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Street Joy © 2017
Music, Music Videos, PremieresNovember 17, 2017<November 17, 2017

Video Premiere: High-Energy Swells on Street Joy’s Lax “Do A Thing”

by Kendall Graham
Reputation - Taylor Swift © Mert & Marcus
Features, Music, Reviews, RoundtableNovember 17, 2017<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘Reputation’

by Atwood Magazine Staff
Ekurtis © 2017
Music, PremieresNovember 17, 2017<November 16, 2017

EP Premiere: Ekurtis’ ‘Part II’ Reaches Bittersweet Resolve

by Mitch Mosk
LIEZA © 2017
Music, PremieresNovember 16, 2017<November 16, 2017

Premiere: LIEZA’s Intimate & Empowering Anthem “Don’t Make Me Dance”

by Mitch Mosk
Broke Royals © Sound Snap Photography
Debut, Features, Music, PremieresNovember 16, 2017<November 16, 2017

Album Premiere: Broke Royals Break the Mold with Multi-Layered Debut

by Sara Santora
Harlee © Mara Yamnicky (Hosh Gureli)
Music, PremieresNovember 16, 2017<November 16, 2017

Premiere: Harlee’s “Venom” Burns with Pop-Filled Betrayal

by Kelly McCafferty Dorogy
Gayle Skidmore © 2017
Music, Music Videos, PremieresNovember 16, 2017<November 16, 2017

Premiere: Gayle Skidmore’s “Pale Ghosts” World Fully Encompasses You

by James Crowley
Mariah Carey
Columns, Music, Nostalgia TracksNovember 16, 2017<November 22, 2017

Nostalgia Tracks: Mariah Carey Teaches Us “Bye Bye”s Aren’t Forever

by Kevin Young
Flying Lotus 3D Tour 2017
Columns, Concert Conversations, Concerts, MusicNovember 15, 2017<November 15, 2017

Live: Flying Lotus’ Mind-Bending 3D Show at Brooklyn Steel

by Carmen Chan
Speedy Anejo - Antagonista
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: The Anxious Intensity of Antagonista’s “Speedy Anejo”

by Mitch Mosk
We Can Die Happy - Tennis
Features, Music, Our Take, ReviewsNovember 15, 2017<December 11, 2017

Our Take: The Dreamy Depths of Tennis’ Magical ‘We Can Die Happy’ EP

by Mitch Mosk
Elwell © 2017
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: Elwell “Claps” for Clarity and Closure

by Mitch Mosk
Sleight of Hand © POP ETC
Features, Music, Music Videos, PremieresNovember 15, 2017<November 15, 2017

Premiere: POP ETC’s Dreamy “Sleight of Hand” Begs for Balance in Chaos

by Mitch Mosk
Mountain - LA River Bend
Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: LA River Bend’s Fearless Folk-Rock Anthem “Mountain”

by Mitch Mosk
EZI © 5Town Records
Debut, Features, Interviews, MusicNovember 14, 2017<November 20, 2017

Embracing the Dark: A Conversation with EZI

by Kelly Wynne
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Brand New

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

:: discover something new ::

Recent Posts

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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