• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Born Stranger © 2018
Music, PremieresJanuary 24, 2018<January 25, 2018

Premiere: Born Stranger & Vivienne Chi Embrace the “Pain” of Love

by Mitch Mosk
Chris Thile © Devin Pedde
Columns, Music, Today's SongJanuary 24, 2018<January 24, 2018

Today’s Song: Chris Thile and Sarah Jarosz’s Ode to “Modern Friendship”

by Mariel Fechik
JAIE © 2018
Debut, Features, Music, ReviewsJanuary 23, 2018<February 16, 2018

EP Review: JAIE Lights a Fire with Intimate Electro-RnB Debut ‘December’

by Mitch Mosk
White Lies - White Lies - WarmingWarming
Music, PremieresJanuary 23, 2018<January 23, 2018

Premiere: Warming’s Sunny “White Lies” Dives into Addiction

by Mitch Mosk
Aisha Badru © Neda Bridgeman
Debut, Features, Interviews, MusicJanuary 23, 2018<January 23, 2018

Evocative and Understated: A Conversation with Aisha Badru

by Baylee Less
Lake Jons © 2017
Debut, Features, Music, Our Take, ReviewsJanuary 23, 2018<April 12, 2019

Our Take: Lake Jons Turn Isolation into Connection in Emotive & Timeless Debut

by Mitch Mosk
Karen Souza © 2018
Columns, Music, Today's SongJanuary 23, 2018<February 9, 2018

Today’s Song: Karen Souza Is No One-Trick Vixen in “You Got That Something”

by Ilana Kalish
City of Union © 2018
Music, PremieresJanuary 22, 2018<January 22, 2018

EP Premiere: ‘Birds of Paradise,’ City of Union’s 4-Sided Emotional Tapestry

by Mitch Mosk
You or Nothing - FERGUS
Debut, Music, Music Videos, PremieresJanuary 22, 2018<January 22, 2018

Video Premiere: A Heartfelt Surrender in FERGUS’ Stunning Debut “You or Nothing”

by Mitch Mosk
"Papercut" screenshot © Tokyo Taboo
Music, Music Videos, PremieresJanuary 22, 2018<January 22, 2018

Video Premiere: Tokyo Taboo Get Bloody in “Papercut”

by Lindsay Call
Columns, Music, Today's SongJanuary 22, 2018<January 22, 2018

Today’s Song: Titus Andronicus Shoot for a Greater Ambition on “Number One (In New York)”

by James Crowley
Columns, Debut, Music, Music You Should Know, ReviewsJanuary 19, 2018<January 19, 2018

Music You Should Know: Infectious Rock & Complicated Relationships on Alex Lahey’s Debut ‘I Love You Like a Brother’

by Nicole Almeida
Kailee Morgue © Catie Laffoon
Debut, Features, Interviews, Music, ReviewsJanuary 19, 2018<January 31, 2018

Dark Spells & Light Dreams: A Conversation with Kailee Morgue

by Mitch Mosk
Atwood Magazine's Weekly Roundup 1-19-2018
Columns, Music, Weekly RoundupJanuary 19, 2018<January 23, 2018

Atwood Magazine’s Weekly Roundup: January 19, 2018

by Atwood Magazine Staff
The Minnesota Child © 2018
Music, PremieresJanuary 19, 2018<January 19, 2018

Premiere: The Minnesota Child Lace Hope & Resilience into “Stay with Me”

by Mitch Mosk
Posts pagination
1 … 609 610 611 612 613 … 727

Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services