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Ella Vos © Danielle Ernst
Covers, Features, Interviews, MusicJanuary 28, 2020<January 27, 2020

Interview: Ella Vos Affirms Her Self-Worth in Her Devastating “Cellophane” Cover

by Anthony Kozlowski
Kaleo © Dan Winters
Music, Reviews, This Just InJanuary 28, 2020<January 27, 2020

This Just In: Kaleo Break Long Silence with Dual Singles “I Want More” and “Break My Baby”

by Anthony Kozlowski
KAHLLA by Ben Mcconnachie
Columns, Music, Today's SongJanuary 28, 2020<August 29, 2023

Today’s Song: KAHLLA Gets Real With Heartbreak in Latest Song “For You”

by Erica Danielle Garcia
Growing Down - Termination Dust
Music, ReviewsJanuary 27, 2020<January 25, 2020

Termination Dust Show Off Both Pop Sensibility & Punk Intensity While ‘Growing Down’

by James Crowley
Annie O'Malley © Arielle Vey
Music, Music Videos, PremieresJanuary 27, 2020<January 27, 2020

Premiere: Annie O’Malley’s Soothing & Cinematic “Golden Doves”

by Mitch Mosk
Tansy © Patricia Moscardó
Debut, Music, PremieresJanuary 27, 2020<January 27, 2020

Premiere: Sensual Nostalgia for Lost Love in the Form of Tansy’s Debut Single “Dreaming”

by Frankie Rose
Me & You Together Song - The 1975
Music, Reviews, This Just In, Today's SongJanuary 27, 2020<February 6, 2020

The 1975 Get Lost in Domestic Dreams on “Me & You Together Song”

by Ben Niesen
Walking Like We Do - The Big Moon 8.9
Music, Our Take, ReviewsJanuary 27, 2020<December 15, 2020

Open Yet Effervescent: The Big Moon’s ‘Walking Like We Do’ Is a Punk-Pop Panacea

by Tim Horwood
Features, Music, Weekly RoundupJanuary 24, 2020<January 27, 2020

Atwood Magazine’s Weekly Roundup: January 24, 2020

by Atwood Magazine Staff
9
Music, Our Take, ReviewsJanuary 24, 2020<December 15, 2020

Our Take: Andy Shauf Redefines the Songwriter on ‘The Neon Skyline’

by Adrian Vargas
Alex Kennedy
Columns, Music, Today's SongJanuary 24, 2020<January 24, 2020

Today’s Song: Alex Kennedy Enters Fatherhood & Music Business with Compassionate “Baby Steps”

by Josh Weiner
The Lumineers 2020 III interview
Features, Interviews, MusicJanuary 24, 2020<June 25, 2020

Family, Addiction, and Raw Storytelling: An Interview with The Lumineers

by Mitch Mosk
Music, Reviews, This Just In, Today's SongJanuary 23, 2020<August 16, 2021

This Just In: Hayley Williams Personifies Petals for Armor in First Solo Single “Simmer”

by Erica Danielle Garcia
Noble Oak © 2020
Music, Music Videos, PremieresJanuary 23, 2020<April 26, 2023

Premiere: Breaking the Mold with Noble Oak’s Ethereal “Morning”

by Mitch Mosk
Eminem © 2020 7.8
Music, Our Take, ReviewsJanuary 23, 2020<December 15, 2020

Our Take: Eminem’s 11th Album ‘Music to be Murdered By’ Proves a High-Quality Surprise

by Josh Weiner
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Music You Should Know
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