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Music, Podcast, Tunes & TumblersMarch 10, 2020<April 30, 2023

Podcast: Tunes & Tumblers Embark on a Tasting Journey with the Clash

by Anthony Kozlowski
Interviews, Music, ReviewsMarch 10, 2020<July 29, 2021

Interview: CLAVVS’ Honest & Immersive Alt-Pop Record ‘No Saviors (Extended)’

by Mitch Mosk
Are We Getting Better? - The Gloomies
Music, Reviews, Track-by-TrackMarch 10, 2020<March 11, 2020

Track-by-Track: The Gloomies’ Beachy, Visceral, & Intimate Album ‘Are We Getting Better?’

by Mitch Mosk
Lola Marsh
Features, Interviews, MusicMarch 10, 2020<March 10, 2020

Interview: Lola Marsh on Sophomore Album ‘Someday Tomorrow Maybe’, a Salve for the Broken Hearted

by Ilana Kalish
Annie Taylor
Columns, Music, Today's SongMarch 10, 2020<March 11, 2020

Today’s Song: Annie Taylor’s “A Thousand Times” Cures Loneliness With Psychedelic Grunge

by Oliver Crook
Various Blonde
Music, PremieresMarch 9, 2020<March 9, 2020

Premiere: Kansas City’s Various Blonde Revitalize the Dance Floor on “Black Light”

by Ryan Feyre
IWD Header
Features, Music, PlaylistsMarch 9, 2020<May 15, 2020

Atwood Magazine Celebrates Womxn – Womxn’s History Month 2020

by Atwood Magazine Staff
Music, PremieresMarch 9, 2020<March 9, 2020

Premiere: Melbourne’s Quivers Honor the Past by Embracing the Future on “Videostores”

by Adrian Vargas
Inspired & the Sleep
Music, PremieresMarch 9, 2020<March 9, 2020

Premiere: Inspired & the Sleep Persevere with Touching “Carry On” off New Debut Album

by Mitch Mosk
Disq © Megan Vieth
Debut, Features, Interviews, MusicMarch 9, 2020<March 9, 2020

Interview: Disq Discuss Debut Album ‘Collector’, a Midwestern Indie Portrait

by Mariel Fechik
Millie Turner © Amir Hossain
Music, Reviews, This Just InMarch 9, 2020<March 9, 2020

This Just In: Millie Turner Explores Dance Beats in New Single “Jungle”

by Lexi Lane
Saytr Play
Columns, Music, Today's SongMarch 9, 2020<March 6, 2020

Today’s Song: Saytr Play’s Invigorating Anthem for the Youth, the Planet, and Our “Future”

by Nina Schaarschmidt
Thrillhouse
Debut, Interviews, Music, Music Videos, PremieresMarch 6, 2020<March 6, 2020

Interview: For Brighton Indie Rock Band Thrillhouse, “Lesser” Is More

by Mitch Mosk
The Kids Are Coming EP art - Tones and I
Debut, Music, ReviewsMarch 6, 2020<March 6, 2020

Review: Tones and I Takes the World by Storm with Debut EP ‘The Kids Are Coming’

by Ben Beamish
Still Alive - Alexz Johnson
Interviews, Music, PremieresMarch 6, 2020<March 13, 2020

Premiere: Alexz Johnson’s Stirring Anthem of Hope “Still Alive” Previews an Intimate 4th Studio Album

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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