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Sea Offs © 2020
Music, PremieresFebruary 26, 2020<February 25, 2020

Premiere: Sea Offs’ Folky Single “For Familiarity’s Sake” Tells Us to Let Old Love Die

by Oliver Crook
Twist Helix © Jay Dawson
Music, PremieresFebruary 26, 2020<February 26, 2020

Premiere: UK Trio Twist Helix’s Unapologetic “Louder” Is a Call for Gender Equality

by Alicia Bugallo
James Gillespie © 2020
Music, Music Videos, PremieresFebruary 26, 2020<February 25, 2020

Video Premiere: James Gillespie’s “ICFTI” Is Awash in Autumnal Hues & Seductive Visuals

by Bethan Harper
Gordi © Jess Gleeson
Music, Reviews, This Just InFebruary 25, 2020<March 6, 2020

Gordi’s Beautiful Song “Sandwiches” Captures the Powerful Weight of a Loved One’s Absence

by Mitch Mosk
Mannequin Online © Meghan Cummings
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Say “I Do” with Mannequin Online’s Sultry New Late-Night Song

by Mitch Mosk
Boardmasters Festival 2020
Festival, Music, PreviewsFebruary 25, 2020<February 25, 2020

Preview: Boardmasters Festival 2020 Lineup Features Musical Giants King of Leon, The 1975 & More

by Bethan Harper
Georgi Kay © Morgan Demeter
Features, Interviews, MusicFebruary 25, 2020<March 2, 2025

Interview: Georgi Kay Stays Optimistic in a Time of “Scary People” with New EP ‘Reimagined’

by Chloe Robinson
Mielo
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Through Somber Introspection, Mielo & Mariya Stoeva Learn “A Lesson in Waking Up”

by Mitch Mosk
No Time for That - Tone Legit
Columns, Music, Today's SongFebruary 25, 2020<February 24, 2020

Today’s Song: Tone Legit Continues Milwaukee’s Stellar Run with “No Time For That”

by Ryan Feyre
Rose Cousins © Denis Duquette
Music, Music Videos, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Rose Cousins Enthralls with Scenic & Stirring “The Lullaby (My Oldest Love)”

by Luke Pettican
Voodoo Bandits © Christopher Brew
Music, PremieresFebruary 24, 2020<February 25, 2020

Premiere: Isle of Man Artist-to-Watch Voodoo Bandits Inject Unrelenting Energy into “Empty Swimming Pool”

by Mitch Mosk
peach Pit © 2019
Columns, Music, Today's SongFebruary 24, 2020<February 24, 2020

Today’s Song: Peach Pit’s “Shampoo Bottles” Highlights the Entertaining Side to Lost Love

by Frankie Rose
The Griswolds
Music, ReviewsFebruary 24, 2020<February 24, 2020

Getting It Right Someday: The Griswolds Return with ‘ALL MY FRIENDS’ EP

by Maggie McHale
Features, Music, Weekly RoundupFebruary 21, 2020<February 21, 2020

Atwood Magazine’s Weekly Roundup: February 21, 2020

by Atwood Magazine Staff
shYbeast's Devin Oliver
Debut, Interviews, MusicFebruary 21, 2020<February 21, 2020

Threading Rock, Electronica & Vulnerability Together: A Conversation with shYbeast

by Josh Weiner
Posts pagination
1 … 431 432 433 434 435 … 712

Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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