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Japanese Breakfast © Pak Bae
Features, Music, Reviews, RoundtableApril 10, 2025<April 10, 2025

Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’

by Atwood Magazine Staff
Magnolia Park © Jonathan Weiner
Features, Interviews, MusicApril 10, 2025<April 11, 2025

Interview: Magnolia Park Create a Whole New World for Their Fans on ‘VAMP’

by Kaiana Lee
Stephen Day © Nick Jackson
Concerts, Music, ReviewsApril 10, 2025<April 10, 2025

Stephen Day Turns the Troubadour into a Gold Mine

by Guest Writer
Filiah © Marie Schrentewein
Music, PremieresApril 10, 2025<April 11, 2025

Premiere: Filiah’s Enchanting “On & On” Is a Cathartic, Liberating Exhale of Shame, Healing, & Self-Acceptance

by Mitch Mosk
Jonas Brothers © Anthony Mandler
Columns, Music, Today's SongApril 10, 2025<April 10, 2025

The Jonas Brothers’ Uplifting Anthem “Love Me to Heaven” Takes Fans on a Journey to New Heights

by Danielle Holian
Lucette © Sebestian Buzzalino
Features, Interviews, Music, Track-by-TrackApril 9, 2025<April 9, 2025

Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’

by Mitch Mosk
Sarah and the Sundays © Miles Ellisor
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC

by Jamie Kahn
Michigander © Erick Frost
Debut, Features, Interviews, MusicApril 9, 2025<April 9, 2025

“Welcome to the Broadcast”: Michigander’s Jason Singer on Change, Letting Go, and Crafting a Timeless Debut Album

by Kelly McCafferty Dorogy
Dosey © 2025
Interviews, MusicApril 9, 2025<April 9, 2025

“This is year 12 of me putting out music and year 1 of it starting to work”: Dosey Collects His Flowers from ‘maybe i’m just terrified’

by Grace Holtzclaw
Strange Froots and Hua Li 化力
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Strange Froots and Hua Li 化力 Bring Big Magic to Small Moments at Taverne Tour

by Oliver Crook
Tennis © Blossom Liu, Daniel Gray
Columns, Music, Today's SongApril 9, 2025<April 9, 2025

“Sleep the World to Forget It”: Tennis Are Spellbound by the “Weight of Desire” in a Song of Longing, Surrender & Sweet Disillusion

by Marc Maleri
Somebody's Child © Jim Fuller
Features, Interviews, Music, Track-by-TrackApril 8, 2025<April 8, 2025

“Rave, Rock, Rebel”: Somebody’s Child Reckons with Time’s Changes on Boldly Defiant Sophomore LP ‘When Youth Fades Away’

by Mitch Mosk
IDER © Sami Weller
Features, Interviews, MusicApril 8, 2025<April 8, 2025

“It’s all a bit of a farce at the end of the day”: IDER Turn Imposter Syndrome into an Aesthetic with ‘Late to the World’

by Brian Denney
Ashlee Merritt © 2025
Essays, Music, Women's History MonthApril 8, 2025<April 8, 2025

“Be Ready, Be Patient, and Let It All Unfold”: An Essay by Ashlee Merritt for Women’s History Month

by Guest Writer
ÅNGEL 004 © Eden Chinn
Concerts, Music, ReviewsApril 8, 2025<April 8, 2025

Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch

by Ciaran Short
Posts pagination
1 … 58 59 60 61 62 … 727

Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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