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BJ the Chicago Kid © J3
Features, Interviews, MusicMay 16, 2018<May 31, 2018

Moving Forward & Never Looking Back: A Conversation with BJ The Chicago Kid

by Adrian Vargas
Occlusions © 2018
Music, PremieresMay 16, 2018<May 16, 2018

Premiere: Occlusions Enchant and Indulge in “Become” & “Too Much”

by Mitch Mosk
Ward © 2018
Music, PremieresMay 16, 2018<May 15, 2018

Premiere: The Solemn Surrender of Ward’s “Soothe the Soul”

by Mitch Mosk
Nina Nesbitt © Wolf James // Sun Will Come Up
Features, Interviews, Music, ReviewsMay 15, 2018<June 12, 2018

Interview: Nina Nesbitt Dives into “The Sun Will Come Up, The Seasons Will Change”

by Mitch Mosk
Welshly Arms © Peter Larson
Features, Interviews, MusicMay 15, 2018<May 15, 2018

Interview: Welshly Arms Go “Down to the River” with Epic Glory

by Mitch Mosk
Family and Friends © Chelsea Kornse
Music, PremieresMay 15, 2018<May 15, 2018

Premiere: Family And Friends Come of Age in Fiery “PRSM”

by Mitch Mosk
Emily - Kim Anderson © Arielle Apfel
Music, Music Videos, PremieresMay 14, 2018<May 14, 2018

Premiere: Connection & Identity in Kim Anderson’s Driving Folk Ballad “Emily”

by Mitch Mosk
Soccer Mommy live © Nicole Almeida
Concerts, Music, ReviewsMay 14, 2018<May 14, 2018

Cheesesteaks, Catharsis, and Clean: Soccer Mommy Live at Johnny Brenda’s, Philadelphia

by Nicole Almeida
Feels - Rush Week
Debut, Features, Interviews, MusicMay 14, 2018<May 14, 2018

Feeling All the Feels: A Conversation with Rush Week

by Mitch Mosk
Seven Eight - Deanna Devore
Music, PremieresMay 14, 2018<May 14, 2018

Premiere: Deanna Devore’s Hypnotic, Heavy-Hearted “Seven Eight”

by Mitch Mosk
TENDERFOOT © Ash King
Music, Music Videos, PremieresMay 11, 2018<May 29, 2018

Premiere: Raise a Glass with Tenderfoot’s “She Calls,” an Ode to Good Times

by Mitch Mosk
Trevor Powers © Chris Schoonover
Columns, Debut, Music, Today's SongMay 11, 2018<May 11, 2018

Today’s Song: Trevor Powers’ Introspective “Playwright” Marks a Welcomed Return

by Adrian Vargas
Scott Hutchison © 2018, The Skinny
Essays, Features, MusicMay 11, 2018<May 11, 2018

In Memoriam: Frightened Rabbit and the Disintegration of Real of Rock Music

by Kelly Wynne
RAPHAELLA © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: The Euphoric Rush of Raphaella’s “Love-Sick”

by Mitch Mosk
Nausica © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: Nausica Indulge in Hazy Shadows on Dreamy “Black & White”

by Mitch Mosk
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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