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Music, PremieresSeptember 14, 2017<September 13, 2017

Premiere: Remembering and Forgetting on LeRiche’s “River Runs”

by Natalie Harmsen
Music, PremieresSeptember 14, 2017<September 14, 2017

Album Premiere: Church Girls Acknowledge the Trials of Everyday Life in ‘Hidalgo’

by Josh Weiner
Concerts, Music, ReviewsSeptember 13, 2017<September 13, 2017

Live Review: Vesperteen, PHANGS, and The Band CAMINO at the Hi-Tone Cafe

by Baylee Less
Wolf Alice © Laura Allard Fleischl
Features, Interviews, MusicSeptember 12, 2017<September 12, 2017

Back, Bolder, and Better: A Conversation with Wolf Alice

by Nicole Almeida
Hudson Thames © 2017
Features, Interviews, MusicSeptember 8, 2017<July 18, 2023

The Sound of Timeless Youth: A Conversation with Hudson Thames

by Ethan Germann
The National Parks © 2017
Features, Music, PremieresSeptember 8, 2017<September 8, 2017

Premiere: Passion & Perseverance in The National Parks’ Driving “Currents”

by Mitch Mosk
Music, Music Videos, PremieresSeptember 8, 2017<September 8, 2017

Video Premiere: Waxing Cybernetic in Paper Chains’ “Close 2 Me”

by Ethan Armbrust
See Her Tonight - J Marco 2017
Music, PremieresSeptember 7, 2017<September 7, 2017

Premiere: Love, Hope, and Hunger in J. Marco’s Anthemic “See Her Tonight”

by Mitch Mosk
Concerts, Music, ReviewsSeptember 7, 2017<September 7, 2017

Live Review: Photay’s Magnetic Show at Baby’s All Right

by Carmen Chan
Interviews, MusicSeptember 7, 2017<September 8, 2017

A Musical Journey Filled With Compassion and a Non-Passive Attitude: A Conversation with SondorBlue

by Alexandra Graber
j hacha de zola © Miguel Peralta Jr.
Music, PremieresSeptember 6, 2017<September 6, 2017

Premiere: The Chaos and Fury of J Hacha de Zola’s “March of the Hollowmen”

by Mitch Mosk
Interviews, MusicSeptember 5, 2017<September 5, 2017

A Necessary Evolution: A Conversation with James Vincent McMorrow

by Atwood Magazine Staff
Music, Our Take, ReviewsSeptember 5, 2017<September 5, 2017

Our Take: Luke Christopher’s TMRWFRVR, A Movement For The Future

by Ethan Germann
Rob Lowry © Brendan Lowry
Interviews, Music, Sound TracksSeptember 5, 2017<September 5, 2017

Music Supervisor Spotlight: A Glimpse Into the Mind of Humbly Brilliant Rob Lowry

by Kelly McCafferty Dorogy
Anatomy of Frank © 2017
Features, Music, PremieresAugust 31, 2017<August 31, 2017

Album Premiere: The Anatomy of Frank Find Warmth in the Cold on ‘South America’

by Mitch Mosk
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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