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Charlotte Day Wilson © 2017
Columns, Music, Today's SongNovember 22, 2017<November 22, 2017

Today’s Song: Charlotte Day Wilson’s Solo Return Gracefully Booms with “Doubt”

by Sydney Sweeney
No Kind of Rider © 2017
Debut, Music, PremieresNovember 21, 2017<November 21, 2017

Premiere: Love Flows in No Kind of Rider’s Evocative Debut “Distinct”

by Mitch Mosk
Liam Gallagher © RANKIN 8
Music, Our Take, ReviewsNovember 21, 2017<September 5, 2023

Our Take: No More Oasis, No Worries for Liam Gallagher on ‘As You Were’

by Josh Weiner
"Echo Chamber" - Jared Mees
Music, Music Videos, PremieresNovember 21, 2017<November 21, 2017

Video Premiere: Thanksgiving Dinner Goes Rogue in Jared Mees’ “Echo Chamber”

by Mitch Mosk
Corey Kilgannon © 2017
Debut, Features, Music, Our Take, ReviewsNovember 21, 2017<November 21, 2017

Feature: Diving into The Depth & Humanity of Corey Kilgannon’s ‘The Hollow II’

by Mitch Mosk
Jess Nolan © 2017
Music, PremieresNovember 21, 2017<November 21, 2017

Premiere: Jess Nolan Soulfully Embraces Her “Mistakes”

by Mitch Mosk
Vundabar © 2017
Columns, Music, Today's SongNovember 21, 2017<April 26, 2018

Today’s Song: Vundabar’s Burning Catchiness with New Single “Acetone”

by Danny Dyer
Lake Jons © 2017
Features, Music, PremieresNovember 20, 2017<November 20, 2017

Premiere: Lake Jons “Breathe Out the Fumes” with Empowering Passion

by Mitch Mosk
VEMO © 2017
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017

Premiere: The Driving Lament of VEMO’s “My Sad 71”

by Mitch Mosk
Big Hair Girls © MBKoeth
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017

Premiere: Party with Big Hair Girls’ Euphoric and Empowering “Yas Kween”

by Mitch Mosk
HAWK © James Byrne
Columns, Music, Today's SongNovember 20, 2017<November 21, 2017

Today’s Song: HAWK’s Activism Goes Anthemic in “Can’t Explain”

by Lindsay Call
The Rigs © 2017
Music, Music Videos, PremieresNovember 17, 2017<November 17, 2017

Video Premiere: The Rigs Assert Intimate Independence in “The Hunted”

by Mitch Mosk
Features, Music, ReviewsNovember 17, 2017<November 17, 2017

A Decade Later: A Track-by-Track Review of Aly & AJ’s ‘Ten Years’

by Kelly Wynne
OYLs © 2017
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: OYLS Keep It Light on Electric Tribute, “Jerry”

by Mitch Mosk
keilan creech © Seth Caskey
Debut, Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Keilan Creech Debuts Haunting ‘Honey Waits’ with Indie Folk Perfection

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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