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Opus Orange © Peach Beckley
Features, Music, PremieresFebruary 6, 2020<February 6, 2020

Feature: Opus Orange’s Classical Music Roots, Love for Nature, and “Miles from Nowhere”

by Guest Writer
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Billy Raffoul Explores New Sounds with Latest Single “Without Falling in Love”

by Erica Danielle Garcia
Columns, Music, Today's SongFebruary 6, 2020<February 6, 2020

Today’s Song: Singer/Songwriter Liz Longley Liberates with “3 Crow”

by Kelly McCafferty Dorogy
Harmless © 2020
Music, ReviewsFebruary 5, 2020<February 5, 2020

Love, Tears, & Recovery: Harmless’ Spiritually Cleansing ‘Condiciones’ EP

by Mitch Mosk
Alexandria Maillot © Laura Baldwinson
Music, Music Videos, PremieresFebruary 5, 2020<March 2, 2025

Video Premiere: Alexandria Maillot’s Dark, Emotionally Intense “Someone to Keep You Warm”

by Mitch Mosk
Gus Englehorn © Ariane Moisan
Debut, Interviews, MusicFebruary 5, 2020<February 5, 2020

Interview: Entering the Creepy & Emotive World of Gus Englehorn’s ‘Death & Transfiguration’

by Frankie Rose
Electric Palace © 2019
Columns, Music, Today's SongFebruary 5, 2020<February 5, 2020

Today’s Song: Electric Palace Call Out Two-Faced People on Dancey-Rock Single “Pretend”

by Oliver Crook
Ethansroom - Ethansroom
Features, Music, PremieresFebruary 5, 2020<February 5, 2020

Premiere: Ethansroom Opens His Room and His Heart on Vulnerable Self-Titled Album

by Oliver Crook
Tom Joshua © Jodie Canwell
Debut, Features, Interviews, MusicFebruary 5, 2020<April 16, 2020

Interview: English Singer/Songwriter Tom Joshua Stuns with Soaring “Cinema”

by Luke Pettican
Emily Keener © Adam Maraschky
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Emily Keener’s “Do You Love Me Lately?” Crosses Desire & Fear with Haunting Indie Folk Vulnerability

by Mitch Mosk
Charli Adams © Bjorn Franklin
Debut, Features, Interviews, MusicFebruary 4, 2020<February 4, 2020

Down for the Ride: Charli Adams’ Debut EP Reverberates Precious Youth

by Coco Rich
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Blood Cultures & DJ ST THOMAS Join Forces for Bustling Remix of “Best for You”

by Adrian Vargas
Music, Podcast, Tunes & TumblersFebruary 4, 2020<April 30, 2023

Podcast: Tunes & Tumblers Toast Billie Eilish’s Historic Grammy Wins

by Anthony Kozlowski
Núria Graham © Marc Cusco
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Núria Graham’s Sweet “Toilet Chronicles” Is a Beautiful, Messy Love Song

by Mitch Mosk
Couch Prints
Columns, Music, Today's SongFebruary 4, 2020<February 3, 2020

Today’s Song: Couch Prints Explore the Nuances of Longing in Latest Single “Of Drawing”

by Alicia Bugallo
Posts pagination
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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