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The Brook & The Bluff © Luke Rogers
Interviews, Music, Today's SongNovember 21, 2025<November 21, 2025

“We Wanted to Come Out of the Gates Really Hot”: The Brook & The Bluff Ignite a New Era with “Super Bowl Sunday,” a Hard-Hitting, High-Voltage Anthem of Motion & Self-Reckoning

by Mitch Mosk
Taylor Momsen’s Pretty Reckless Christmas © Steph Gomez
Mistletones, Music, ReviewsNovember 21, 2025<November 21, 2025

The Pretty Reckless Reimagine the Holidays with ‘Taylor Momsen’s Pretty Reckless Christmas’

by Danielle Holian
Buffalo Traffic Jam © Matthew Alec Gold
Debut, Features, Interviews, MusicNovember 21, 2025<November 21, 2025

Buffalo Traffic Jam’s ‘Take Me Home’ Is the Soundtrack for Life’s Messy Middle

by Aileen Goos
Queen Quail "Narcissus" © Celeste Call
Music, ReviewsNovember 21, 2025<November 21, 2025

One for the Dreamers, the Philosophers, and the Reckoning: Queen Quail’s ‘Narcissus’ EP Is a Sparkling Ode to Identity & Belonging in Your 20s

by Rachel Leong
The Sophs © Eric Daniels
Artist to Watch, Interviews, MusicNovember 20, 2025<November 20, 2025

“Never Deny Yourself Anything”: LA’s The Sophs Push Confession, Chaos, & Catharsis to the Brink on “DEATH IN THE FAMILY”

by Mitch Mosk
Izzy Outerspace "Closer" © 2025
Music, Music Videos, PremieresNovember 20, 2025<November 20, 2025

“If You’re Still Here, I Offer You the World”: Izzy Outerspace Unleashes a Dramatic, Impassioned, & Turbulent Reckoning on “Closer”

by Mitch Mosk
Pacifica © Jaxon Whittington
Features, Interviews, MusicNovember 20, 2025<November 20, 2025

‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power

by Kayleigh Schweiker
Josaleigh Pollett © PJ Guinto
Editorials, MusicNovember 20, 2025<November 20, 2025

“Protection, Memory, & the Pink Glow of ‘Radio Player’”: An Essay by Josaleigh Pollett

by Guest Writer
Marilyn Hucek 'MARILYN' © 2025
Debut, Music, ReviewsNovember 20, 2025<November 20, 2025

The ‘MARILYN’ Debut: Love, Loss, and Chasing Dreams with Marilyn Hucek

by Kelly McCafferty Dorogy
Charli xcx "House" © Paul Kooiker
Columns, Music, Today's SongNovember 20, 2025<November 20, 2025

“Let It Be Perfect”: Charli xcx’s “House featuring John Cale” and Creative Burnout

by Juls Patterson
Elliott Skinner © Hashim Musa
Artist to Watch, Interviews, MusicNovember 19, 2025<November 24, 2025

“I Don’t Want Another Fantasy”: Elliott Skinner Channels Light, Lineage, & a Quiet Reckoning on “RECALLING”

by Mitch Mosk
Madilyn Mei 'A Thousand Songs About It All: Act 1' © Emily Minerowicz
Features, Interviews, MusicNovember 19, 2025<November 19, 2025

Madilyn Mei’s One-Man Circus: Queer Joy, Clown Costumes, & 1000 Songs About Everything

by Nicolle Knapová
The Aces 'Gold Star Baby' © Dana Trippe
Concerts, Music, ReviewsNovember 19, 2025<November 19, 2025

Live Review: The Aces Earn Their Gold Star, Baby with Electric New York City Concert

by Julia Dzurillay
Hilary Duff "Mature" © Lauren Dunn
Columns, Music, Today's SongNovember 19, 2025<November 19, 2025

Today’s Song: Hilary Duff Got Older & Wiser – and Wrote About It in “Mature”

by Danielle Holian
Good Kid © Evie Maynes
Columns, Interviews, Music, Today's SongNovember 17, 2025<November 19, 2025

Interview: Good Kid on Vulnerability, Community, & Independence on “Wall”

by Rachel Leong
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Brand New

  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula

:: discover something new ::

Recent Posts

  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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