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Listener © Kevin Scullion
Music, PremieresOctober 10, 2017<October 10, 2017

Premiere: Listener Marry Poetry and Post-Hardcore with “Shock and Value”

by James Crowley
Agnes - Glass Animals
Features, Music, ReviewsOctober 9, 2017<December 15, 2020

The Fragile, Overwhelming Power of Glass Animals’ “Agnes”

by Mitch Mosk
The Fluids © Jordan Kuyper
Music, PremieresOctober 9, 2017<October 9, 2017

Premiere: The Fluids’ Timeless Rock and Emotion in “Just Like Me”

by Nicole Almeida
Pain / Ache / Loving - Hunny
Columns, Music, Music You Should KnowOctober 9, 2017<October 9, 2017

Music You Should Know: Two Years Later, ‘Pain / Ache / Loving’ is Still HUNNY’s Best

by Sydney Sweeney
INHEAVEN © 2017
Music, Our Take, ReviewsOctober 5, 2017<October 5, 2017

Our Take: INHEAVEN’s Timely Album is Just What a Debut Should Be

by Lindsay Call
Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”
Music, PremieresOctober 5, 2017<October 9, 2017

Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”

by Nicole Almeida
FEATURE: Oshin Dives Deep into Purposeful Experimental Pop
Features, Interviews, MusicOctober 2, 2017<October 2, 2017

FEATURE: Oshin Dives Deep into Purposeful Experimental Pop

by Sydney Sweeney
Music, Reviews, This Just InSeptember 29, 2017<September 29, 2017

The World Is A Beautiful Place & I Am No Longer Afraid To Die Recall the Past and Call for Action in the Future on ‘Always Foreign’

by James Crowley
Music, Our Take, ReviewsSeptember 28, 2017<September 28, 2017

Our Take: Vince Staples Avoids the Sophomore Slump with the Stunning ‘Big Fish Theory’

by Josh Weiner
Interviews, MusicSeptember 28, 2017<September 28, 2017

Dodging Stereotypes and American Dreaming: A Conversation with Canshaker Pi

by Alexandra Graber
Music, Music You Should KnowSeptember 27, 2017<March 10, 2021

Messages Without eXception: Introducing Allie X

by Kelly Wynne
Music, Today's SongSeptember 27, 2017<September 27, 2017

Today’s Song: NAO’s “Nostalgia” is a Long-Awaited Comeback

by Sydney Sweeney
Interviews, Music, PremieresSeptember 27, 2017<September 27, 2017

Premiere: Bruiser Queen Is Feeling “Sugar High” On Life

by Baylee Less
Music, Today's SongSeptember 25, 2017<September 25, 2017

Today’s Song: Challenging Concepts of Love, Ambiguity and Gender Performance On Duckwrth’s “Boy”

by Brandon Payano
Music, Today's SongSeptember 22, 2017<September 22, 2017

Today’s Song: Sink into the “WATR” with REGN

by Alex Killian
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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