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Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Billy Raffoul Explores New Sounds with Latest Single “Without Falling in Love”

by Erica Danielle Garcia
Columns, Music, Today's SongFebruary 6, 2020<February 6, 2020

Today’s Song: Singer/Songwriter Liz Longley Liberates with “3 Crow”

by Kelly McCafferty Dorogy
Harmless © 2020
Music, ReviewsFebruary 5, 2020<February 5, 2020

Love, Tears, & Recovery: Harmless’ Spiritually Cleansing ‘Condiciones’ EP

by Mitch Mosk
Alexandria Maillot © Laura Baldwinson
Music, Music Videos, PremieresFebruary 5, 2020<March 2, 2025

Video Premiere: Alexandria Maillot’s Dark, Emotionally Intense “Someone to Keep You Warm”

by Mitch Mosk
Gus Englehorn © Ariane Moisan
Debut, Interviews, MusicFebruary 5, 2020<February 5, 2020

Interview: Entering the Creepy & Emotive World of Gus Englehorn’s ‘Death & Transfiguration’

by Frankie Rose
Electric Palace © 2019
Columns, Music, Today's SongFebruary 5, 2020<February 5, 2020

Today’s Song: Electric Palace Call Out Two-Faced People on Dancey-Rock Single “Pretend”

by Oliver Crook
Ethansroom - Ethansroom
Features, Music, PremieresFebruary 5, 2020<February 5, 2020

Premiere: Ethansroom Opens His Room and His Heart on Vulnerable Self-Titled Album

by Oliver Crook
Tom Joshua © Jodie Canwell
Debut, Features, Interviews, MusicFebruary 5, 2020<April 16, 2020

Interview: English Singer/Songwriter Tom Joshua Stuns with Soaring “Cinema”

by Luke Pettican
Emily Keener © Adam Maraschky
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Emily Keener’s “Do You Love Me Lately?” Crosses Desire & Fear with Haunting Indie Folk Vulnerability

by Mitch Mosk
Charli Adams © Bjorn Franklin
Debut, Features, Interviews, MusicFebruary 4, 2020<February 4, 2020

Down for the Ride: Charli Adams’ Debut EP Reverberates Precious Youth

by Coco Rich
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Blood Cultures & DJ ST THOMAS Join Forces for Bustling Remix of “Best for You”

by Adrian Vargas
Music, Podcast, Tunes & TumblersFebruary 4, 2020<April 30, 2023

Podcast: Tunes & Tumblers Toast Billie Eilish’s Historic Grammy Wins

by Anthony Kozlowski
Núria Graham © Marc Cusco
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Núria Graham’s Sweet “Toilet Chronicles” Is a Beautiful, Messy Love Song

by Mitch Mosk
Couch Prints
Columns, Music, Today's SongFebruary 4, 2020<February 3, 2020

Today’s Song: Couch Prints Explore the Nuances of Longing in Latest Single “Of Drawing”

by Alicia Bugallo
Josiah Johnson music © Ben Fee
Debut, Music, Reviews, This Just InFebruary 3, 2020<March 6, 2020

Josiah Johnson Captures Our Head & Our Heart with Solo Debut “World’s Not Gonna End”

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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