• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Atwood Magazine's Weekly Roundup 04-27-2018
Columns, Features, Music, Weekly RoundupApril 27, 2018<April 30, 2018

Atwood Magazine’s Weekly Roundup: April 27, 2018

by Atwood Magazine Staff
FINNEAS © Cameron Postforoosh
Features, Interviews, MusicApril 27, 2018<May 2, 2020

Wholehearted Obsession: A Conversation with FINNEAS

by Nicole Almeida
Von Sell © 2018
Features, Interviews, Music, PremieresApril 27, 2018<April 30, 2018

Premiere: Indulge in “Digital Sleep,” Von Sell’s Surreal Wake-Up Call

by Mitch Mosk
Wealthy West © Stefanie Rawlinson
Features, Music, ReviewsApril 27, 2018<June 1, 2018

Feature: The Wealthy West Dives into Soul-Stirring Depths on ‘The Right Regrets’

by Mitch Mosk
Lisa/Liza © Brian Doody
Music, ReviewsApril 27, 2018<April 27, 2018

Review: Coping with Trauma in Lisa/Liza’s Hauntingly Raw ‘Barn Coat’ EP

by Mitch Mosk
NEWMEN © Samira Lamprecht
Music, PremieresApril 27, 2018<April 26, 2018

Premiere: NEWMEN Seduce and Indulge in Pulsing “Trivial Pursuit”

by Mitch Mosk
Cold Fronts © Nicole Almeida
Concerts, Music, ReviewsApril 26, 2018<April 26, 2018

Live: Cold Fronts Bring Fantasy du Jour to Life in Philadelphia

by Nicole Almeida
Youngblood © Mandy Lyn Antoniou
Music, Music Videos, PremieresApril 26, 2018<April 26, 2018

Premiere: Love, Lust & Longing in Youngblood’s “Better When You’re Close”

by Mitch Mosk
Fort Gorgeous © Shervin Lainez
Debut, Music, PremieresApril 26, 2018<April 26, 2018

Premiere: Fort Gorgeous Dwells in Life’s Mysteries in “Wishing Well”

by Monica Mellon
Geographer © 2018
Music, Music Videos, PremieresApril 26, 2018<April 26, 2018

Video Premiere: Geographer’s “Lonely” Dwells in Intimate Reflection

by Mitch Mosk
Metal Mother © Kristen Cofer
Music, PremieresApril 26, 2018<April 25, 2018

Premiere: Metal Mother Embraces Mutation in “Pris,” a Passionate Surrender

by Mitch Mosk
Kyan Palmer & Haley Vassar © Jennifer Bush
Music, PremieresApril 26, 2018<April 26, 2018

Premiere: Love, Loss and Broken Hearts in Kyan Palmer & Haley Vassar’s “Somebody Else”

by Mitch Mosk
Madeline Kenney © Nicole Nygaard
Debut, Features, Interviews, MusicApril 26, 2018<April 26, 2018

Sunset Strolls & Life Lessons: A Conversation with Madeline Kenney

by Kaitlyn Zorilla
ethansroom © 2018
Music, PremieresApril 26, 2018<April 26, 2018

Premiere: “To Geneva,” ethansroom’s Poignant, Bittersweet Goodbye

by Mitch Mosk
Hein Cooper © Eve Thomas
Columns, Music, Today's SongApril 25, 2018<June 12, 2018

Today’s Song: Hein Cooper Returns with “Hear My Voice”

by Natalie Harmsen
Posts pagination
1 … 586 587 588 589 590 … 727

Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services