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Music, PremieresMarch 9, 2020<March 9, 2020

Premiere: Melbourne’s Quivers Honor the Past by Embracing the Future on “Videostores”

by Adrian Vargas
Inspired & the Sleep
Music, PremieresMarch 9, 2020<March 9, 2020

Premiere: Inspired & the Sleep Persevere with Touching “Carry On” off New Debut Album

by Mitch Mosk
Disq © Megan Vieth
Debut, Features, Interviews, MusicMarch 9, 2020<March 9, 2020

Interview: Disq Discuss Debut Album ‘Collector’, a Midwestern Indie Portrait

by Mariel Fechik
Millie Turner © Amir Hossain
Music, Reviews, This Just InMarch 9, 2020<March 9, 2020

This Just In: Millie Turner Explores Dance Beats in New Single “Jungle”

by Lexi Lane
Saytr Play
Columns, Music, Today's SongMarch 9, 2020<March 6, 2020

Today’s Song: Saytr Play’s Invigorating Anthem for the Youth, the Planet, and Our “Future”

by Nina Schaarschmidt
Thrillhouse
Debut, Interviews, Music, Music Videos, PremieresMarch 6, 2020<March 6, 2020

Interview: For Brighton Indie Rock Band Thrillhouse, “Lesser” Is More

by Mitch Mosk
The Kids Are Coming EP art - Tones and I
Debut, Music, ReviewsMarch 6, 2020<March 6, 2020

Review: Tones and I Takes the World by Storm with Debut EP ‘The Kids Are Coming’

by Ben Beamish
Still Alive - Alexz Johnson
Interviews, Music, PremieresMarch 6, 2020<March 13, 2020

Premiere: Alexz Johnson’s Stirring Anthem of Hope “Still Alive” Previews an Intimate 4th Studio Album

by Mitch Mosk
Music, Reviews, This Just InMarch 6, 2020<March 6, 2020

This Just In: Healy Exquisitely Wrestles with the Swift Passage of Time in “Nikes On”

by Baylee Less
Columns, Music, Today's SongMarch 6, 2020<March 6, 2020

Today’s Song: Diners’ “Cup of Coffee” Is a Smooth, Full-Bodied Composition That Lingers Nicely in the Ear

by Nick Matthopoulos
Atwood Magazine Editor's Picks 30
Columns, Editor's Picks, Features, MusicMarch 6, 2020<May 15, 2020

Editor’s Picks: March 6, 2020

by Mitch Mosk
The Flavians 2020
Debut, Features, Interviews, MusicMarch 5, 2020<March 5, 2020

Artist-to-Watch: Berlin’s The Flavians Turn the ‘Ordinary’ Extraordinary with Soul-Stirring Sound

by Mitch Mosk
Good Luck Everybody - AJJ
Music, ReviewsMarch 5, 2020<March 5, 2020

Review: AJJ Balance the Outlandish with the Sincere on ‘Good Luck Everybody’

by Nick Matthopoulos
The Frights is Mikey Carnevale (vocals/guitar), Richard Dotson (bass), Marc Finn (drums). and Jordan Clark (guitar). © Rowan Daly
Features, Interviews, Music, PremieresMarch 5, 2020<July 17, 2020

Samples, Sonnets, and the Surf-Punk Scene: A Conversation with The Frights

by Lexi Lane
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 5, 2020<March 5, 2020

Breaking the Record with Roan Yellowthorn, Part 5: Mixing

by Guest Writer
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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