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Chloe Moriondo © Kris Herrmann
Features, Interviews, MusicApril 9, 2020<April 9, 2020

Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 9, 2020<April 8, 2020

Breaking the Record with Roan Yellowthorn, Part 10: Building the Community

by Guest Writer
frogi © Tyreke Monterio
Music, PremieresApril 8, 2020<April 8, 2020

Premiere: frogi’s Intimate “til I turn blue” Is a Breathtaking Bedroom Pop Love Song

by Mitch Mosk
Emmy Wildwood
Interviews, MusicApril 8, 2020<April 8, 2020

Back in the Desert & Bringing Heat in the Studio: A Conversation with Emmy Wildwood

by Josh Weiner
The Lazy Eyes
Interviews, Music, PremieresApril 8, 2020<April 8, 2020

Interview: Peeling Back Layers of Lo-Fi Fruit with The Lazy Eyes & New Single “Tangerine”

by Nick Matthopoulos
Atwood Magazine Editor's Picks 32
Columns, Editor's Picks, Features, MusicApril 8, 2020<September 23, 2021

Editor’s Picks: April 8, 2020

by Mitch Mosk
Johnny Stimson © Bani Amir
Music, PremieresApril 8, 2020<April 7, 2020

Premiere: Johnny Stimson’s Homesick “Hard to Say Goodbye” Is a Slick, Undeniable R&B Groove

by Mitch Mosk
Columns, Music, Today's SongApril 8, 2020<April 8, 2020

Today’s Song: Ireland’s Slyrydes Take You on Whirlwind Tour of Their Mind on “I Claim to Be Intelligent”

by Oliver Crook
The Hour © 2020
Music, ReviewsApril 7, 2020<April 7, 2020

EP Review: UK Collective The Hour Spin a Dark, Cinematic Tapestry in ‘Father’ EP

by Mitch Mosk
Michael Baker 8.9
Interviews, Music, Our Take, Reviews, Track-by-TrackApril 7, 2020<December 15, 2020

Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’

by Mitch Mosk
Selling Things - Brian Dunne
Features, Music, PremieresApril 7, 2020<May 15, 2020

Album Premiere: Brian Dunne’s Hopeful & Hopeless ‘Selling Things’ Is a New Timeless Classic

by Mitch Mosk
What The Heart Wants - album art
Music, PremieresApril 7, 2020<April 6, 2020

Premiere: Sophia St. Helen Wants You to Shoot Your Shot in New Single “What the Heart Wants”

by Danny Vagnoni
Vôx Vé © 2020
Interviews, MusicApril 7, 2020<April 6, 2020

Interview: Otherworldly Pop Artist Vôx Vé on Managing Mental Health & Her Debut EP ‘Dream Theory 1’

by Chloe Robinson
Mariposa - Felly
Features, Interviews, MusicApril 7, 2020<April 6, 2020

Interview: Felly Focuses on New Album ‘Mariposa’ and Bigger Picture

by Lexi Lane
Tomo © Laure Noverraz
Columns, Debut, Music, Today's SongApril 7, 2020<April 7, 2020

Today’s Song: Bristol Singer/Songwriter Tomo Rises with Poetic Accountability in Debut “Enough to Drink”

by Kelly McCafferty Dorogy
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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