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Charles © Jacob Sztor
Music, PremieresMarch 29, 2018<March 29, 2018

Premiere: Dwell in the Sultry Surrender of Charles’ “Relax My Mind”

by Mitch Mosk
Hold Something album art - Tiger March
Debut, Music, ReviewsMarch 29, 2018<March 29, 2018

Track-by-Track: Tiger March Explore Love on Debut ‘Hold Something’

by Mitch Mosk
Girl Blue © AntiFragile Music
Music, Premieres, ReviewsMarch 29, 2018<March 29, 2018

Premiere: Girl Blue’s Swirling, Memory-Filled “Lolita”

by Mariel Fechik
Call Me By Your Name
Columns, Music, Sound TracksMarch 28, 2018<March 28, 2018

Sound Tracks: ‘Call Me By Your Name’ – When Music Becomes the Narrator

by Carmen Chan
Knox Hamilton © Connor Goad
Music, PremieresMarch 28, 2018<March 29, 2018

Premiere: “Trade My Trips” Is Knox Hamilton’s Ode to the Road

by Maggie McHale
Billie Eilish © Nicole Almeida
Concerts, Music, ReviewsMarch 28, 2018<March 28, 2018

Live: Billie Eilish and her Undeniable Star Quality Wow Philadelphia’s Coda

by Nicole Almeida
Honduras © Jeremy Cohen
Interviews, MusicMarch 28, 2018<March 28, 2018

Sticking to Roots While Constantly Evolving: A Conversation with Honduras

by Alexandra Graber
Kareen Lomax © Misfit HD
Music, PremieresMarch 28, 2018<March 28, 2018

Premiere: Connecting with Kareen Lomax’s Intimate Alt-Soul “Clothes”

by Mitch Mosk
Angie McMahon © Rhea Caldwell
Music, Reviews, This Just InMarch 28, 2018<March 27, 2018

This Just In: Angie McMahon’s “Missing Me” Burns with a Broken Heart

by Mitch Mosk
The Driver Era © Elias Tahan
Features, Interviews, MusicMarch 27, 2018<March 30, 2018

Keeping It Fresh: A Conversation with The Driver Era

by Maggie McHale
Jen Awad © Machete Bang Bang
Music, Music Videos, PremieresMarch 27, 2018<March 27, 2018

Premiere: Jen Awad Laments Nostalgic Longing on “Love Is Dead”

by Maggie McHale
Bright Kid © Kevin Rose
Debut, Music, PremieresMarch 27, 2018<March 27, 2018

Premiere: Bright Kid’s Anthemic Petition & Protest “Will You Stay”

by Mitch Mosk
Plutomania - Lavender Child
Music, Music Videos, PremieresMarch 27, 2018<March 27, 2018

Video Premiere: Lavender Child’s “Plutomania” Tells a Hauntingly Beautiful Cautionary Tale

by Lindsay Call
Losing You - Boy Pablo
Columns, Music, Today's SongMarch 27, 2018<March 26, 2018

Today’s Song: Dance Away Your Heartache with Boy Pablo’s “Losing You”

by Adrian Vargas
TIDES - Polaroid Summer
Music, Music Videos, ReviewsMarch 26, 2018<March 26, 2018

Behind the Scenes of Polaroid Summer’s Intense “TIDES”

by Mitch Mosk
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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