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Spanish Love Songs
Music, ReviewsFebruary 20, 2020<February 20, 2020

Doom and Gloom: Spanish Love Songs Enlighten a Horrible World with ‘Brave Faces Everyone’

by James Crowley
Beulahbelle © Connor Ellmann
Columns, Debut, Music, Today's SongFebruary 20, 2020<February 20, 2020

Today’s Song: Beulahbelle Fade In and Out of Love in Debut “Raleigh”

by Nicole Almeida
Good Kids EP - HALIE
Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Norway’s HALIE Stands Up for Love in Unapologetic Song “Starved”

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 20, 2020<February 19, 2020

Breaking the Record with Roan Yellowthorn, Part 3: In the Studio

by Guest Writer
Temporary Love - April Ivy
Music, PremieresFebruary 20, 2020<February 19, 2020

Premiere: April Ivy’s Tender & Seductive Song “Temporary Love”

by Bethan Harper
Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Theodore’s Love Song “The Lisper” Is a Breath of Innocence & Authenticity

by Mitch Mosk
Delta Rae © Shervin Lainez
Features, Interviews, MusicFebruary 19, 2020<February 28, 2020

Interview: Delta Rae’s Ian Hölljes on the Band’s Witchy Ways & New Album ‘The Light’

by Ilana Kalish
Glass Animals - Your Love © Pooneh Ghana
Features, Music, Reviews, This Just InFebruary 19, 2020<May 1, 2020

This Just In: Glass Animals Turn Up the Heat in “Your Love (Déjà Vu),” a Passionate Return

by Mitch Mosk
The Human Fly © Hayden Sitomer
Music, PremieresFebruary 19, 2020<February 19, 2020

Premiere: The Human Fly Dive into Identity & Legacy in Raw, Vulnerable EP ‘Indy500 (part1)’

by Mitch Mosk
AJJ music 2020
Columns, Music, Today's SongFebruary 19, 2020<February 19, 2020

Today’s Song: Finding Resolve & Strength Through AJJ’s “A Big Day for Grimley”

by Nick Matthopoulos
Marlin's Dreaming © Cam Hay
Music, Music Videos, PremieresFebruary 19, 2020<February 18, 2020

Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim”

by Matthew Dunn
Ali Holder
Music, PremieresFebruary 18, 2020<February 18, 2020

Premiere: Ali Holder’s Assertive “Bruja” Redefines What It Means to Be a Witchy Woman

by Mitch Mosk
ialive 2020 music
Music, ReviewsFebruary 18, 2020<February 18, 2020

Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’

by Ryan Feyre
Features, Interviews, MusicFebruary 18, 2020<February 18, 2020

On Intent and Isolation: A Conversation with Post Animal

by Ben Niesen
Brother Moses © Lowndes Commander
Columns, Music, Today's SongFebruary 18, 2020<February 18, 2020

Today’s Song: Brother Moses Wonders What It Takes to Be Wanted

by Lowndes Commander
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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