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RIVVRS © David Cano
Music, Music Videos, PremieresFebruary 8, 2018<February 8, 2018

Premiere: RIVVRS Blasts Off on Raw, Reflective “Don’t Wanna Know”

by Mitch Mosk
Gregory Ackerman © Henry Burge
Debut, Music, PremieresFebruary 8, 2018<June 20, 2024

Premiere: Gregory Ackerman Falls for Everything in “Keep Falling”

by Natalie Harmsen
Knees - Mr. Carnivore
Columns, Music, Reviews, Today's SongFebruary 8, 2018<February 7, 2018

Today’s Song: Mr. Carnivore’s “Knees” Taps into Intimacy’s Darkness

by Mitch Mosk
9 to 5 - Harrison Brome
Columns, Music, Today's SongFebruary 7, 2018<February 12, 2018

Today’s Song: Harrison Brome Chills Out on “9 to 5”

by Natalie Harmsen
As She Pleases - Madison Beer
Features, Music, Our Take, ReviewsFebruary 7, 2018<February 7, 2018

Our Take: Madison Beer Does It Her Way on ‘As She Pleases’ EP

by Ethan Germann
Long Neck © Lucie Murphy
Features, Music, ReviewsFebruary 7, 2018<February 7, 2018

Review: Long Neck’s ‘Will This Do?’ Subverts Femininity While Examining Catastrophe of Loss

by Carolyn Fasone
LE∆DR © Margo Victor
Debut, Music, PremieresFebruary 7, 2018<February 7, 2018

Premiere: The Ethereal White Energy of LE∆DR’s Debut “Waves”

by Mitch Mosk
Daughter © Sonny Malhotra
Columns, Music, Today's SongFebruary 7, 2018<December 21, 2022

Today’s Song: Daughter Explore Friendship & Heartache on “A Hole in the Earth”

by Matthew Tordoff
Sixteen Jackies © Dakota Allen
Debut, Music, PremieresFebruary 7, 2018<February 7, 2018

Premiere: Sixteen Jackies Paint the Beauty & Fear of New Love with “You Came”

by James Crowley
Jordan Tyler © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: Jordan Tyler’s Intoxicating, Lovelorn Debut “Hungover”

by Mitch Mosk
Anna Altar © Sarah Thompson
Debut, Music, PremieresFebruary 6, 2018<March 27, 2018

Premiere: Anna Altar’s Debut “Like You” Captures Connection’s Beauty & Pain

by Mitch Mosk
Swerve © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: “Lose Control” with Swerve’s Sunny Feelgood Vibes

by Mitch Mosk
Jane Church © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: Fuzz-Rock Dreams in Jane Church’s “Rocket to the Kremlin”

by Mitch Mosk
Holy Pink © Clementine Leger
Debut, Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: Holy Pink’s Lush, Atmospheric Meditation, “Fragrant”

by Mariel Fechik
Matador Soul Sounds © Ashley LaBlonde, Wide Eyed Studios
Music, PremieresFebruary 5, 2018<February 5, 2018

Premiere: Matador! Soul Sounds’ Vibrant “Too Late” Is Right on Time

by Mitch Mosk
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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