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Harry Pane Beautiful Life
Features, Music, PremieresFebruary 14, 2018<February 15, 2018

Premiere: The Haunting Embrace of Harry Pane’s “Beautiful Life”

by Mitch Mosk
Music, PlaylistsFebruary 14, 2018<February 16, 2018

Valentine’s Day Playlists: With and Without Love, Atwood Magazine

by Atwood Magazine Staff
Living a Lie - Royal Canoe
Music, Music Videos, PremieresFebruary 14, 2018<February 14, 2018

Video Premiere: Royal Canoe’s “Living a Lie” Explores Intimacy & Taboo Desire

by Mitch Mosk
Tyler Sjostrom © Kevin J. Rose
Features, Music, PremieresFebruary 14, 2018<February 14, 2018

Premiere: Tyler Sjöström Dwells in the Throes of Love on “I Don’t Know You Don’t Know”

by Mitch Mosk
Beautiful People Will Ruin Your Life - The Wombats album art
Features, Music, Reviews, RoundtableFebruary 14, 2018<June 29, 2024

Roundtable Discussion: A Review of The Wombats’ ‘Beautiful People Will Ruin Your Life’

by Atwood Magazine Staff
MILKK © Ryan Smallhands
Columns, Music, Today's SongFebruary 14, 2018<August 21, 2023

Today’s Song: MILKK’s New Track Is Cool as Ice and Sweet as Sugar

by Sara Santora
More Giraffes © Jasmine Safaeian
Columns, Debut, Music, Today's SongFebruary 13, 2018<February 13, 2018

Today’s Song: Chill Out to More Giraffes’ Euphoric Debut Single “Basement”

by Mitch Mosk
Natti Vogel © 2018
Music, ReviewsFebruary 13, 2018<April 26, 2018

Review: Natti Vogel Dissects Modern Relationships on ‘Serving Body’ EP

by James Crowley
Nadia Kazmi © Krisanne Johnson
Music, Music Videos, PremieresFebruary 13, 2018<February 13, 2018

Video Premiere: Nadia Kazmi’s Intimately Dark “Like a Cat”

by Mitch Mosk
Nina Nesbitt © Julia Underwood, "Somebody Special
Features, Interviews, MusicFebruary 13, 2018<March 6, 2018

Making Pop Personal: A Conversation with Nina Nesbitt

by Baylee Less
Arms Akimbo © 2018
Music, PremieresFebruary 13, 2018<February 13, 2018

Premiere: Arms Akimbo Ignite with Fiery Grace on “Seven Mirrors”

by Mitch Mosk
Derrival © AntiFragile Music
Debut, Features, Music, PremieresFebruary 13, 2018<February 16, 2018

Album Premiere: Energy & Emotion Swell on Derrival’s Dynamic Debut

by Mitch Mosk
Belle of the Fall © Mike Marques
Music, PremieresFebruary 12, 2018<February 12, 2018

Premiere: “Rise Up” with Belle of the Fall’s Uplifting Folk Beauty

by Mitch Mosk
Ruins - First Aid Kit
Features, Music, ReviewsFebruary 12, 2018<February 16, 2018

Review: First Aid Kit’s Ruins, Calling Our Hearts Home to Heal

by Ilana Kalish
DENNY © 2017
Features, Music, PremieresFebruary 12, 2018<February 12, 2018

Premiere: “Something Furious,” DENNY’s Entrancing Love-Soaked Euphoria

by Mitch Mosk
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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