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Something to Hold On to - Walker
Debut, Features, Music, PremieresMarch 1, 2018<March 1, 2018

EP Premiere: Walker’s Warm, Grooving Debut is Truly ‘Something to Hold On To’

by Mitch Mosk
Rhys Lewis © 2018
Columns, Debut, Music, Today's SongMarch 1, 2018<March 1, 2018

Today’s Song: Rhys Lewis Explores Heartbreak with “Bloodstains”

by Luke Pettican
BADTALKERS © 2018
Music, Music Videos, PremieresMarch 1, 2018<March 1, 2018

Premiere: BADTALKERS’ Dark & Intimate “No Pity” Stands Against Gun Violence

by Mitch Mosk
Sean McVerry © Kristen Dorata
Music, PremieresMarch 1, 2018<March 1, 2018

Premiere: Sean McVerry’s “So Certain” Captures ’80s Nostalgia without the Glitter

by Kelly Wynne
Indigo Husk © 2018
Music, PremieresMarch 1, 2018<March 6, 2018

Premiere: Indigo Husk Shine Bright in “Not Feeling Better”

by Mitch Mosk
Viewfinder Climate Change Header
Columns, Music, Music Videos, ViewfinderFebruary 28, 2018<February 28, 2018

Viewfinder: When Music and Oceanography Intertwine

by Carmen Chan
go to hell - luhx.
Columns, Music, Reviews, Today's SongFebruary 28, 2018<February 28, 2018

Today’s Song: luhx. Empower with Self-Love in Rallying Cry “go to hell.”

by Mitch Mosk
Deanna Petcoff © 2018
Debut, Music, PremieresFebruary 28, 2018<November 9, 2018

Premiere: Deanna Petcoff Debuts with Bittersweet Confessional “Terribly True”

by Mitch Mosk
HOT LIKE SUSHI © 2018
Music, PremieresFebruary 28, 2018<February 28, 2018

Premiere: HOT LIKE SUSHI Climb Sky-High in Euphoric “Do You Wanna”

by Mitch Mosk
Faces - Newspoke
Debut, Features, Music, PremieresFebruary 28, 2018<February 28, 2018

Album Premiere: Newspoke Get Intensely Personal on Debut ‘Faces’

by James Crowley
Blood - Rhye
Features, Music, Our Take, ReviewsFebruary 28, 2018<February 28, 2018

Our Take: Minimalist Production & Sexual Intimacy in Rhye’s ‘Blood’

by Baylee Less
Riley Pearce © Tashi Hall
Features, Interviews, MusicFebruary 27, 2018<February 28, 2018

Putting the Pieces Back Together: A Conversation with Riley Pearce

by Hannah Maire
Pistoleros © Jim Louvau
Music, Music Videos, PremieresFebruary 27, 2018<February 27, 2018

Video Premiere: Pistoleros Temper Raw Energy in “Did You Wake Up All Alone”

by Mitch Mosk
Queen of Jeans © Jessica Lim
Columns, Music, Today's SongFebruary 27, 2018<February 27, 2018

Today’s Song: Find Even “More to Love” in Queen of Jeans’ Latest Single

by Lindsay Call
Wyvern Lingo - Wyvern Lingo album art
Debut, Music, Our Take, ReviewsFebruary 26, 2018<February 26, 2018

Our Take: Wyvern Lingo Rise with Heat, Richness and Depth on Self-Titled Debut

by Mitch Mosk
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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