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Aubrie Sellers © D0PE CINEMA
Essays, MusicMay 8, 2026<May 8, 2026

“We’ve Been Alone in This Long Enough”: An Essay by Aubrie Sellers

by Guest Writer
Daniel Arison © Amy Lee
Columns, Interviews, Music, Today's SongMay 8, 2026<May 8, 2026

Daniel Arison Turns Emotional Whiplash into Something Deeply Personal on “Sad”

by Aileen Goos
Zach Seabaugh © Libby Danworth
Columns, Music, Today's SongMay 7, 2026<May 7, 2026

“Taking Pictures I Can’t Wait to Show You”: Zach Seabaugh Offers a Heartfelt Ballad of Love, Distance, & Devotion with “I Am Only Ever Thinking About You”

by Ashley Littlefield
The Head and the Heart
Debut, Features, Interviews, MusicMay 7, 2026<May 7, 2026

“It’s Like I Went from Black and White to Color”: The Head and The Heart on 15 Years of Harmony, Friendship, & Open Roads

by Mitch Mosk
Beatrix © Makayla Keasler
Music, ReviewsMay 7, 2026<May 7, 2026

Swallowing the Sky Whole: Beatrix’s Gorgeous Reckoning with Love and Loss

by Nicolle Knapová
Jon Bryant © Aamir Ullah
Interviews, Music, PremieresMay 7, 2026<May 7, 2026

“Take the Wheel. Take a Breath. Take Heart”: Jon Bryant and Rose Betts Shine on “Take Heart,” a Breathtaking Folk Reverie of Healing, Presence, & Brotherly Love

by Mitch Mosk
Annabelle Dinda © Yashavi Upasani
Concerts, Music, ReviewsMay 6, 2026<May 6, 2026

Annabelle Dinda Dazzles Boston’s Brighton Music Hall with a Triumphant Kickoff to Her Sold-Out Headline Tour

by Yashavi Upasani
Anyhow © Gabe Drechsler
Debut, Features, Interviews, MusicMay 6, 2026<May 6, 2026

“It’s the Magic of the Seventh-Grade Hangout”: How Anyhow’s Nick Cianci and Dan Harris Transformed Their Harmonious Passion for Music into a Dynamic Signature Sound

by Emily Weatherhead
Michele Bry © Hélène Tchen Cardenas
Debut, Features, Interviews, MusicMay 5, 2026<May 6, 2026

Looping Lyrics & Looney Tunes: Michele Bry Bottles Nostalgia into Perfume on Her Debut Mixtape ‘Essentials Vol. 1’

by Guest Writer
Livingmore © 2026
Features, Interviews, MusicMay 5, 2026<May 6, 2026

The Twelve-Year Fire: Livingmore on Love, Creativity, Identity, Independence, & the Kindness of Japan’s Music Scene

by Guest Writer
Mount St. Helen "Nineteen" © Finlay Yates
Interviews, Music, Today's SongMay 5, 2026<May 5, 2026

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret

by Mitch Mosk
Gay Meat © Nick O'Reilly
Debut, Music, ReviewsMay 4, 2026<May 4, 2026

“I’d Know Your Face from Anywhere”: Gay Meat Creates a Musical Memorial with ‘Blue Water’

by James Crowley
Pierre Da Silva "Taboo" © Garreth Chan
Interviews, Music, Today's SongMay 4, 2026<May 4, 2026

“I Feel Freed”: Hackney’s Pierre Da Silva Surrenders to Temptation on “Taboo,” a Smoldering, Soul-Soaked Seduction

by Mitch Mosk
Friko 'Something Worth Waiting For' album art
Music, ReviewsMay 4, 2026<May 4, 2026

Friko Clean Up by Getting Messy in ‘Something Worth Waiting For’

by Yashavi Upasani
Atwood Magazine's Weekly Roundup | May 1, 2026
Columns, Features, Music, Weekly RoundupMay 1, 2026<May 19, 2026

Atwood Magazine’s Weekly Roundup: May 1, 2026

by Atwood Magazine Staff
Posts pagination
1 … 4 5 6 7 8 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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