Music, ReviewsFebruary 7, 2025<February 7, 2025 Rock Star Power and …Seinfeld?: A Candid Review of ‘Sharon Van Etten & The Attachment Theory’ by Josh Bloom
Columns, Music, Today's SongFebruary 7, 2025<February 7, 2025 Journeying into the Chaos: A Look into Rare DM’s “The Ring” by Juls Patterson
Concerts, Music, ReviewsFebruary 6, 2025<February 6, 2025 Live Review: Making a Hot Fuss in Las Vegas With The Killers by Emma Schoors
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2025<February 6, 2025 Loud, Vulnerable, & Raw: Mary Eliza Weaves Quiet Strength into a Sonic Reckoning on Debut Album ‘Spider’ by Mitch Mosk
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Columns, Music, Today's SongFebruary 6, 2025<February 6, 2025 Today’s Song: Djo’s “Basic Being Basic” Tackles the Superficial With Psychedelic Flare by Mariam Bagdady
Columns, Features, Music, Weekly RoundupFebruary 5, 2025<February 5, 2025 Atwood Magazine’s Weekly Roundup: February 5, 2025 by Atwood Magazine Staff
Artist to Watch, Features, Lists, MusicFebruary 5, 2025<February 5, 2025 Atwood Magazine’s 2025 Artists to Watch by Atwood Magazine Staff
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Editorials, Features, Lists, MusicJanuary 31, 2025<January 31, 2025 Atwood Magazine’s 2025 Grammy Awards Predictions by Noah Wade
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For the Love of Music
For the Love of Music
