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Strange Froots and Hua Li 化力
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Strange Froots and Hua Li 化力 Bring Big Magic to Small Moments at Taverne Tour

by Oliver Crook
Tennis © Blossom Liu, Daniel Gray
Columns, Music, Today's SongApril 9, 2025<April 9, 2025

“Sleep the World to Forget It”: Tennis Are Spellbound by the “Weight of Desire” in a Song of Longing, Surrender & Sweet Disillusion

by Marc Maleri
Somebody's Child © Jim Fuller
Features, Interviews, Music, Track-by-TrackApril 8, 2025<April 8, 2025

“Rave, Rock, Rebel”: Somebody’s Child Reckons with Time’s Changes on Boldly Defiant Sophomore LP ‘When Youth Fades Away’

by Mitch Mosk
IDER © Sami Weller
Features, Interviews, MusicApril 8, 2025<April 8, 2025

“It’s all a bit of a farce at the end of the day”: IDER Turn Imposter Syndrome into an Aesthetic with ‘Late to the World’

by Brian Denney
Ashlee Merritt © 2025
Editorials, Music, Women's History MonthApril 8, 2025<April 8, 2025

“Be Ready, Be Patient, and Let It All Unfold”: An Essay by Ashlee Merritt for Women’s History Month

by Guest Writer
ÅNGEL 004 © Eden Chinn
Concerts, Music, ReviewsApril 8, 2025<April 8, 2025

Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch

by Ciaran Short
CocoRosie: (L) Sierra Casady, (R) Bianca Casady © Daria Miasoedova
Features, Interviews, MusicApril 8, 2025<October 7, 2025

“It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’

by Kayleigh Schweiker
Matty Reynolds © Matt Lewis
Columns, Music, Today's SongApril 8, 2025<April 8, 2025

Today’s Song: Matty Reynolds Proves That Distance Makes the Heart Grow Fonder in “Timbuktu”

by Miranda Urbanczyk
mary in the junkyard © Herbie Bone
Columns, Music, Today's SongApril 7, 2025<April 7, 2025

mary in the junkyard’s Hauntingly Raw “bear walk” Reckons with Love, Loss, & Longing

by Mitch Mosk
Ben Barnes © Ciara McMullan
Debut, Features, Interviews, MusicApril 7, 2025<April 7, 2025

Interview: Ben Barnes on His Move from Screen to Stage, Authenticity as an Artist, & Debut LP ‘Where the Light Gets In’

by Brianna Corrine
Miley Cyrus © Glen Luchford
Columns, Music, This Just In, Today's SongApril 4, 2025<April 4, 2025

Miley Cyrus’ “End of the World” Is a Disco-Fueled Love Letter to Apocalyptic Parties

by Danielle Holian
Hannah Cohen © Josh Goleman
Features, Interviews, MusicApril 4, 2025<June 4, 2025

“Anything Can Mean Everything”: Hannah Cohen Plants New Roots with ‘Earthstar Mountain,’ an Intimate Love Letter to the Catskills

by Mitch Mosk
I Said I Love You First - Selena Gomez & Benny Blanco 8.1
Music, ReviewsApril 4, 2025<April 4, 2025

Our Take: Selena Gomez and Benny Blanco Embrace Vulnerability in ‘I Said I Love You First’

by Danielle Holian
Babe Rainbow © Izzie Austin
Features, Interviews, MusicApril 4, 2025<April 4, 2025

Interview: Reconnecting to Their Roots, Babe Rainbow Go Deep into Nature & Psychedelia on ‘Slipper imp and shakaerator’

by Miranda Urbanczyk
Florist © V Haddad
Music, ReviewsApril 4, 2025<April 4, 2025

Review: Florist Ruminate on Bigger Questions and Explore Their Duality on ‘Jellywish’

by Kevin Krein
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Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
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