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Florentenes "Madeline" © Sam Crowston
Interviews, Music, Today's SongMarch 12, 2026<March 12, 2026

Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline”

by Mitch Mosk
Nory © Lucy Billington
Debut, Features, Interviews, MusicMarch 11, 2026<March 11, 2026

“A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’

by Mitch Mosk
I’ll Never Be A Stranger: A young and blue Billy Joel mugs for the camera © Aidan Moyer
Film, Music, ReviewsMarch 11, 2026<March 11, 2026

You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’

by Aidan Moyer
Human Potential
Essays, MusicMarch 11, 2026<March 11, 2026

“An Elegy for L. Skell”: An Essay by Human Potential’s Andrew Becker

by Guest Writer
Happy Landing © Orchee Sorker
Interviews, Music, Today's SongMarch 11, 2026<March 11, 2026

“Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way”

by Mitch Mosk
Dolphins on Acid © 2026
Features, Interviews, MusicMarch 10, 2026<March 10, 2026

Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way

by Jason Bauer
Kim Petras © 2026
Features, Music, ReviewsMarch 10, 2026<March 10, 2026

With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound”

by Guest Writer
Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning © Emil Gentes
Interviews, Music, Today's SongMarch 10, 2026<March 10, 2026

“Echo Chamber, Promise Breaker”: Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning

by Mitch Mosk
Atwood Magazine's 149th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 9, 2026<March 9, 2026

Editor’s Picks 149: MEEK, Ray Bull, The Maine, Soda Blonde, Silverdeer, & Noshows!

by Mitch Mosk
Almost Heaven © Kylie Bly
Debut, Features, Interviews, MusicMarch 9, 2026<March 10, 2026

“We Came, We Saw, We Partied”: Almost Heaven Debut with a Sweaty and Feverish Disco Ball Haze on ‘RAW CRANIUM’

by Mitch Mosk
Rosina Buck
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“Dancing with the Sacred Wound”: Rosina Buck Reflects on Transforming Pain into Art for International Women’s Day

by Guest Writer
Sailing Stones © 2026
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“The Mercurial, Missing Music of Motherhood”: An Essay by Sailing Stones for International Women’s Day

by Guest Writer
“Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day

by Guest Writer
John-Robert © Jon Alan
Columns, Music, Today's SongMarch 8, 2026<March 8, 2026

John-Robert’s “Anna” Brings Back the Art of Crushing – and the Thrill That Comes With It

by Miranda Urbanczyk
Desert Collider © Andrea Casagranda
Columns, Music, Today's SongMarch 7, 2026<March 7, 2026

Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR”

by Will Yarbrough
Posts pagination
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Brand New

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

:: discover something new ::

Recent Posts

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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