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Nick Carter © Patrick Dwyer
Features, Interviews, MusicAugust 20, 2025<August 20, 2025

Interview: Nick Carter of the Backstreet Boys Relaunches Solo Career in Emotionally Charged Style with ‘LOVE LIFE TRAGEDY’

by Josh Weiner
Indy Yelich © Elinor Kry
Features, Interviews, MusicAugust 20, 2025<August 20, 2025

“You owe it to your creativity to dive into that pain”: Indy Yelich Makes the Personal Less Private with ‘Fame Is a Bedroom’ EP

by Desire' Jackson-Crosby
Billianne © Nadia Doss
Artist to Watch, Debut, Features, Interviews, MusicAugust 20, 2025<August 21, 2025

“I’m just being myself”: Ontario’s Billianne Takes Flight on ‘Modes of Transportation,’ a Record of Growth, Family, & New Directions

by Aileen Goos
Sydney Rose © Kate Stephenson
Columns, Music, Today's SongAugust 20, 2025<August 20, 2025

Sydney Rose Captures the Quiet Ache of Friendship Heartbreak in “We Hug Now”

by Nicolle Knapová
Atwood Magazine's 131st Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 19, 2025<August 19, 2025

Editor’s Picks 131: The Tullamarines, Ellur, Nadia Kadek, Couch, runo plum, & Still Blank!

by Mitch Mosk
The Prickly Pair © Libby Danforth
Music, PremieresAugust 19, 2025<August 19, 2025

Premiere: The Prickly Pair Embrace Love’s Gamble on “Winsome Lose Some Game,” a Tender & Timeless Country Duet

by Mitch Mosk
Wisp © Elinor Kry
Debut, Features, Interviews, MusicAugust 19, 2025<August 19, 2025

“Bringing My Fantasies into Reality”: Wisp Is Betting on Herself with Debut Album ‘If Not Winter’

by Isabella Le
Kaleah Lee © Halle Jean March
Interviews, MusicAugust 19, 2025<August 27, 2025

“A Line I Shouldn’t Cross”: Kaleah Lee Talks “Fever,” Dreams, and the Beauty of the Unsettling

by Nicolle Knapová
Tame Impala's Kevin Parker © Julian Klincewicz
Columns, Music, Today's SongAugust 19, 2025<October 4, 2025

Today’s Song: Tame Impala Paints an “End of Summer” Soundscape Sundrenched In Color, Rhythm, & Nostalgia

by Ashley Littlefield
Marissa Nadler © Ebru Yildiz
Features, Interviews, Music, Track-by-TrackAugust 18, 2025<August 18, 2025

Track-by-Track: Marissa Nadler Finds Power in Restraint on ‘New Radiations’

by Aileen Goos
BIZZY © Anna Azarov
Columns, Interviews, Music, Today's SongAugust 18, 2025<August 18, 2025

BIZZY Soundtracks the Thrill of New Love in “I Really Like This Part”

by Aileen Goos
Joey Valence & Brae © Luca Venter
Features, Interviews, MusicAugust 15, 2025<August 15, 2025

Interview: Joey Valence & Brae Dance Through the Fear of Growing Up With Third Album ‘HYPERYOUTH’

by Kaiana Lee
Erin Durant © Maximilla Lukacs
Features, Interviews, MusicAugust 15, 2025<August 15, 2025

Interview: Erin Durant on the Magic Behind the Making of Her Third LP, ‘Firetrail’

by Noa Jamir
Ha Vay © Emily Oreste
Columns, Interviews, Music, Today's SongAugust 15, 2025<August 15, 2025

“When It’s Working Well, It’s Out of Body”: Rising Folk Pop Artist Ha Vay on Authentic Artistry, Music-Making, & Leaving Audiences “Spellbound”

by Marc Maleri
Royel Otis © Zora Sicher
Features, Interviews, MusicAugust 14, 2025<April 16, 2026

“Mostly Love & Burgers”: Royel Otis Dish on Heartbreak, Touring, & Their Sophomore Album ‘hickey’

by Miranda Urbanczyk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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