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Apropos © 2018
Debut, Music, PremieresAugust 23, 2018<August 23, 2018

Premiere: Love Hurts So Good in Apropos’ “Talk Like That” ft. Isaiah Dreads

by Mitch Mosk
Moses Sumney © Ibra Ake
Features, Music, Our Take, ReviewsAugust 22, 2018<August 22, 2018

Our Take: Moses Sumney’s ‘Black in Deep Red, 2014’ Captures the Tumult & Triumph of Protest

by Nick Baron
Sonny Elliot © Nina Sutton-Welch
Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: Sonny Elliot’s Delicate “Broken Glasses” Glows with Unconditional Love

by Mitch Mosk
The Foreword © 2018
Debut, Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: The Foreword Embrace Optimism in Bright Folk-Pop Debut “Made Up Misery”

by Mitch Mosk
YEARS - Axel Flovent © 2018
Music, Music Videos, PremieresAugust 22, 2018<August 22, 2018

Premiere: Overcoming Inner Demons with Axel Flóvent’s Breathtaking “Years”

by Mitch Mosk
SVIBES © 2018
Debut, Features, Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: The Beautiful Torment of SVIBES’ “The Ra Ra Ra” & “Strange Vibes”

by Mitch Mosk
TOOTIMETOOTIMETOOTIME - The 1975
Features, Music, Reviews, This Just InAugust 22, 2018<August 29, 2018

Pop, Frivolity, & Attitude: A Review of The 1975’s “TOOTIMETOOTIMETOOTIME”

by Atwood Magazine Staff
Dizzy © Leeor Wild
Debut, Features, Interviews, MusicAugust 21, 2018<August 29, 2018

Ascending from Suburbia and Adolescence: A Conversation with Dizzy

by Nicole Almeida
Ever More Nest © Summer Dorr
Debut, Music, Music Videos, PremieresAugust 21, 2018<August 21, 2018

Premiere: Drifting Away in Ever More Nest’s Grounding Debut “Major Tom”

by Mitch Mosk
Aidan Carroll © Deneka Peniston
Music, PremieresAugust 21, 2018<August 21, 2018

Premiere: A Soul Exposed in Aidan Carroll’s Visceral “Misunderstood”

by Mitch Mosk
Beach Bunny © john tuanqui
Music, ReviewsAugust 21, 2018<August 21, 2018

Review: Beach Bunny Deserve a Crown for Nostalgic ‘Prom Queen’ EP

by Abby Jones
Edward and Jane © Nathan William
Music, PremieresAugust 21, 2018<April 13, 2020

Premiere: Finding Strength in Edward and Jane’s Folkicana Fight Song, “Hold Your Own”

by Mitch Mosk
James Smith "T-Shirts" Acoustic © Virgin Records
Features, Music, Music Videos, PremieresAugust 21, 2018<August 21, 2018

Premiere: The Heartbreaking Beauty of James Smith’s Acoustic “T-Shirts”

by Mitch Mosk
Be The Cowboy - Mitski
Features, Music, Reviews, RoundtableAugust 21, 2018<June 29, 2024

Roundtable Discussion: A Review of Mitski’s ‘Be the Cowboy’

by Atwood Magazine Staff
She Don't Know - Zach Callison
Music, Music Videos, PremieresAugust 20, 2018<August 20, 2018

Premiere: Zach Callison Barrels Through Heartache & Strain in “She Don’t Know”

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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