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Flowvers © 2020
Debut, Music, Reviews, Track-by-TrackMarch 26, 2020<March 26, 2020

FLOWVERS’ Debut EP Is Pure, Angsty, & Fun Indie Rock for the ‘Throwaway Generation’

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 26, 2020<March 26, 2020

Breaking the Record with Roan Yellowthorn, Part 8: In Support of Music

by Guest Writer
Ricardo Richaid
Music, Our Take, ReviewsMarch 26, 2020<December 15, 2020

Review: An Atmospheric Trip to Brazil with Ricardo Richaid’s ‘Travesseiro Feliz’

by Ben Niesen
I Wonder If You're Happy - Rothwell
Interviews, Music, PremieresMarch 26, 2020<March 26, 2020

Premiere: The Stunning, Raw Weight of Rothwell’s Poignant “I Wonder If You’re Happy”

by Mitch Mosk
Reva DeVito © 2020
Features, Interviews, MusicMarch 26, 2020<March 26, 2020

Interview with Reva DeVito: A Portland R&B Veteran Unveils Her Most Personal Music To-Date

by Josh Weiner
Bright Eyes "Persona Non Grata" © Shawn Brackbill
Music, Reviews, This Just InMarch 26, 2020<March 26, 2020

Bright Eyes Return with “Persona Non Grata,” a Familiar Hug for the Lonely

by Frankie Rose
LULLANAS © Lenne Chai
Debut, Music, Music Videos, PremieresMarch 26, 2020<March 26, 2020

Premiere: Dreaming Yourself into Different Times Under LULLANAS’ “Pennsylvania Skies”

by Nina Schaarschmidt
Ralph Wiggum - Tendavillage
Debut, Music, PremieresMarch 26, 2020<March 26, 2020

Premiere: Tendavillage’s Wavy Debut Single “Ralph Wiggum”

by Mariel Fechik
Phntms © Zakk Connor
Music, PremieresMarch 26, 2020<March 26, 2020

Premiere: Philadelphia’s PHNTMS Spark Rock Music Revival with New Single “Back Burner”

by Erica Danielle Garcia
Columns, Music, Today's SongMarch 26, 2020<March 26, 2020

Today’s Song: Welsh Sister Duo The Debutantes Razzle n’ Dazzle on “My Precious Love”

by Josh Weiner
FLAX © Lucas Hoeffel
Music, Music Videos, PremieresMarch 25, 2020<March 25, 2020

Premiere: FLAX’s “Dear B” Is a Bittersweet, Heart-on-Sleeve Love Letter

by Mitch Mosk
oh!no?ok. © Meira Bashir
Debut, Music, PremieresMarch 25, 2020<March 25, 2020

Premiere: oh!no?ok.’s “Wheel of Fortune” Is Fun, Fired-Up Slacker Rock

by Mitch Mosk
Jacob Collier "In My Bones"
Music, Reviews, This Just InMarch 25, 2020<August 19, 2020

This Just In: Jacob Collier’s Funky, Joyful “In My Bones” ft. Kimbra & Tank and The Bangas

by Mariel Fechik
Junior Coder’s Experiment - allie
Debut, Music, Our Take, ReviewsMarch 25, 2020<March 25, 2020

Our Take: allie’s ‘Junior Coder’s Experiment’ EP Strives to See the Good in Existence

by Lowndes Commander
The Griswolds © 2020
Features, Interviews, MusicMarch 25, 2020<March 25, 2020

Interview with The Griswolds: Endless Opportunities of Fun and New Directions

by Maggie McHale
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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