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Matt Maltese © Vinca Petersen
Columns, Music, Today's SongJanuary 25, 2025<January 25, 2025

Today’s Song: Matt Maltese Returns With the Irresistibly Evocative “Anytime, Anyplace, Anyhow”

by Miranda Urbanczyk
Atwood Magazine's Best Concerts of 2024
Concerts, Features, Lists, MusicJanuary 24, 2025<January 24, 2025

Atwood Magazine’s Best Concerts of 2024!

by Atwood Magazine Staff
Joy Crookes "Pass the Salt" © 2025
Columns, Music, Today's SongJanuary 24, 2025<January 24, 2025

Bold, Fierce, & Fresh: Joy Crookes Makes a Powerful Return With “Pass the Salt” ft. Vince Staples

by Rachel Leong
Magana © Magana
Editorials, MusicJanuary 24, 2025<January 24, 2025

Essay: “Ten Months of Teeth” by Magana

by Guest Writer
Hellier, Forever - Mia Day 9.7
Music, Our Take, ReviewsJanuary 23, 2025<January 23, 2025

Our Take: Mia Day’s ‘Hellier, Forever’ Is a Timeless Ode to ‘90s Grunge and the Supernatural

by Noa Jamir
PUP © Martyna Bannister
Columns, Music, Today's SongJanuary 23, 2025<January 23, 2025

“Don’t call it a fallout”: PUP Bring It Back to Basics With New Single “Paranoid”

by Juls Patterson
Frank Ocean 'Blonde' cover art
Columns, Music, Nostalgia TracksJanuary 23, 2025<January 23, 2025

Nostalgia Tracks: All-Consuming Memories on Frank Ocean’s “Ivy”

by Marc Maleri
Salim Nourallah © Gavin Nourallah
Music, PremieresJanuary 22, 2025<January 22, 2025

Premiere: Salim Nourallah’s “Damage” Explores the Universality of Pain & Trauma to the Human Experience

by Mitch Mosk
Grace Enger © courtesy of the artist
Columns, Music, Today's SongJanuary 22, 2025<January 22, 2025

Today’s Song: Grace Enger’s “Habits Die Hard” Is a Hidden Treasure in Her New EP

by Bárbara Martínez Campuzano
Samia "Bovine Excision" © Sarah Ritter
Music, Reviews, This Just InJanuary 21, 2025<January 21, 2025

This Just In: Samia Treads Harder Ground With Piercing New Song, “Bovine Excision”

by Rachel Leong
Skateland © Lindsey Chambley
Interviews, MusicJanuary 21, 2025<January 21, 2025

Interview: Skateland’s ‘Joyce Howell, How are You?’ EP Is a Wistful Soundtrack to Our Shared Humanity

by Chloe Robinson
Rebecca Haviland 'Late Nights' © Manish Gosalia
Features, Interviews, MusicJanuary 21, 2025<January 21, 2025

Interview: Rebecca Haviland & Whiskey Heart’s ‘Late Nights’ Is a Love Letter to Blues Music and Community

by Noah Wade
Greer © Grace Cynthia
Columns, Music, Today's SongJanuary 21, 2025<January 20, 2025

Today’s Song: Greer Return With a Refreshing Rock Edge in “Had Enough,” Their First Release in Four Years

by Miranda Urbanczyk
Wallows © Cloudy Thoughts
Columns, Music, Today's SongJanuary 20, 2025<January 20, 2025

Indie Rock at Its Best: Wallows Unveil the Anthemic “Your New Favorite Song”

by Danielle Holian
Lizzy McAlpine © Neema Sadeghi
Columns, Music, Today's SongJanuary 18, 2025<January 18, 2025

Lizzy McAlpine’s “Soccer Practice” Depicts the Complexities of Heartbreak & Healing in One Simple Ballad

by Miranda Urbanczyk
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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