Offer the World Its Anthem With Latest EP ‘FEED THE POOR! EAT THE RICH!’

by Oliver Crook
Billie Eilish © 2020
Music, Reviews, This Just InAugust 3, 2020<August 3, 2020

This Just In: Billie Eilish Leads Us to Self-Love with Intimate Single “my future”

by Coco Rich
Columns, Music, Today's SongAugust 3, 2020<August 3, 2020

Today’s Song: Saved by Friday Break Their Four-Year Dry Spell With Uplifting Single “A Love Song”

by Josh Weiner
Luna Li © Halle Hirota
Columns, Music, Today's SongAugust 1, 2020<August 1, 2020

Today’s Song: The Multi-Instrumentalist Magic of Luna Li’s “Afterglow”

by Frankie Rose
Dizzy © Pooneh Ghana
Features, Interviews, MusicJuly 31, 2020<August 11, 2020

All The Other Ways a Heart Can Break: A Conversation with Dizzy

by Nicole Almeida
Roderick August © 2020
Debut, Features, Music, Reviews, Track-by-TrackJuly 31, 2020<July 31, 2020

More Road Than Man: Roderick August’s All-American Debut Album ‘Forever the Far the Closer the Near’

by Mitch Mosk
Kanho Yakushiji © 2020
Features, Interviews, MusicJuly 31, 2020<March 2, 2025

Kanho Yakushiji: Zen and the Art of Bridge Building

by Guest Writer
8
Music, Our Take, ReviewsJuly 31, 2020<December 15, 2020

Our Take: Ganser Are in Good Form on Sophomore Album ‘Just Look At That Sky’

by Nick Matthopoulos
Interviews, MusicJuly 31, 2020<July 31, 2020

“Music Hath Charms…”: An Interview with Land of Talk

by Adrian Vargas
Columns, Music, Today's SongJuly 31, 2020<December 14, 2023

Today’s Song: Intimate Ruminations on Half Wolf’s “Birthday Sex”

by Adrian Vargas
Atwood Magazine's Weekly Roundup July 31 2020
Columns, Features, Music, Weekly RoundupJuly 31, 2020<August 23, 2020

Atwood Magazine’s Weekly Roundup: July 31, 2020

by Atwood Magazine Staff
Features, Interviews, MusicJuly 31, 2020<July 31, 2020

In Retrospect & Moving Forward: A Conversation with Mali-Koa

by Erica Danielle Garcia
Shai Brides
Music, PremieresJuly 31, 2020<July 30, 2020

Premiere: Shai Brides Are Making Synth-Pop Waves on New Single “Honeydew”

by Bethan Harper
Raven Artson © Rick Erfmann
Features, Interviews, MusicJuly 30, 2020<July 30, 2020

Interview: Raven Artson Sends His Solo Career Soaring Off in L.A. with EP ‘notice me’

by Josh Weiner
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Brand New

  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told
  • The Sound of Stillness: Samara Joy in Palo Alto
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral

:: discover something new ::

Recent Posts

  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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