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Liam Gallagher © RANKIN 8
Music, Our Take, ReviewsNovember 21, 2017<September 5, 2023

Our Take: No More Oasis, No Worries for Liam Gallagher on ‘As You Were’

by Josh Weiner
"Echo Chamber" - Jared Mees
Music, Music Videos, PremieresNovember 21, 2017<November 21, 2017

Video Premiere: Thanksgiving Dinner Goes Rogue in Jared Mees’ “Echo Chamber”

by Mitch Mosk
Corey Kilgannon © 2017
Debut, Features, Music, Our Take, ReviewsNovember 21, 2017<November 21, 2017

Feature: Diving into The Depth & Humanity of Corey Kilgannon’s ‘The Hollow II’

by Mitch Mosk
Jess Nolan © 2017
Music, PremieresNovember 21, 2017<November 21, 2017

Premiere: Jess Nolan Soulfully Embraces Her “Mistakes”

by Mitch Mosk
Vundabar © 2017
Columns, Music, Today's SongNovember 21, 2017<April 26, 2018

Today’s Song: Vundabar’s Burning Catchiness with New Single “Acetone”

by Danny Dyer
Lake Jons © 2017
Features, Music, PremieresNovember 20, 2017<November 20, 2017

Premiere: Lake Jons “Breathe Out the Fumes” with Empowering Passion

by Mitch Mosk
VEMO © 2017
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017

Premiere: The Driving Lament of VEMO’s “My Sad 71”

by Mitch Mosk
Big Hair Girls © MBKoeth
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017

Premiere: Party with Big Hair Girls’ Euphoric and Empowering “Yas Kween”

by Mitch Mosk
HAWK © James Byrne
Columns, Music, Today's SongNovember 20, 2017<November 21, 2017

Today’s Song: HAWK’s Activism Goes Anthemic in “Can’t Explain”

by Lindsay Call
The Rigs © 2017
Music, Music Videos, PremieresNovember 17, 2017<November 17, 2017

Video Premiere: The Rigs Assert Intimate Independence in “The Hunted”

by Mitch Mosk
Features, Music, ReviewsNovember 17, 2017<November 17, 2017

A Decade Later: A Track-by-Track Review of Aly & AJ’s ‘Ten Years’

by Kelly Wynne
OYLs © 2017
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: OYLS Keep It Light on Electric Tribute, “Jerry”

by Mitch Mosk
keilan creech © Seth Caskey
Debut, Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Keilan Creech Debuts Haunting ‘Honey Waits’ with Indie Folk Perfection

by Mitch Mosk
Monikers © Lucero Photography
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Monikers’ Frigid and Fiery “Glacial Pace”

by Mitch Mosk
Atwood Magazine's Weekly Roundup 11-17-2017
Columns, Music, Weekly RoundupNovember 17, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: November 17, 2017

by Atwood Magazine Staff
Posts pagination
1 … 619 620 621 622 623 … 727

Brand New

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

:: discover something new ::

Recent Posts

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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