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Atwood Magazine Weekly Roundup April 4, 2020
Columns, Features, Music, Weekly RoundupApril 4, 2020<April 4, 2020

Atwood Magazine’s Weekly Roundup: April 4, 2020

by Atwood Magazine Staff
Nikki Yanofsky © Royal Gilbert 2020
Columns, Interviews, Music, Today's SongApril 4, 2020<July 10, 2020

Interview: Nikki Yanofsky Pays Homage to an Icon with the Groovy “Nerve”

by Frankie Rose
FVLCRVM
Music, PremieresApril 3, 2020<April 3, 2020

Premiere: FVLCRVM’s Intoxicating & Cerebral “Meaning” Is an Electronic Force

by Mitch Mosk
Weirdo - NoMBe
Music, Reviews, This Just InApril 3, 2020<April 3, 2020

This Just In: NoMBe’s Beautiful “Weirdo” Is a Heartfelt, Seductive Ballad

by Mitch Mosk
Phoebe Ryan © Ron Dadon
Features, Interviews, MusicApril 3, 2020<April 3, 2020

Interview with Phoebe Ryan: “There must be more to art than this.”

by Christine Costello
Future Nostalgia - Dua Lipa
Features, Music, Reviews, RoundtableApril 3, 2020<June 29, 2024

Roundtable Discussion: A Review of Dua Lipa’s ‘Future Nostalgia’

by Atwood Magazine Staff
Strawberry Wine - Lemondrop
Columns, Music, Today's SongApril 3, 2020<April 1, 2020

Today’s Song: Lemondrop’s Youthful & Exciting Groove on “Strawberry Wine”

by Lowndes Commander
Overcoats © Shervin Lainez
Features, Interviews, MusicApril 3, 2020<May 15, 2020

Finding Connection in Isolation: Overcoats’ Hopeful & Empowering Album ‘The Fight’

by Mitch Mosk
William Wild © Dillon Matthew
Features, Interviews, Music, Reviews, Track-by-TrackApril 2, 2020<April 6, 2020

Feature: Dive into William Wild’s Breathtakingly Beautiful, Transformative Album ‘Push Ups’

by Mitch Mosk
Twilight Driving © Sam Shaw
Music, PremieresApril 2, 2020<April 2, 2020

Premiere: Brighton’s Twilight Driving Return with Cinematic Anthem “Break Your Heart”

by Mitch Mosk
Bo Baskoro © 2020
Music, Music Videos, PremieresApril 2, 2020<April 1, 2020

Premiere: Bo Baskoro Returns to an Intimate Period of His Past on “Close Enough”

by Josh Weiner
Dan Croll © 2020
Features, Interviews, MusicApril 2, 2020<April 2, 2020

Interview with Dan Croll: Removing the Safety Net and Settling In

by Maggie McHale
Little Dragon © Ellen Edmar 8.3
Music, Our Take, ReviewsApril 2, 2020<December 15, 2020

Our Take: Little Dragon’s ‘New Me, Same Us’ Is a Sublime Evolution

by Danny Vagnoni
Columns, Music, Today's SongApril 2, 2020<April 2, 2020

Today’s Song: Lithics Keep It Catchy, Minimal, & Disjointed on New Single “Hands”

by Nick Matthopoulos
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 2, 2020<April 8, 2020

Breaking the Record with Roan Yellowthorn, Part 9: Artwork

by Guest Writer
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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