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Lindsey Stirling "Artemis"
Features, Interviews, MusicNovember 5, 2019<November 5, 2019

Goddess of the Moon: A Conversation with Lindsey Stirling

by Ben Beamish
Columns, Music, Today's SongNovember 5, 2019<November 5, 2019

Today’s Song: Elephant Heart Hypnotize with Latest Single “The Thunder”

by Adrian Vargas
Serendipity "Flying"
Debut, Music, PremieresNovember 4, 2019<November 4, 2019

Premiere: Serendipity Captures the Fall in Raw, Vulnerable Unveiling “Flying”

by Mitch Mosk
Future Generations © Britnee Meiser
Columns, Music, Today's SongNovember 4, 2019<November 4, 2019

Today’s Song: Take a Step Back and “Just Pretend” with Future Generations

by Ben Niesen
Gabriella Cilmi © Jess Brohier
Features, Interviews, MusicNovember 1, 2019<November 4, 2019

Beauty in Imperfection: An Interview with Gabriella Cilmi

by Erica Danielle Garcia
Clipping © Cristina Bercovitz
Features, Interviews, MusicNovember 1, 2019<August 9, 2021

Nothing is Safe: A Conversation With clipping.

by Mariel Fechik
Columns, Music, Today's SongNovember 1, 2019<November 1, 2019

Today’s Song: Vaundy Breaks Down International Barriers on Captivating “Tokyo Flash”

by Adrian Vargas
Our Favorite Albums of 2013
Albums of the Decade, Columns, Features, MusicNovember 1, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2013

by Atwood Magazine Staff
Lilla Vargen
Music, PremieresOctober 31, 2019<October 31, 2019

Premiere: Lilla Vargen Embraces Connection & Meaning in Stunning “Why Wait”

by Mitch Mosk
mmeadows 2019
Interviews, MusicOctober 31, 2019<October 31, 2019

Interview: mmeadows Turn Heads with “A Matter of Perspective”

by Luke Pettican
Stolen Gin
Debut, Music, PremieresOctober 31, 2019<November 4, 2019

Premiere: Stolen Gin’s Groovy EP ‘Something Sweet’ Is a Lean, Clean Funk Machine

by Nick Baron
In Memory - The Cordial Sins
Music, ReviewsOctober 31, 2019<March 2, 2025

The Cordial Sins Dive into Their High-Charged ‘In Memory’ EP

by Mitch Mosk
Columns, Music, This Just In, Today's SongOctober 31, 2019<October 30, 2019

This Just In: Val Astaire Blows a “Kiss” Goodbye to Self-Doubt

by Maggie McHale
Daniel Johnston
Features, MusicOctober 30, 2019<January 2, 2020

In Memoriam: Tortured Loser Genius Hero; The Legacy of Daniel Johnston

by Guest Writer
Sulene © Bao Ngo
Music, PremieresOctober 30, 2019<October 30, 2019

Premiere: Going “Out of Your Head” with Sulene’s Pulsing New Song

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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