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Debut, Interviews, MusicSeptember 22, 2017<November 27, 2017

New Beginnings and Falling into Pieces: A Conversation with Cape Francis

by Kelly Wynne
Music, Music Videos, PremieresSeptember 21, 2017<September 22, 2017

Premiere: Todd Kessler Brings All of Autumn’s Melancholy on “The Letter”

by James Crowley
Features, Interviews, MusicSeptember 21, 2017<September 25, 2017

All Things Must Pass: A Conversation with Dan Croll

by Maggie McHale
Columns, Music, Music Videos, ViewfinderSeptember 21, 2017<May 16, 2023

Viewfinder: Revolution and Witches – Imagining Alternate Worlds through Stop Motion Animation

by Carmen Chan
Music, Music You Should KnowSeptember 20, 2017<September 20, 2017

Music You Should Know: Easing Out of Summer with Twin Peaks

by Olivia Perry
Music, Our Take, ReviewsSeptember 20, 2017<September 21, 2017

Our Take: You Don’t Know Jorja Smith Until You Know ‘Project 11’

by Sydney Sweeney
Interviews, MusicSeptember 19, 2017<September 19, 2017

Unconscious Stream-of-Consciousness: A Conversation with Lina Tullgren

by James Crowley
The National © Graham MacIndoe
Features, Music, ReviewsSeptember 19, 2017<January 3, 2018

On Vulnerability and Musical Warmth: Introducing The National’s ‘Sleep Well Beast’

by Atwood Magazine Staff
flatsound © 2015
Music, Music You Should Know, ReviewsSeptember 19, 2017<September 19, 2017

Music You Should Know: On Music & Mental Health in flatsound’s Latest Album

by Urooj Ali Rizvi
Music, Today's SongSeptember 19, 2017<September 19, 2017

Today’s Song: Daz Rinko Talks About That “Black Boy Joy”

by Baylee Less
Sløtface © Victoria Stevens
Debut, Features, Interviews, Music, ReviewsSeptember 18, 2017<September 18, 2017

On Teen Sleuths, Breakups with Body Image, & Freaking Out: A Conversation with Sløtface

by Lindsay Call
QTY © Danny North
Columns, Features, Music, This Just In, Today's SongSeptember 18, 2017<October 5, 2017

This Just In: The Confessional Brilliance of QTY’s “Michael”

by Nicole Almeida
Agnes, No Surprises viewfinder
Columns, Music, Music Videos, ViewfinderSeptember 15, 2017<October 13, 2017

Viewfinder: “Agnes” & “No Surprises” Symbolize Emotional Pain Through Physical Agony

by Carmen Chan
Features, Music, Music Videos, PremieresSeptember 15, 2017<October 10, 2017

Video Premiere: The Natural Warmth & Beauty of Ásgeir’s “I Know You Know”

by Mitch Mosk
Music, Today's SongSeptember 14, 2017<September 14, 2017

Today’s Song: Moses Sumney’s Insular and Intimate “Indulge Me”

by Mariel Fechik
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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