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Parsonsfield © Jim Dan Dee
Features, Music, Reviews, Track-by-TrackApril 21, 2020<April 20, 2020

Feature: Inside Parsonsfield’s Illuminating Fifth Album ‘Happy Hour on the Floor’

by Kelly McCafferty Dorogy
Nia Whyn © Ant Adams
Columns, Music, Today's SongApril 21, 2020<April 21, 2020

Today’s Song: Nia Wyn Parries Negativity on the Soulfully Empowering “Who Asked You”

by Robin Fulton
BTS © 2020
Concerts, Music, ReviewsApril 21, 2020<April 20, 2020

Livestream Review: The Magnificent Draw of BTS’ BANG BANG CON

by Lexi Lane
Smallpools x morgxn © Chloe Delainey
Interviews, Music, Reviews, This Just InApril 20, 2020<April 20, 2020

Interview: Relax, Take a Deep Breath, and “Slowdown” with Smallpools & Morgxn

by Mitch Mosk
Lauren Ruth Ward © Nicol Biesek
Features, Interviews, MusicApril 20, 2020<April 20, 2020

Interview: Lauren Ruth Ward Introduces Modern Rock N’ Roll with ‘Vol. II’

by Nina Schaarschmidt
Great News © Jonathan Vivaas Kise
Features, Music, Reviews, Track-by-TrackApril 20, 2020<April 20, 2020

Track-by-Track: Great News Returns with Buoyant & Balanced Sophomore Album ‘Now and Them’

by Mitch Mosk
Junie © 2020
Columns, Music, Today's SongApril 20, 2020<March 13, 2021

Today’s Song: Junie Presents the Pursuit of Survival from Doomsday’s Epicenter on “White Picket Fence”

by Dalia
Scarypoolparty © K Shaffer
Features, Interviews, MusicApril 20, 2020<April 20, 2020

Interview: Scarypoolparty Is Musically Fearless and on Fire

by Coco Rich
The Sheratons © Tom Berridge
Columns, Music, Today's SongApril 18, 2020<April 18, 2020

Today’s Song: The Sheratons Roast Rave Culture on Brit-Pop Rocker “Raving and Drooling”

by Oliver Crook
Atwood Magazine's Weekly Roundup 2020-04-17
Columns, Features, Music, Weekly RoundupApril 17, 2020<March 2, 2025

Atwood Magazine’s Weekly Roundup: April 17, 2020

by Atwood Magazine Staff
Shade is on the other side - GIRL SKIN
Debut, Music, Reviews, Track-by-TrackApril 17, 2020<April 17, 2020

Track-by-Track: Inside GIRL SKIN’s Timeless & Beautiful Debut Album ‘Shade is on the other side’

by Mitch Mosk
Music, ReviewsApril 17, 2020<April 17, 2020

EP Review: Kalbells’ Brand of Experimental Pop Astonishes on ‘Mothertime’ EP

by Adrian Vargas
Charlotte - Sody
Debut, Features, Interviews, MusicApril 17, 2020<April 17, 2020

Interview with Sody: Sensational Songwriting with a Personal Edge

by Luke Pettican
Phoebe Ryan © Acacia Evans
Music, This Just InApril 17, 2020<April 17, 2020

This Just In: Phoebe Ryan Returns with an Aching Glow on “Ring”

by Christine Costello
Cloudy June © Achernar Photography
Columns, Music, Today's SongApril 17, 2020<April 17, 2020

Today’s Song: Cloudy June Paints a Lively Portrait of a Spellbinding Lady in “High Waist to Hell”

by Josh Weiner
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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