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7.9
Music, Our Take, ReviewsApril 10, 2020<August 16, 2021

Our Take: Niall Horan Brings Light to a Quiet World with Sophomore Album ‘Heartbreak Weather’

by Erica Danielle Garcia
After the End - Nicotine Dolls
Essays, MusicApril 10, 2020<April 10, 2020

Essay: Nicotine Dolls on New Song “After the End,” Social Distancing, and Connection During COVID-19

by Guest Writer
In A Rocket with Lissie - Beoga
Music, Reviews, This Just InApril 9, 2020<April 9, 2020

Review: Beoga & Lissie Erupt “In a Rocket” with Catchy, Feel-Good Passion

by Mitch Mosk
Features, Interviews, MusicApril 9, 2020<October 26, 2023

Growth in a Time of Stress: A Conversation with The Districts

by Matthew Dunn
Columns, Music, Today's SongApril 9, 2020<April 9, 2020

Today’s Song: McCall Exhilarates with Fire, Pop, and Personal Antagonism in “Disaster”

by Baylee Less
3.15.20 - Childish Gambino
Features, Music, Reviews, RoundtableApril 9, 2020<June 29, 2024

Roundtable Discussion: A Review of ‘3.15.20’, Childish Gambino’s Memorable (Supposedly) Final Act

by Atwood Magazine Staff
Weatherday
Columns, Debut, Music, Music You Should Know, ReviewsApril 9, 2020<April 6, 2020

Music You Should Know: The Unpredictable but Intriguing Sounds of Weatherday’s ‘Come In’

by Nick Matthopoulos
half light
Debut, Music, PremieresApril 9, 2020<April 9, 2020

Premiere: Half Light Go Track-by-Track Through the Shades of ‘Good Latimer’

by Coco Rich
Chloe Moriondo © Kris Herrmann
Features, Interviews, MusicApril 9, 2020<April 9, 2020

Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 9, 2020<April 8, 2020

Breaking the Record with Roan Yellowthorn, Part 10: Building the Community

by Guest Writer
frogi © Tyreke Monterio
Music, PremieresApril 8, 2020<April 8, 2020

Premiere: frogi’s Intimate “til I turn blue” Is a Breathtaking Bedroom Pop Love Song

by Mitch Mosk
Emmy Wildwood
Interviews, MusicApril 8, 2020<April 8, 2020

Back in the Desert & Bringing Heat in the Studio: A Conversation with Emmy Wildwood

by Josh Weiner
The Lazy Eyes
Interviews, Music, PremieresApril 8, 2020<April 8, 2020

Interview: Peeling Back Layers of Lo-Fi Fruit with The Lazy Eyes & New Single “Tangerine”

by Nick Matthopoulos
Atwood Magazine Editor's Picks 32
Columns, Editor's Picks, Features, MusicApril 8, 2020<September 23, 2021

Editor’s Picks: April 8, 2020

by Mitch Mosk
Johnny Stimson © Bani Amir
Music, PremieresApril 8, 2020<April 7, 2020

Premiere: Johnny Stimson’s Homesick “Hard to Say Goodbye” Is a Slick, Undeniable R&B Groove

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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