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The 1975
Features, MusicJanuary 2, 2018<January 19, 2018

The Sound of Somebody Else: How The 1975 Are Changing Music

by Kelly Wynne
Atwood Magazine's 2017 Albums of the Year
Features, Music, News, ReviewsDecember 29, 2017<January 25, 2018

Atwood Magazine’s 2017 Albums of the Year

by Atwood Magazine Staff
treesreach © 2017
Debut, Music, PremieresDecember 21, 2017<December 21, 2017

Premiere: treesreach Dwell in the Somber Warmth of “Crowds and Loud Noises”

by Mitch Mosk
Oddnesse © 2017
Columns, Music, Today's SongDecember 20, 2017<December 20, 2017

Today’s Song: Oddnesse’s “I Used To” Is a Poignant & Refreshing Breakup Song

by Mitch Mosk
Tender © 2017 9
Columns, Music, Music You Should Know, Our Take, ReviewsDecember 20, 2017<April 17, 2023

Music You Should Know: TENDER Explore Peace and Discord Through ‘Modern Addiction’

by Maggie McHale
Weezer © Crush Music
Columns, Music, Today's SongDecember 19, 2017<December 19, 2017

Today’s Song: Weezer’s “Get Right” is the Perfect Bummer Song

by Monica Mellon
Girls Like You - DENNY
Music, Music Videos, PremieresDecember 19, 2017<January 3, 2018

Premiere: DENNY Hail “Girls Like You” with Youth, Passion, and Reckless Abandon

by Mitch Mosk
Mahalia © 2017
Columns, Music, Today's SongDecember 18, 2017<December 18, 2017

Today’s Song: Mahalia Is Casual and Effortless on “No Pressure”

by Matthew Tordoff
Waste My Time - CAPPA
Features, Music, Music Videos, Reviews, This Just InDecember 15, 2017<December 15, 2017

This Just In: CAPPA Flexes Her Confidence & Charisma in “Waste My Time”

by Mitch Mosk
PHANGS © 2017
Music, Reviews, This Just InDecember 15, 2017<December 15, 2017

This Just In: PHANGS Can’t Take His “Eyes Off You”

by Maggie McHale
Atwood Magazine’s Best Music Videos of 2017
Features, Music, Music Videos, NewsDecember 15, 2017<January 8, 2019

Atwood Magazine’s Best Music Videos of 2017

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup 12-15-2017
Columns, Features, Music, Weekly RoundupDecember 15, 2017<December 20, 2017

Atwood Magazine’s Weekly Roundup: December 15, 2017

by Atwood Magazine Staff
Peyton McMahon © Zack Smith Photography
Music, PremieresDecember 15, 2017<December 15, 2017

Premiere: Peyton McMahon’s “Tell Me Why” Blends Fire and Fury

by Mitch Mosk
Aisha Badru © Neda Bridgeman
Columns, Music, Music Videos, Today's SongDecember 15, 2017<December 18, 2017

Today’s Song: The Agonizing, Underlying Truth in Aisha Badru’s Video for “Bridges”

by Baylee Less
Peace © 2017
Columns, Features, Music, Reviews, This Just InDecember 14, 2017<January 3, 2018

This Just In: “From Under Liquid Glass,” Peace’s Mental Health Anthem

by Mitch Mosk
Posts pagination
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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