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Interviews, MusicApril 21, 2020<April 21, 2020

Interview: Climate Change Advocate Emily Magpie Talks World Crisis & New Album ‘Let’s Talk About the Weather’ Muses

by Chloe Robinson
Atwood Magazine Editor's Picks 33
Columns, Editor's Picks, Features, MusicApril 21, 2020<May 15, 2020

Editor’s Picks: April 21, 2020

by Mitch Mosk
Parsonsfield © Jim Dan Dee
Features, Music, Reviews, Track-by-TrackApril 21, 2020<April 20, 2020

Feature: Inside Parsonsfield’s Illuminating Fifth Album ‘Happy Hour on the Floor’

by Kelly McCafferty Dorogy
Nia Whyn © Ant Adams
Columns, Music, Today's SongApril 21, 2020<April 21, 2020

Today’s Song: Nia Wyn Parries Negativity on the Soulfully Empowering “Who Asked You”

by Robin Fulton
BTS © 2020
Concerts, Music, ReviewsApril 21, 2020<April 20, 2020

Livestream Review: The Magnificent Draw of BTS’ BANG BANG CON

by Lexi Lane
Smallpools x morgxn © Chloe Delainey
Interviews, Music, Reviews, This Just InApril 20, 2020<April 20, 2020

Interview: Relax, Take a Deep Breath, and “Slowdown” with Smallpools & Morgxn

by Mitch Mosk
Lauren Ruth Ward © Nicol Biesek
Features, Interviews, MusicApril 20, 2020<April 20, 2020

Interview: Lauren Ruth Ward Introduces Modern Rock N’ Roll with ‘Vol. II’

by Nina Schaarschmidt
Great News © Jonathan Vivaas Kise
Features, Music, Reviews, Track-by-TrackApril 20, 2020<April 20, 2020

Track-by-Track: Great News Returns with Buoyant & Balanced Sophomore Album ‘Now and Them’

by Mitch Mosk
Junie © 2020
Columns, Music, Today's SongApril 20, 2020<March 13, 2021

Today’s Song: Junie Presents the Pursuit of Survival from Doomsday’s Epicenter on “White Picket Fence”

by Dalia
Scarypoolparty © K Shaffer
Features, Interviews, MusicApril 20, 2020<April 20, 2020

Interview: Scarypoolparty Is Musically Fearless and on Fire

by Coco Rich
The Sheratons © Tom Berridge
Columns, Music, Today's SongApril 18, 2020<April 18, 2020

Today’s Song: The Sheratons Roast Rave Culture on Brit-Pop Rocker “Raving and Drooling”

by Oliver Crook
Atwood Magazine's Weekly Roundup 2020-04-17
Columns, Features, Music, Weekly RoundupApril 17, 2020<March 2, 2025

Atwood Magazine’s Weekly Roundup: April 17, 2020

by Atwood Magazine Staff
Shade is on the other side - GIRL SKIN
Debut, Music, Reviews, Track-by-TrackApril 17, 2020<April 17, 2020

Track-by-Track: Inside GIRL SKIN’s Timeless & Beautiful Debut Album ‘Shade is on the other side’

by Mitch Mosk
Music, ReviewsApril 17, 2020<April 17, 2020

EP Review: Kalbells’ Brand of Experimental Pop Astonishes on ‘Mothertime’ EP

by Adrian Vargas
Charlotte - Sody
Debut, Features, Interviews, MusicApril 17, 2020<April 17, 2020

Interview with Sody: Sensational Songwriting with a Personal Edge

by Luke Pettican
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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