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Factor Chandelier
Music, PremieresFebruary 10, 2020<February 10, 2020

Premiere: Factor Chandelier Preps Us for ‘First Storm’ with “Four Fifteen”

by Coco Rich
Kiana Valenciano © DJ Magbanua
Music, PremieresFebruary 10, 2020<August 16, 2021

Today’s Song: Kiana Valenciano Dives into Loving Naturally in “No Rush” ft. Billy Davis

by Erica Danielle Garcia
5 Seconds of Summer © Andy DeLuca
Music, Reviews, This Just InFebruary 10, 2020<August 16, 2021

This Just In: 5 Seconds of Summer Critique the Attention Illusion in “No Shame”

by Erica Danielle Garcia
Idle Joy © 2020
Music, Music Videos, PremieresFebruary 8, 2020<February 8, 2020

Premiere: Idle Joy’s “Neighbors” Is Pure Fun Wrapped in Blues with a Country Twang

by Danny Vagnoni
Atwood Magazine's Weekly Roundup February 7 2020
Columns, Features, Music, Weekly RoundupFebruary 7, 2020<March 6, 2020

Atwood Magazine’s Weekly Roundup: February 7, 2020

by Atwood Magazine Staff
JJ Wilde © Jonathan Weiner
Interviews, Music, Music Videos, ReviewsFebruary 7, 2020<February 7, 2020

Interview: JJ Wilde Reveals Her Raw & Vulnerable Side in “Funeral for a Lover”

by Mitch Mosk
Plested © 2019
Columns, Music, Today's SongFebruary 7, 2020<February 6, 2020

Today’s Song: Plested Returns with the Brilliantly Authentic “Beautiful & Brutal”

by Luke Pettican
Oh Wonder © Olga De La Iglesia
Features, Interviews, MusicFebruary 7, 2020<March 6, 2020

Interview: Oh Wonder Dive into Their Intimate Third Album, ‘No One Else Can Wear Your Crown’

by Mitch Mosk
Debut, Interviews, MusicFebruary 6, 2020<March 2, 2020

Interview: Chelsea Cutler Encapsulates Adulthood on New Album ‘How To Be Human’

by Lexi Lane
Tori Amos 1992 © Tori Amos
Columns, Music, Nostalgia TracksFebruary 6, 2020<February 6, 2020

Nostalgia Tracks: Exploring the Physical & Metaphysical Conventions of Dishware with Tori Amos’ “China”

by Jesse Herb
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Youngr & Tall Children Join Forces in Irresistible Sun-Soaked Banger “Last for Long”

by Mitch Mosk
Kerry Hart © Lauren Dukoff
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Kerry Hart Tears into Life’s Paradox in Raw, Emotional “Screaming Quietly”

by Mitch Mosk
Music, Music Videos, Premieres, ReviewsFebruary 6, 2020<February 6, 2020

Premiere: Le Couleur Embrace Macabre Sensuality on Latest Single “Concorde”

by Adrian Vargas
Breaking the Record, Columns, MusicFebruary 6, 2020<February 6, 2020

Breaking the Record with Roan Yellowthorn, Part 1: Introduction

by Guest Writer
Opus Orange © Peach Beckley
Features, Music, PremieresFebruary 6, 2020<February 6, 2020

Feature: Opus Orange’s Classical Music Roots, Love for Nature, and “Miles from Nowhere”

by Guest Writer
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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