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Marlin's Dreaming © Cam Hay
Music, Music Videos, PremieresFebruary 19, 2020<February 18, 2020

Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim”

by Matthew Dunn
Ali Holder
Music, PremieresFebruary 18, 2020<February 18, 2020

Premiere: Ali Holder’s Assertive “Bruja” Redefines What It Means to Be a Witchy Woman

by Mitch Mosk
ialive 2020 music
Music, ReviewsFebruary 18, 2020<February 18, 2020

Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’

by Ryan Feyre
Features, Interviews, MusicFebruary 18, 2020<February 18, 2020

On Intent and Isolation: A Conversation with Post Animal

by Ben Niesen
Brother Moses © Lowndes Commander
Columns, Music, Today's SongFebruary 18, 2020<February 18, 2020

Today’s Song: Brother Moses Wonders What It Takes to Be Wanted

by Lowndes Commander
Emily Afton
Music, Music Videos, PremieresFebruary 17, 2020<February 17, 2020

Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil”

by Mitch Mosk
The Saxophones © Conner Sorenson
Music, Music Videos, Premieres, ReviewsFebruary 17, 2020<February 17, 2020

Premiere: Dreamy Notes of Joy & Sorrow Collide on The Saxophones’ “Forgot My Mantra”

by Adrian Vargas
Michael Dunstan © 2020
Columns, Music, Today's SongFebruary 17, 2020<February 17, 2020

Today’s Song: Michael Dunstan Lets Go with “Smoulder or Ignite”

by Kelly McCafferty Dorogy
Music, Podcast, Tunes & TumblersFebruary 14, 2020<May 14, 2024

Podcast: Tunes & Tumblers Celebrate Valentine’s Day Over Justin Timberlake’s Mid-’00s Classic ‘FutureSex/LoveSounds’

by Anthony Kozlowski
Columns, Features, Music, Weekly RoundupFebruary 14, 2020<February 14, 2020

Atwood Magazine’s Weekly Roundup: February 14, 2020

by Atwood Magazine Staff
Caity Krone © 2020
Music, This Just InFebruary 14, 2020<February 14, 2020

This Just In: Caity Krone Astounds with “Thank You for the Sunday Paper”

by Luke Pettican
Hit and Run EP - Larkins
Music, ReviewsFebruary 14, 2020<February 14, 2020

EP Review: Larkins’ ‘Hit and Run’ Is the Perfect Mash-Up of the Old, New, and Unexpected

by Bethan Harper
Love & Heartbreak Valentine's Day 2020
Features, Music, PlaylistsFebruary 14, 2020<April 21, 2023

Valentine’s Day 2020: Songs of Love & Heartache

by Atwood Magazine Staff
Interviews, MusicFebruary 14, 2020<February 13, 2020

Embracing the Future & Remembering the Past: A Conversation with Wild Nothing

by Madison Vettorino
Leena Culhane
Columns, Music, Today's SongFebruary 14, 2020<February 14, 2020

Today’s Song: Leena Culhane Practices Self-Love with “Ring the Bell”

by Kelly McCafferty Dorogy
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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