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Soda Blonde
Features, Interviews, MusicApril 16, 2020<May 15, 2020

Interview: Artist-to-Watch Soda Blonde Soar in Stunning Debut EP ‘Terrible Hands’

by Mitch Mosk
Mundy's Bay ©
Columns, Debut, Music, Music You Should Know, ReviewsApril 15, 2020<April 15, 2020

Music You Should Know: Mundy’s Bay’s Debut ‘Lonesome Valley’ Is Must-Hear Material for Dream Pop Fans

by Ben Niesen
Slow Down - GRAE
Music, Reviews, This Just InApril 15, 2020<April 15, 2020

Review: “Slow Down” with GRAE in the Heat of the Moment on Her Seductive, Sultry Song

by Mitch Mosk
Flora Cash © Daniel C. Shippey
Features, Interviews, MusicApril 15, 2020<April 14, 2020

Baby, It’s Okay: An Interview with Indie Pop Couple Flora Cash

by Mitch Mosk
Firewoodisland - Firewoodisland
Interviews, Music, Reviews, Track-by-TrackApril 15, 2020<May 3, 2023

Feature: Inside Firewoodisland’s Hopeful & Hauntingly Beautiful Self-Titled Album

by Mitch Mosk
Columns, Music, Today's SongApril 15, 2020<April 15, 2020

Today’s Song: Audri Asks for Shelter and Security on “Harbor Me”

by Tim Horwood
Edward and Jane © Brooke Hamilton
Music, PremieresApril 15, 2020<May 29, 2020

Premiere: Edward and Jane’s Cinematic New Song “The Knife” Glows with Heartaching Beauty

by Mitch Mosk
Tomo © Jessie Rose Parker
Music, PremieresApril 15, 2020<April 14, 2020

Premiere: Tomo’s Second Single “For None to See” Offers a Peaceful Perspective

by Kelly McCafferty Dorogy
JOY - Seazoo
Music, Reviews, Track-by-TrackApril 14, 2020<August 7, 2023

Track-by-Track: Seazoo’s Sophomore Album Is a Feverish, Uplifting Bundle of ‘JOY’

by Mitch Mosk
Eternal Atake - Lil Uzi Vert 8.1
Music, Our Take, ReviewsApril 14, 2020<December 15, 2020

Our Take: Fans of Hip-Hop & Sci-Fi Will Enjoy the Expansive Thrills of Lil Uzi Vert’s Two-Part Release, ‘Eternal Atake’

by Josh Weiner
Caroline Rose
Features, Interviews, MusicApril 14, 2020<March 2, 2025

Interview with Caroline Rose: COVID-19 Camaraderie, Concept Albums, and Crunching Cellophane

by Tim Horwood
Columns, Debut, Music, Today's SongApril 14, 2020<April 15, 2020

Today’s Song: Soft Plastics Play in Campy Fugue on “Rope off the Tigers”

by Ben Niesen
Sonia Stein "Passerby" still 5
Music, PremieresApril 14, 2020<April 13, 2020

Premiere: London’s Sonia Stein Blurs Intimate Lines with Majestic “Passerby”

by Mitch Mosk
The 1975's Matty Healy live © Ruth Kilpatrick
Essays, MusicApril 13, 2020<April 26, 2020

Essay: CMJ, Amazing Radio, and Live (Music) in the Time of Coronavirus

by Guest Writer
Interviews, MusicApril 13, 2020<April 13, 2020

Interview: Transatlantic Trio Raynes on Folk Music, Philosophical Ideals, and Isolation

by Chloe Robinson
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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