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Amyl and The Sniffers Album Cover
Music, ReviewsMay 28, 2019<May 28, 2019

Review: Amyl and The Sniffers’ Self-Titled Debut Album is a Punk Masterpiece

by Danielle Chelosky
SPRINTS © Dan Silva
Debut, Features, InterviewsMay 28, 2019<May 28, 2019

Interview: Meet SPRINTS, The Band With A Plan To Have All Your Friends Talking About Them

by Oliver Crook
Christian Lee Hutson © Gus Black
Columns, Music, Today's SongMay 28, 2019<June 5, 2019

Today’s Song: Christian Lee Hutson’s “Northsiders” Exemplifies a Classic Kind of Storytelling

by Frankie Rose
The Great Escape Festival 2019
Festival, Music, ReviewsMay 27, 2019<June 5, 2019

Ones to Watch from The Great Escape Festival 2019

by Hermione Kellow
Weekly Roundup 240519
Columns, Features, Music, Weekly RoundupMay 24, 2019<May 24, 2019

Atwood Magazine’s Weekly Roundup: May 24, 2019

by Atwood Magazine Staff
Broken Back © Emma Birski
Interviews, Music, PremieresMay 24, 2019<May 24, 2019

Interview: Broken Back’s Dire “Wake Up” Call Sparks Life Anew

by Mitch Mosk
The Man Without Qualities - The Royal Concept
Features, Music, Our Take, ReviewsMay 24, 2019<May 24, 2019

Our Take: Freedom Reigns in The Royal Concept’s Triumphant ‘The Man Without Qualities’

by Mitch Mosk
Sandman - Trudy and the Romance
Debut, Music, Our Take, ReviewsMay 24, 2019<May 24, 2019

Trudy and the Romance Provide Jukebox Jams for the 21st Century with Debut Album ‘Sandman’

by Adrian Vargas
IRAH is Stine Grøn (vocals) and Adi Zukanović (keyboards) © Jakob Steen
Columns, Music, Today's SongMay 24, 2019<June 5, 2019

Today’s Song: IRAH Draw From a Mystical Lexicon of Their Own Making in “Siu Hinama”

by Kareem Ghezawi
The Tallest Man on Earth © Kaitlin Scott
Music, Our Take, Reviews, Track-by-TrackMay 23, 2019<May 23, 2019

The Tallest Man on Earth’s ‘I Love You. It’s a Fever Dream.’: A Track-by-Track Review

by Adrian Vargas
Aaron West and The Roaring Twenties © Nolan Knight
Features, Interviews, MusicMay 23, 2019<May 23, 2019

Runnin’ Towards the Light: A Conversation with Dan Campbell

by James Crowley
her crooked heart © Nate Ryan
Music, PremieresMay 23, 2019<May 23, 2019

Premiere: Her Crooked Heart’s Beautifully Sweet “Young Love Is Like Nothing”

by Mitch Mosk
Night Market © Maxx Kaitylnn
Music, PremieresMay 22, 2019<May 22, 2019

Premiere: Breathe in the Fresh Air with Night Market’s “White Seasons”

by Mitch Mosk
Estes music
Columns, Music, Today's SongMay 22, 2019<June 5, 2019

Today’s Song: The Calming Tranquility of Estes’ Cathartic “Amen”

by Mitch Mosk
FEELS © Shervin Lainez
Features, Interviews, MusicMay 22, 2019<May 22, 2019

Interview: Finding New Aspects of Yourself with FEELS

by Ben Niesen
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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