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Features, Music, ReviewsMay 12, 2026<May 12, 2026 “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet by Mitch Mosk
Interviews, MusicMay 12, 2026<May 12, 2026 “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years by Grace Holtzclaw
Interviews, Music, Music Videos, PremieresMay 12, 2026<May 12, 2026 “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” by Mitch Mosk
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Features, Interviews, MusicMay 11, 2026<May 13, 2026 “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ by Rachel Leong
Interviews, Music, Today's SongMay 11, 2026<May 11, 2026 “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ by Mitch Mosk
Columns, Music, Today's SongMay 11, 2026<May 11, 2026 A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers by Danielle Holian
Columns, Editor's Picks, Features, MusicMay 8, 2026<May 8, 2026 Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning! by Mitch Mosk
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Features, Music, Reviews, RoundtableMay 8, 2026<May 8, 2026 Roundtable Discussion: A Review of BTS’ ‘ARIRANG’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
