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Kayobe © 2018
Debut, Features, Music, PremieresJanuary 18, 2018<January 18, 2018

EP Premiere: Kayobe Unveils Debut ‘Hidden’ with Nuance & Grace

by Mitch Mosk
HARDCASTLE © Caleigh Wells
Music, PremieresJanuary 18, 2018<January 18, 2018

Premiere: The Pulsing, Heavy Warmth of HARDCASTLE’s “What You Want”

by Mitch Mosk
Drew Barrymore - SZA still
Columns, Music, Today's SongJanuary 18, 2018<January 17, 2018

Today’s Song: SZA’s “Drew Barrymore” Tackles Vulnerability with Feminine Confidence

by Kelly Wynne
Hurt Somebody - Noah Kahan
Debut, Music, ReviewsJanuary 17, 2018<January 17, 2018

EP Review: Noah Kahan’s ‘Hurt Somebody’ Triumphs with Heartache & Doubt

by Mitch Mosk
JJ Adrian © Leviosa Minds Photography
Music, PremieresJanuary 17, 2018<January 17, 2018

Premiere: JJ Adrian Redefines Himself with R&B Sensibilities of “Tell Me”

by Brandon Payano
Camila Cabello © 2018
Debut, Features, Music, Our Take, ReviewsJanuary 17, 2018<January 17, 2018

Camila Cabello’s Raw, Vulnerable & Provocative Debut ‘Camila’: A Track-by-Track Review

by Kevin Young
War Stories - Unwoman
Features, Music, PremieresJanuary 17, 2018<January 17, 2018

Album Premiere: Unwoman Wages ‘War Stories’ with Feminine Fury

by Mitch Mosk
Stuck with Me - The Neighbourhood
Columns, Music, Today's SongJanuary 17, 2018<January 17, 2018

Today’s Song: The Neighbourhood Stay Solemn with “Stuck with Me”

by Natalie Harmsen
The Fleeting Ends © 2018
Debut, Music, PremieresJanuary 16, 2018<January 17, 2018

Premiere: The Fleeting Ends Unleash “20 Something” with Youthful Passion & Nostalgic Fury

by Mitch Mosk
Damen Easton © 2018
Music, PremieresJanuary 16, 2018<January 16, 2018

Premiere: Damen Easton Debuts “Other Side of the Glass” with Love & Isolation

by Mitch Mosk
SLØTFACE © Jonathan Vivaas Kise
Columns, Concert Conversations, Concerts, Music, ReviewsJanuary 16, 2018<January 16, 2018

LIVE: “Scandinavian Enthusiasm” & More — Sløtface at The Echo, LA

by Lindsay Call
POST- Jeff Rosenstock art
Features, Music, ReviewsJanuary 16, 2018<January 16, 2018

Review: Jeff Rosenstock Returns to Straightforward Punk Roots on POST-

by James Crowley
Somebody Special - Nina Nesbitt art
Music, This Just InJanuary 16, 2018<January 16, 2018

This Just In: Nina Nesbitt Reminds Us Why She’s “Somebody Special”

by Baylee Less
Jeff Rosenstock 2017 live in NYC
Columns, Concert Conversations, Music, ReviewsJanuary 12, 2018<January 12, 2018

LIVE: Jeff Rosenstock Brings the Dread and Love of Worry to Brooklyn

by James Crowley
Atwood Magazine's Weekly Roundup 1-12-2018
Columns, Features, Music, Weekly RoundupJanuary 12, 2018<January 12, 2018

Atwood Magazine’s Weekly Roundup: January 12, 2018

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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