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Essenger © Kryslyn Baker
Columns, Music, Today's SongOctober 2, 2018<October 2, 2018

Today’s Song: Essenger Explores the Repercussions of Living with Our “Eyes Closed”

by Adrian Vargas
YOY © Laura Campana
Debut, Features, Interviews, MusicOctober 2, 2018<October 2, 2018

Interview: YOY Debut with Immersive, Entrancing “Infinite” ft BIRTHH

by Mitch Mosk
Blood On The Floor - Jack KILLEN
Music, Music Videos, PremieresOctober 1, 2018<October 1, 2018

Premiere: Take a Step Back with Jack Killen’s Invigorating “Blood on the Floor”

by Mitch Mosk
Greg Holden © 2018
Features, Interviews, Music, Music Videos, PremieresOctober 1, 2018<October 10, 2018

Inspiration, Evolution, & “The Power Shift”: An Interview with Greg Holden

by Mitch Mosk
Lewis Capaldi © 2018
Columns, Music, Today's SongOctober 1, 2018<October 9, 2018

Today’s Song: Lewis Capaldi Explores Life-Changing Love with “Grace”

by Luke Pettican
The Japanese House © Jim Mangan
Music, Reviews, This Just InSeptember 28, 2018<October 30, 2018

This Just In: Finding Hope in Love in The Japanese House’s “Lilo”

by Nicole Almeida
Leave But Don't Go - Violet Days
Music, PremieresSeptember 28, 2018<September 28, 2018

First Look: Violet Days Explore Affection with “Leave But Don’t Go”

by Luke Pettican
Music, Previews, ReviewsSeptember 28, 2018<September 28, 2018

Preview: Half the Animal Plan to Make “Magic” on Tour

by Alex Killian
Music, Our Take, ReviewsSeptember 28, 2018<October 2, 2018

Compartmentalizing What Makes Us Human: A Track-By-Track Review of The Tallest Man on Earth’s “When the Bird Sees the Solid Ground”

by Adrian Vargas
Your Smith © Gemma Warren
Columns, Music, Today's SongSeptember 28, 2018<September 28, 2018

Today’s Song: Your Smith Makes Love a “Bad Habit”

by Nicole Almeida
Violetta Zironi © Bettina Zironi
Music, Music Videos, PremieresSeptember 27, 2018<September 27, 2018

Premiere: Violetta Zironi’s Heartbreaking & Breathtaking Confession “Little Wound”

by Mitch Mosk
Flasher © 2018
Interviews, MusicSeptember 27, 2018<September 27, 2018

Creating a Multisensory Experience: A Conversation with Flasher

by Shayna Chabrow
Wild - Dhruv Visvanath
Music, PremieresSeptember 27, 2018<September 27, 2018

Premiere: NDS Brings Wide-Eyed Wonder to Dhruv Visvanath’s “Wild” Remix

by Mitch Mosk
Daniel Briskin © 2018
Debut, Features, Interviews, MusicSeptember 27, 2018<September 27, 2018

Interview with Daniel Briskin: An Artist on the Rise

by Luke Pettican
Transviolet - Valley Cover Art
Music, ReviewsSeptember 27, 2018<October 9, 2018

Review: Transviolet’s ‘Valley’ EP Dances Us to Real Life Resilience

by Ilana Kalish
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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