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Dayna Ghiraldi-Travers of Big Picture Media
Features, Interviews, MusicFebruary 19, 2019<February 20, 2019

Full Circle Moments: An Interview with Big Picture Media’s Dayna Ghiraldi-Travers

by James Crowley
The Lovely Sparrows © Jamaica Cole
Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: The Lovely Sparrows’ Magically Abstract “Shake the Shadow”

by Mitch Mosk
Aron Blom 2019
Debut, Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Aron Blom’s Breathtaking Live Performance of Intimate Debut “Low Low Low”

by Mitch Mosk
Shelley Segal © 2019
Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Basking in the Presence of Love with Shelley Segal’s “Here”

by Mitch Mosk
The Weird Years © Shervin Lainez
Debut, Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Indie Supergroup The Weird Years’ Haunting Debut “Stranger”

by Mitch Mosk
Bencoolen © Ari Strauss
Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Savour the Burn with Bencoolen’s “When You Look Back”

by Ben Niesen
Allie Crow Buckley © Annabel Mehran
Features, Interviews, MusicFebruary 18, 2019<February 20, 2019

From Sea to Stage: A Conversation with Allie Crow Buckley

by Frankie Rose
Picture This © Katia Temkin
Features, Interviews, MusicFebruary 18, 2019<February 15, 2019

Tales of Modern Romance: An Interview with Picture This

by Luke Pettican
First & Foremost - Plested
Debut, Music, Reviews, Track-by-TrackFebruary 16, 2019<February 16, 2019

Plested’s First & Foremost: A Track-By-Track Review

by Luke Pettican
Atwood Magazine's Weekly Roundup 2-15-2019
Columns, Features, Music, Weekly RoundupFebruary 15, 2019<February 19, 2019

Atwood Magazine’s Weekly Roundup: February 15, 2019

by Atwood Magazine Staff
Sigrid © 2019
Columns, Music, Today's SongFebruary 15, 2019<February 15, 2019

Today’s Song: Sigrid Reinvents the Heartbreak Song with “Don’t Feel Like Crying”

by Alicia Bugallo
Parcels by Antoine Henault
Features, Interviews, MusicFebruary 15, 2019<March 1, 2019

Eclectic, Groovy, Retro, and Current: A Conversation with Parcels

by Mitch Mosk
Preston Lovinggood © Jay Gunning
Music, Music Videos, PremieresFebruary 15, 2019<February 15, 2019

Premiere: Preston Lovinggood’s Hauntingly Optimistic “Everything Will Be Okay” Video

by Mitch Mosk
Growing Pain II - Tesha
Music, Premieres, ReviewsFebruary 14, 2019<February 18, 2019

EP Premiere: Embracing Ethereal Intimacy & Grief in TESHA’s ‘Growing Pain II’

by Mitch Mosk
Mallrat © Michelle Pitris
Features, Interviews, MusicFebruary 14, 2019<February 14, 2019

On UFOs and Trusting Your Instinct: A Conversation with Mallrat

by Nicole Almeida
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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